Finding that he still remained absorbed in contemplation, Octavian's friends returned to where he stood; and Max, touching his shoulder, caused him to start like one surprised in a secret. Evidently Octavian had not been aware of the approach of Max or Fabio.

"Come, Octavian," exclaimed Max, "do not stay lingering whole hours before every cabinet, else we shall get late for the train and miss seeing Pompeii to-day."

"What is our comrade looking at?" asked Fabio, drawing near. "Ah, the imprint found in the house of Arrius Diomedes!" And he turned a peculiar, quick glance upon Octavian.

Octavian slightly blushed, took Max's arm, and the visit terminated without further incident. On leaving the Studii Museum, the three friends entered a corricolo, and were driven to the railway station. The corricolo, with its great red wheels, its tracket seat studded with brass nails, and its thin, spirited horse harnessed like a Spanish mule, and galloping at full speed over the great slabs of lava pavement, is too familiar to need description here, especially as we are not recording impressions of a trip to Naples, but the simple narrative of an adventure which, although true, may seem both fantastic and incredible in the extreme.

The railroad by which Pompeii is reached runs for almost its entire length by the sea, whose long volutes of foam advance to unroll themselves upon a beach of blackish sand resembling sifted charcoal. This beach has actually been formed by lava-streams and volcanic cinders, and its deep tone forms a strong contrast with the blue of the sky and the blue of the waters. The earth alone, in that sunny brightness, seems able to retain a shadow.

The villages bordered or traversed by the railway—Portici, celebrated in one of Auber's operas; Resina, Torre del Græco, Torre dell' Annunziata, whose dwellings with their arcades and terraced roofs attract the traveller's gaze—have, notwithstanding the intensity of the sunlight and the southern love for whitewashing, something of a Plutonian and ferruginous character like Birmingham or Manchester. The very dust is black there. An impalpable soot clings to everything. One feels that the mighty forge of Vesuvius is panting and smoking only a few paces off.

The three friends left the station at Pompeii, laughing among themselves at the odd commingling of antique and modern ideas suggested by the sign, "Pompeii Station"—a Græco-Roman city and a railway depot!

They crossed the cotton-field, with its fluttering white bolls, between the railway and the disinterred city, and at the inn which has been built just without the ancient rampart they took a guide, or, more correctly speaking, the guide took them, a calamity which is not easily avoided in Italy.

It was one of those delightful days so common in Naples, when the brilliancy of the sunlight and the transparency of the air cause objects to take such hues as in the North would be deemed fabulous, and appear indeed to belong to the world of dreams rather than to that of realities. The Northern visitor who has once looked upon that glow of azure and gold is apt to carry back with him into the depths of his native fogs an incurable nostalgia.

Having shaken off a corner of her cinder shroud, the resurrected city again rose with her thousand details under a dazzling day. The cone of Vesuvius, furrowed with striæ of blue, rosy, and violet-hued lavas, ruddily bronzed by the sun, towered sharply defined in the background. A thin haze, almost imperceptible in the sunlight, hooded the blunt crest of the mountain. At first sight it might have been taken for one of those clouds which shadow the brows of lofty peaks on the fairest days. Upon a nearer view, slender threads of white vapor could be perceived rising from the mountain-summit, as from the orifices of a perfuming pan, to reunite above in a light cloud. The volcano, being that day in a good humor, smoked his pipe very peacefully; and but for the example of Pompeii, buried at his feet, no one would ever have suspected him of being by nature any more ferocious than Montmartre. On the other side fair hills, with outlines voluptuously undulating like the hips of a woman, barred the horizon; and, further yet, the sea, that in other days bore biremes and triremes under the ramparts of the city, extended its azure boundary.