John Ogilby,
This poet, who was likewise an eminent Geographer and Cosmographer, was born near Edinburgh in the year 1600[1]. His father, who was of an ancient and genteel family, having spent his estate, and being prisoner in the King's Bench for debt, could give his son but little education at school; but our author, who, in his early years discovered the most invincible industry, obtained a little knowledge in the Latin grammar, and afterwards so much money, as not only to procure his father's discharge from prison, but also to bind himself apprentice to Mr. Draper a dancing master in Holbourn, London. Soon after, by his dexterity in his profession, and his complaisant behaviour to his master's employers, he obtained the favour of them to lend him as much money as to buy out the remaining part of his time, and set up for himself; but being afterwards appointed to dance in the duke of Buckingham's great Masque, by a false step, he strained a vein in the inside of his leg, which ever after occasioned him to halt. He afterwards taught dancing to the sisters of Sir Ralph Hopton, at Wytham in Somersetshire, where, at leisure, he learned to handle the pike and musket. When Thomas earl of Strafford became Lord Lieutenant of Ireland, he was retained in his family to teach the art of dancing, and being [266] an excellent penman, he was frequently employed by the earl to transcribe papers for him.
In his lordship's family it was that he first gave proofs of his inclination to poetry, by translating some of Æsop's Fables into English verse, which he communicated to some learned men, who understood Latin better than he, by whose assistance and advice he published them. He was one of the troop of guards belonging to the earl, and composed an humourous piece entitled the Character of a Trooper. About the time he was supported by his lordship, he was made master of the revels for the kingdom of Ireland, and built a little theatre for the representation of dramatic entertainments, in St. Warburgh's street in Dublin: but upon the breaking out of the rebellion in that kingdom, he was several times in great danger of his life, particularly when he narrowly escaped being blown up in the castle of Rathfarnam. About the time of the conclusion of the war in England, he left Ireland, and being shipwrecked, came to London in a very necessitous condition. After he had made a short stay in the metropolis, he travelled on foot to Cambridge, where his great industry, and love of learning, recommended him to the notice of several scholars, by whose assistance he became so compleat a master of the Latin tongue, that in 1646 he published an English translation of Virgil, which was printed in large 8vo. and dedicated to William marquis of Hereford. He reprinted it at London 1654 in fol. with this title; The Works of Publius Virgilius Maro, translated and adorned with Sculptures, and illustrated with Annotations; which, Mr. Wood tells us, was the fairest edition, that till then, the English press ever produced. About the year 1654 our indefatigable author learned the Greek language, and in four year's time published in fol. a translation of Homer's Iliad, adorned with excellent sculptures, illustrated [267] with Annotations, and addressed to King Charles II. The same year he published the Bible in a large fol. at Cambridge, according to the translation set forth by the special command of King James I. with the Liturgy and Articles of the Church of England, with Chorographical Sculptures. About the year 1662 he went into Ireland, then having obtained a patent to be made master of the revels there, a place which Sir William Davenant sollicited in vain. Upon this occasion he built a theatre at Dublin, which cost him 2000 l. the former being ruined during the troubles. In 1664 he published in London, in fol. a translation of Homer's Odyssey, with Sculptures, and Notes. He afterwards wrote two heroic poems, one entitled the Ephesian Matron, the other the Roman Slave, both dedicated to Thomas earl of Ossory. The next work he composed was an Epic Poem in 12 Books, in honour of King Charles I. but this was entirely lost in the fire of London in September 1666, when Mr. Ogilby's house in White Fryars was burnt down, and his whole fortune, except to the value of five pounds, destroyed. But misfortunes seldom had any irretrievable consequences to Ogilby, for by his insinuating address, and most astonishing industry, he was soon able to repair whatever loss he sustained by any cross accident. It was not long till he fell on a method of raising a fresh sum of money. Procuring his house to be rebuilt, he set up a printing-office, was appointed his Majesty's Cosmographer and Geographic Printer, and printed many great works translated and collected by himself and his assistants, the enumeration of which would be unnecessary and tedious.
This laborious man died September 4, 1676, and was interred in the vault under part of the church in St. Bride's in Fleet-street. Mr. Edward Philips in [268] his Theatrum Poetarum stiles him one of the prodigies, from producing, after so late an initiation into literature, so many large and learned volumes, as well in verse as in prose, and tells us, that his Paraphrase upon Æsop's Fables, is generally confessed to have exceeded whatever hath been done before in that kind.
As to our author's poetry, we have the authority of Mr. Pope to pronounce it below criticism, at least his translations; and in all probability his original epic poems which we have never seen, are not much superior to his translations of Homer and Virgil. If Ogilby had not a poetical genius, he was notwithstanding a man of parts, and made an amazing proficiency in literature, by the force of an unwearied application. He cannot be sufficiently commended for his virtuous industry, as well as his filial piety, in procuring, in so early a time of life, his father's liberty, when he was confined in a prison.
Ogilby seems indeed to have been a good sort of man, and to have recommended himself to the world by honest means, without having recourse to the servile arts of flattery, and the blandishments of falshood. He is an instance of the astonishing efficacy of application; had some more modern poets been blessed with a thousandth part of his oeconomy and industry, they needed not to have lived in poverty, and died of want. Although Ogilby cannot be denominated a genius, yet he found means to make a genteel livelihood by literature, which many of the sons of Parnassus, blessed with superior powers, curse as a very dry and unpleasing soil, but which proceeds more from want of culture, than native barrenness.
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