Kinde Conscience tho' heard, and came out of
the planets,
And sent forth his sorrioues, fevers, and fluxes,
Coughes, and cardicales, crampes and toothaches,
Reums, and ragondes, and raynous scalles,
Byles, and blothes, and burning agues,
Freneses, and foul euyl, foragers of kinde!
* * * * *
There was harrow! and help! here cometh Kinde
With death that's dreadful, to undone us all
Age the hoore, he was in vaw-ward
And bare the baner before death, by right he it
claymed!
Kinde came after, with many kene foxes,
As pockes, and pestilences, and much purple
shent;
So Kinde, through corruptions killed full many:
Death came driving after, and all to dust pashed
Kyngs and bagaars, knights and popes.

* * * * *
MILTON.

—————Immediately a place
Before his eyes appear'd, sad, noisom, dark,
A lazar-house it seem'd; wherein were laid

Numbers of all diseased: all maladies
Of ghastly spasm, or racking torture, qualms
Of heartsick agony, all fev'rous kinds,
Convulsions, epilepsies, fierce catarrhs,
Intestine stone and ulcer, cholic-pangs
Demoniac phrenzy, moping melancholy
And moon-struck madness, pining atrophy,
Marasmus, and wide-wasting pestilence,
Dropsies and asthmas, and joint-racking rheums;
Dire was the tossing! deep the groans! despair
Tended the sick, busiest from couch to couch:
And over them, triumphant death his dart
Shook. P. L. b. xi. 1. 477.

* * * * *

Sir JOHN GOWER

Flourished in the reign of Edward III, and Richard II. He was cotemporary with Chaucer and much esteemed and honoured by him, as appears by his submitting his Troilus and Cressida to his censure. Stow in his Survey of London seems to be of opinion that he was no knight, but only an esquire; however, it is certain he was descended of a knightly family, at Sittenham in Yorkshire. He received his education in London, and studied the law, but being possessed of a great fortune, he dedicated himself more to pleasure and poetry than the bar; tho' he seems not to have made any proficiency in poetry, for his works are rather cool translations, than originals, and are quite destitute of poetical fire. Bale makes him Equitem Auratum & Poetam Laureatum, but Winstanly says that he was neither laureated nor bederated, but only rosated, having a chaplet of four roses about his head in his monumental stone erected in St. Mary Overy's, Southwark: He was held in great esteem by King Richard II, to whom he dedicates a book called Confessio Amantis. That he was a man of no honour appears by his behaviour when the revolution under Henry IV happened in England. He was under the highest obligations to Richard II; he had been preferred, patronized and honoured by him, yet no sooner did that unhappy prince (who owed his misfortunes in a great measure to his generosity and easiness of nature) fall a sacrifice to the policy of Henry and the rage of rebellion, but he worshiped the Rising Sun, he joined his interest with the new king, and tho' he was then stone-blind, and, as might naturally be imagined, too old to desire either riches or power, yet he was capable of the grossest flattery to the reigning prince, and like an ungrateful monster insulted the memory of his murdered sovereign and generous patron. He survived Chaucer two years; Winstanly says, that in his old age he was made a judge, possibly in consequence of his adulation to Henry IV. His death happened in the year 1402, and as he is said to have been born some years before Chaucer, so he must have been near fourscore years of age: He was buried in St. Mary Overy's in Southwark, in the chapel of St. John, where he founded a chauntry, and left money for a mass to be daily sung for him, as also an obit within the church to be kept on Friday after the feast of St. Gregory. He lies under a tomb of stone, with his image also of stone over him, the hair of his head auburn, long to his shoulders, but curling up, and a small forked beard; on his head a chaplet like a coronet of roses; an habit of purple, damasked down to his feet, and a collar of gold about his neck. Under his feet the likeness of three books which he compiled; the first named Speculum Meditantis, written in French; the second Vox Clamantis, in latin; the third Confessio Amantis, in English; this last piece was printed by one Thomas Berthalette, and by him dedicated to King Henry VIII. His Vox clamantis, with his Chronica Tripartita, and other works, both in Latin and French, Stow says he had in his possession, but his Speculum Meditantis he never saw. Besides on the wall where he lies, there were painted three virgins crowned, one of which was named Charity, holding this device,

En toy quies fitz de Dieu le pere,
Sauve soit, qui gist fours cest pierre.

The second writing MERCY, with this device;

O bene Jesu fait ta mercy,
A'lame, dont la corps gisticy.