3. Hymen's Triumph, a Pastoral Tragi-Comedy presented at the Queen's Court in the Strand, at her Majesty's entertainment of the King, at the nuptials of lord Roxborough, London, 1623, 4to. It is introduced by a pretty contrived Prologue by way of dialogue, in which Hymen is opposed by avarice, envy and jealousy; in this piece our author sometimes touches the passions with a very delicate hand.
4. The Queen's Arcadia, a Pastoral Tragi-Comedy, presented before her Majesty by the university of Oxford, London 1623, 4to.
5. The Vision of the Twelve Goddesses, presented in a Masque the 8th of January at Hampton-Court, by the Queen's most excellent Majesty and her Ladies. London 1604, 8vo. and 1623, 4to. It is dedicated to the Lady Lucy, countess of Bedford. His design under the shapes, and in the persons of the Twelve Goddesses, was to shadow out the blessings which the nation enjoyed, under the peaceful reign of King James I. By Juno was represented Power; by Pallas Wisdom and Defence; by Venus, Love and Amity; by Vesta, Religion; by Diana, Chastity; by Proserpine, Riches; by Macaria, Felicity; by Concordia, the Union of Hearts; by Astræa, Justice; by Flora, the Beauties of the Earth; by Ceres, Plenty; and by Tathys, Naval Power.
6. The Tragedy of Philotas, 1611, 8vo. it is dedicated to the Prince, afterwards King Charles I.
This play met with some opposition, because it was reported that the character of Philotas was drawn for the unfortunate earl of Essex, which obliged the author to vindicate himself from this charge, in an apology printed at the end of the play; both this play, and that of Cleopatra, are written after the manner of the ancients, with a chorus between each act.
7. The History of the Civil Wars between the Houses of York and Lancaster, a Poem in eight books, London, 1604, in 8vo. and 1623, 4to. with his picture before it.
8. A Funeral Poem on the Death of the Earl of Devonshire, London, 1603, 4to.
9. A Panegyric Congratulatory, delivered to the King at Burleigh-Harrington in Rutlandshire, 1604 and 1623, 4to.
10. Epistles to various great Personages in Verse, London, 1601 and 1623, 4to.
11. The Passion of a Distressed Man, who being on a tempest on the sea, and having in his boat two women (of whom he loved the one who disdained him, and scorned the other who loved him) was, by command of Neptune, to cast out one of them to appease the rage of the tempest, but which was referred to his own choice. If the reader is curious to know the determination of this man's choice, it is summed up in the concluding line of the poem.