One of Cleopatra's Nights and Other Fantastic Romances

by Théophile Gautier

The grain of snow, the micaceous brilliancy of Parian marble, the sparkling pulp of balsamine flowers, would render but a feeble idea of the ideal substance whereof Nyssia had been formed. That flesh, so fine, so delicate, permitted daylight to penetrate it, and modelled itself in transparent contours, in lines as sweetly harmonious as music itself. According to different surroundings, it took the color of the sunlight or of purple, like the aromal body of a divinity, and seemed to radiate light and life. The world of perfections inclosed within the nobly-lengthened oval of her chaste face could have been rendered by no earthly art—neither by the chisel of the sculptor, nor the brush of the painter, nor the style of any poet—though it were Praxiteles, Apelles, or Mimnermus; and on her smooth brow, bathed by waves of hair amber-bright as molten electrum and sprinkled with gold filings, according to the Babylonian custom, sat as upon a jasper throne the unalterable serenity of perfect loveliness.

As for her eyes, though they did not justify what popular credulity said of them, they were at least wonderfully strange eyes; brown eyebrows, with extremities ending in points elegant as those of the arrows of Eros, and which were joined to each other by a streak of henna after the Asiatic fashion, and long fringes of silkily-shadowed eyelashes contrasted strikingly with the twin sapphire stars rolling in the heaven of dark silver which formed those eyes. The irises of those eyes, whose pupils were blacker than atrament, varied singularly in shades of shifting color. From sapphire they changed to turquoise, from turquoise to beryl, from beryl to yellow amber, and sometimes, like a limpid lake whose bottom is strewn with jewels, they offered, through their incalculable depths, glimpses of golden and diamond sands upon which green fibrils vibrated and twisted themselves into emerald serpents. In those orbs of phosphoric lightning the rays of suns extinguished, the splendors of vanished worlds, the glories of Olympus eclipsed—all seemed to have concentrated their reflections. When contemplating them one thought of eternity, and felt himself seized with a mighty giddiness, as though he were leaning over the verge of the Infinite.

The expression of those extraordinary eyes was not less variable than their tint. At times their lids opened like the portals of celestial dwellings; they invited you into elysiums of light, of azure, of ineffable felicity; they promised you the realization, tenfold, a hundredfold, of all your dreams of happiness, as though they had divined your soul's most secret thoughts; again, impenetrable as sevenfold plated shields of the hardest metals, they flung back your gaze like blunted and broken arrows. With a simple inflexion of the brow, a mere flash of the pupil, more terrible than the thunder of Zeus, they precipitated you from the heights of your most ambitious escalades into depths of nothingness so profound that it was impossible to rise again. Typhon himself, who writhes under Ætna, could not have lifted the mountains of disdain with which they overwhelmed you. One felt that though he should live for a thousand Olympiads endowed with the beauty of the fair son of Latona, the genius of Orpheus, the unbounded might of Assyrian kings, the treasures of the Cabeirei, the Telchines, and the Dactyli, gods of subterranean wealth, he could never change their expression to mildness.

At other times their languishment was so liquidly persuasive, their brilliancy and irradiation so penetrating, that the icy coldness of Nestor and Priam would have melted under their gaze, like the wax of the wings of Icarus when he approached the flaming zones. For one such glance a man would have gladly steeped his hands in the blood of his host, scattered the ashes of his father to the four winds, overthrown the holy images of the gods, and stolen the fire of heaven itself, like the sublime thief, Prometheus.

Nevertheless, their most ordinary expression, it must be confessed, was of a chastity to make one desperate—a sublime coldness—an ignorance of all possibilities of human passion, such as would have made the moon-bright eyes of Phœbe or the sea-green eyes of Athena appear by comparison more liquidly tempting than those of a young girl of Babylon sacrificing to the goddess Mylitta within the cord-circled enclosure of Succoth-Benohl. Their invincible virginity seemed to bid love defiance.

The cheeks of Nyssia, which no human gaze had ever profaned, save that of Gyges on the day when the veil was blown away, possessed a youthful bloom, a tender pallor, a delicacy of grain, and a downiness whereof the faces of our women, perpetually exposed to sunlight and air, cannot convey the most distant idea. Modesty created fleeting rosy clouds upon them like those which a drop of crimson essence would form in a cup of milk, and when uncolored by any emotion they took a silvery sheen, a warm light, like an alabaster vessel illumined by a lamp within. That lamp was her charming soul, which exposed to view the transparency of her flesh.

A bee would have been deceived by her mouth, whose form was so perfect, whose corners were so purely dimpled, whose crimson was so rich and warm that the gods would have descended from their Olympian dwellings in order to touch it with lips humid with immortality, but that the jealousy of the goddesses restrained their impetuosity. Happy the wind which passed through that purple and pearl, which dilated those pretty nostrils, so finely cut and shaded with rosy tints like the mother-of-pearl of the shells thrown by the sea on the shore of Cyprus at the feet of Venus Anadyomene! But are there not a multitude of favors thus granted to things which cannot understand them? What lover would not wish to be the tunic of his well-beloved or the water of her bath?

Such was Nyssia, if we dare make use of the expression after so vague a description of her face. If our foggy Northern idioms had the warm liberty, the burning enthusiasm of the Sir Hasirim, we might, perhaps, by comparisons—awakening in the mind of the reader memories of flowers and perfumes, of music and sunlight, evoking, by the magic of words, all the graceful and charming images that the universe can contain—have been able to give some idea of Nyssia's features; but it is permitted to Solomon alone to compare the nose of a beautiful woman to the tower of Lebanon which looketh toward Damascus. And yet what is there in the world of more importance than the nose of a beautiful woman? Had Helen, the white Tyndarid, been flat-nosed, would the Trojan War have taken place? And if the profile of Semiramis had not been perfectly regular, would she have bewitched the old monarch of Nineveh and encircled her brow with the mitre of pearls, the symbol of supreme power?

Although Candaules had brought to his palace the most beautiful slaves from the people of the Soræ, of Askalon, of Sogdiana, of the Sacæ, of Rhapta, the most celebrated courtesans from Ephesus, from Pergamus, from Smyrna, and from Cyprus, he was completely fascinated by the charms of Nyssia. Up to that time he had not even suspected the existence of such perfection.

Privileged as a husband to enjoy fully the contemplation of this beauty, he found himself dazzled, giddy, like one who leans over the edge of an abyss, or fixes his eyes upon the sun; he felt himself seized, as it were, with the delirium of possession, like a priest drunk with the god who fills and moves him. All other thoughts disappeared from his soul, and the universe seemed to him only as a vague mist in the midst of which beamed the shining phantom of Nyssia. His happiness transformed itself into ecstasy, and his love into madness. At times his very felicity terrified him. To be only a wretched king, only a remote descendant of a hero who had become a god by mighty labors, only a common man formed of flesh and bone, and without having in aught rendered himself worthy of it—without having even, like his ancestor, strangled some hydra, or torn some lion asunder—to enjoy a happiness whereof Zeus of the ambrosial hair would scarce be worthy, though lord of all Olympus! He felt, as it were, a shame to thus hoard up for himself alone so rich a treasure, to steal this marvel from the world, to be the dragon with scales and claws who guarded the living type of the ideal of lovers, sculptors, and poets. All they had ever dreamed of in their hope, their melancholy, and their despair, he possessed—he, Candaules, poor tyrant of Sardes, who had only a few wretched coffers filled with pearls, a few cisterns filled with gold pieces, and thirty or forty thousand slaves, purchased or taken in war.