"Even if I were to be present as an invisible witness at some scene as frightful as a nightmare, to hear the cries of the victim, to see the priest, his hands red with blood, draw from the little body the smoking heart, I should go on to the end," said Tahoser to herself, as she saw the young Hebrew enter a hut built of clay, through the crevices of which shone a few rays of yellow light.
When Poëri was fairly within, the daughter of Petamounoph approached, though not a pebble cracked under her light step, nor a dog marked her presence by a bark. She went around the hut, pressing her hand to her heart and holding in her breath, and discovered, by seeing it shine against the dark ground of the clay wall, a crack wide enough to allow her glance to penetrate the interior. A small lamp lighted the room, which was less bare than might have been supposed from the outward appearance of the cabin. The smooth walls were as polished as stucco. On wooden pedestals, painted in various colours, were placed vases of gold and silver; jewels sparkled in half-open coffers; dishes of brilliant metal shone on the wall; and a nosegay of rare flowers bloomed in an enamelled jar in the centre of a small table. But it was not these details which interested Tahoser, although the contrast of this concealed luxury with the external poverty of the dwelling had at first somewhat surprised her. Her attention was irresistibly attracted by another object.
On a low platform covered with matting was a marvellously beautiful woman of an unknown race. She was fairer than any of the maids of Egypt, as white as milk, as white as a lily, as white as the ewes which have just been washed. Her eyebrows were curved like ebony bows, and their points met at the root of the thin, aquiline nose, the nostrils of which were as rosy as the interior of a shell; her eyes were like doves' eyes, bright and languorous; her lips were like two bands of purple, and as they parted showed rows of pearls; her hair hung on either side of her rosy cheeks in black, lustrous locks like two bunches of ripe grapes. Earrings shimmered in her ears, and necklaces of golden plates inlaid with silver sparkled around a neck that was round and polished like an alabaster column. Her dress was peculiar. It consisted of a full tunic embroidered with stripes and symmetrical designs of various colours, falling from her shoulders half-way down her legs and leaving her arms free and bare.
The young Hebrew sat down by her on the matting, and spoke to her words which Tahoser could not understand, but the meaning of which she unfortunately guessed too well; for Poëri and Ra'hel spoke in the language of their country, so sweet to the exile and captive. Yet hope dies hard in the loving breast.
"Perhaps it is his sister," said Tahoser, "and he goes to see her in secret, being unwilling that it should be known that he belongs to that enslaved race."
Then she put her eye to the crevice and listened with painful and intense attention to the harmonious and rhythmic language, every syllable of which held a secret which she would have given her life to learn, and which sounded in her ears vague, swift, and unmeaning like the wind in the leaves and the water on the bank.
"She is very beautiful for a sister," she murmured, as she cast a jealous glance upon the strange and charming face with its red lips and its pale complexion that was set off by ornaments of exotic shapes, and the beauty of which had something fatally mysterious about it.
"Oh, Ra'hel, my beloved Ra'hel!" repeated Poëri often.
Tahoser remembered having heard him whisper that name while she was fanning him in his sleep.
"He thought of her even in his dreams. No doubt Ra'hel is her name." And the poor child felt in her breast a sharp pang as if all the uræus snakes of the entablatures, all the royal asps of the Pharaonic crowns, had struck their venomous fangs in her heart.