EDMUND SPENSER
was born in London, and educated at Pembroke Hall in Cambridge. The accounts of the birth and family of this great man are but obscure and imperfect, and at his first setting out into life, his fortune and interest seem to have been very inconsiderable.
After he had for some time continued at the college, and laid that foundation of learning, which, joined to his natural genius, qualified him to rise to so great an excellency, he stood for a fellowship, in competition with Mr. Andrews, a gentleman in holy orders, and afterwards lord bishop of Winchester, in which he was unsuccessful. This disappointment, joined with the narrowness of his circumstances, forced him to quit the university [1]; and we find him next residing at the house of a friend in the North, where he fell in love with his Rosalind, whom he finely celebrates in his pastoral poems, and of whose cruelty he has written such pathetical complaints.
It is probable that about this time Spenser's genius began first to distinguish itself; for the Shepherd's Calendar, which is so full of his unprosperous passion for Rosalind, was amongst the first of his works of note, and the supposition is strengthened, by the consideration of Poetry's being frequently the offspring of love and retirement. This work he addressed by a short dedication to the Mæcenas of his age, the immortal Sir Philip Sidney. This gentleman was now in the highest reputation, both for wit and gallantry, and the most popular of all the courtiers of his age, and as he was himself a writer, and especially excelled in the fabulous or inventive part of poetry; it is no wonder he was struck with our author's genius, and became sensible of his merit. A story is told of him by Mr. Hughes, which I shall present the reader, as it serves to illustrate the great worth and penetration of Sidney, as well as the excellent genius of Spenser. It is said that our poet was a stranger to this gentleman, when he began to write his Fairy Queen, and that he took occasion to go to Leicester-house, and introduce himself by sending in to Mr. Sidney a copy of the ninth Canto of the first book of that poem. Sidney was much surprized with the description of despair in that Canto, and is said to have shewn an unusual kind of transport on the discovery of so new and uncommon a genius. After he had read some stanza's, he turned to his steward, and bid him give the person that brought those verses fifty pounds; but upon reading the next stanza, he ordered the sum to be doubled. The steward was no less surprized than his master, and thought it his duty to make some delay in executing so sudden and lavish a bounty; but upon reading one stanza stanza more, Mr. Sidney raised the gratuity to two hundred pounds, and commanded the steward to give it immediately, lest as he read further he might be tempted to give away his whole estate. From this time he admitted the author to his acquaintance and conversation, and prepared the way for his being known and received at court.
Tho' this seemed a promising omen, to be thus introduced to court, yet he did not instantly reap any advantage from it. He was indeed created poet laureat to Queen Elizabeth, but he for some time wore a barren laurel, and possessed only the place without the pension [2]. Lord treasurer Burleigh, under whose displeasure Spenser laboured, took care to intercept the Queen's favours to this unhappy great man. As misfortunes have the most influence on elegant and polished minds, so it was no wonder that Spenser was much depressed by the cold reception he met with from the great; a circumstance which not a little detracts from the merit of the ministers then in power: for I know not if all the political transactions of Burleigh, are sufficient to counterballance the infamy affixed on his name, by prosecuting resentment against distressed merit, and keeping him who was the ornament of the times, as much distant as possible from the approach of competence. These discouragements greatly sunk our author's spirit, and accordingly we find him pouring out his heart, in complaints of so injurious and undeserved a treatment; which probably, would have been less unfortunate to him, if his noble patron Sir Philip Sidney had not been so much absent from court, as by his employments abroad, and the share he had in the Low-Country wars, he was obliged to be. In a poem called, The Ruins of Time, which was written some time after Sidney's death, the author seems to allude to the discouragement I have mentioned in the following stanza.
O grief of griefs, O gall of all good hearts!
To see that virtue should despised be,
Of such as first were raised for virtue's parts,
And now broad-spreading like an aged tree,
Let none shoot up that nigh them planted be;
O let not these, of whom the muse is scorned,
Alive or dead be by the muse adorned.
These lines are certainly meant to reflect on Burleigh for neglecting him, and the Lord Treasurer afterwards conceived a hatred towards him for the satire he apprehended was levelled at him in Mother Hubbard's Tale. In this poem, the author has in the most lively manner, painted out the misfortune of depending on court favours. The lines which follow are among others very remarkable.
Full little knowest thou, that hast not try'd,
What Hell it is in suing long to bide,
To dole good days, that nights be better spent,
To waste long nights in pensive discontent;
To speed to day, to be put back to-morrow,
To feed on hope, to pine with fear and sorrow
To have thy prince's grace, yet want her peers,
To have thy asking, yet wait many years.
To fret thy soul with crosses, and with care.
To eat thy heart, thro' comfortless despair;
To fawn, to crouch, to wait, to ride, to run
To spend, to give, to want, to be undone.
As this was very much the author's case, it probably was the particular passage in that poem which gave offence; for as Hughes very elegantly observes, even the sighs of a miserable man, are sometimes resented as an affront, by him who is the occasion of them. There is a little story, which seems founded on the grievance just now mentioned, and is related by some as a matter of fact [3] commonly reported at that time. It is said, that upon his presenting some poems to the Queen, she ordered him a gratuity of one hundred pounds, but the Lord Treasurer Burleigh objecting to it, said with some scorn of the poet, of whose merit he was totally ignorant, "What, all this for a song?" The queen replied, "Then give him what is reason." Spenser for some time waited, but had the mortification to find himself disappointed of her Majesty's bounty. Upon this he took a proper opportunity to present a paper to Queen Elizabeth in the manner of a petition, in which he reminded her of the order she had given, in the following lines.
I was promised on a time
To have reason for my rhime,
From that time, unto this season
I received nor rhime, nor reason.