The Toledo blades of the present day are therefore quite equal to those of former times; the secret of tempering them is not lost, but merely the secret of their form; this little thing, so despised by Progress people, is all that is wanting to enable modern works to sustain a comparison with those of antiquity. A modern sword is merely an instrument; a sword of the sixteenth century is at once an instrument and a gem.

We thought that we should find at Toledo a few old weapons, such as daggers, poniards, rapiers, and other curiosities, to be hung up as trophies on the wall, or laid out upon a shelf; and we had learnt by heart, for this purpose, the names and marks of the sixty armourers of Toledo, collected by Achille Jubinal; but we had not an opportunity of putting our knowledge to the test, for there are no more swords at Toledo than leather at Cordova, lace at Mechlin, oysters at Ostend, or Pâtés de Foie Gras at Strasburg; all curiosities are confined to Paris, and if you happen to meet a few abroad they are sure to have come from the shop of Mademoiselle Delaunay, on the Quai Voltaire.

We were likewise shown the remains of the Roman Amphitheatre and of the Naumachia, which look exactly like a ploughed field, as do all Roman ruins. I am not imaginative enough to go into ecstasies at the sight of such problematical nonentities; this is an amusement that I leave to antiquaries; for my own part, I prefer talking of the walls of Toledo, which are visible to the naked eye and admirably picturesque. They accord extremely well with the undulating surface of the ground, and it is often very difficult to say where the rock ends and where the rampart begins. Each epoch of civilization has had a hand in the work; that piece of wall is Roman, that tower is Gothic, those battlements are Arabic. All the portion which extends from the Puerta Cambron to the Puerta Visagra (via sacra) was built by the Gothic king Wamba. There is a story attached to each of these stones, and if we wished to relate them all we should require a whole volume instead of a single chapter. But there is one thing we can do which is strictly in accordance with our character of travellers, and that is, to mention once more the noble effect produced on the horizon by Toledo seated on her rocky throne, with her girdle of towers and her diadem of churches. It is impossible to conceive a bolder or severer outline, clothed in a richer colour, or one in which the physiognomy of the Middle Ages is more faithfully preserved. I remained for more than an hour plunged in contemplation, trying to satiate my eyes, and engrave on my memory the recollection of this admirable view. Night closed in, alas! too soon, and we were obliged to think of retiring to rest, for we were to set off at one o'clock in the morning in order to avoid the midday heat.

At midnight our calesero arrived, punctual to his time, and we clambered up, in a state of unmistakable somnambulism, on to the meagre cushions of our vehicle. The horrible jolting caused by the abominable pavement of Toledo soon woke us sufficiently to enable us to enjoy the fantastic appearance of our caravan. The carriage, with its scarlet wheels and extravagant body, seemed—so close together were the walls—to divide the houses, which closed again like waves after it had passed! A bare-legged sereno, with the flowing drawers and variegated handkerchief of the Valencians, walked before us, bearing at the end of his lance a lantern, whose flickering light produced all kinds of singular effects of light and shade, such as Rembrandt would not have disdained to introduce into some of his fine etchings of night-watches and patroles. The only noise we heard was the silver tinkling of the bells on the neck of our mule and the creaking of the axletrees. The inhabitants were buried in as deep a sleep as the statues in the chapel of los Reyes Nuevos. From time to time, our sereno poked his lantern under the nose of some vagabond who lay slumbering across the street, and pushed him on one side with the handle of his lance; for whenever any one feels sleepy in Spain, he stretches out his cloak upon the ground and lies down with the most perfect and philosophical calmness. Before the gate, which was not yet open, and where we were kept waiting two hours, the ground was strewed with sleepers, who were snoring away in every possible variety of tone; for the street is the only bedroom which is not infected with insects; to enter an alcove, you must possess all the resignation of an Indian Fakir. At last the confounded gate swung back upon its hinges, and we returned by the same road we had come.


CHAPTER X.
MADRID TO GRANADA.

Procession of the Corpus Christi at Madrid—Aranjuez—A Patio—Ocaña and its Environs—Tembleque and its Garters—A Night at Manzanares—Santa Cruz Knives—The Puerto de los Perros—Colony of Carolina—Baylen—Jaen, its Cathedral and its Majos—Granada—The Alameda—The Alhambra—The Generalife—The Albaycin—Life at Granada—The Gitanos—The Carthusian Convent—Santo Domingo—Ascent of the Mulhacen.