Historical Memoirs, Speeches in Parliament, Characters, Dialogues, Critical Observations, Speeches and Essays, which, with his poetical compositions, were printed by Alderman Barber in 1723. in two splendid 4to volumes. The first volume containing pieces in most species of poetry, the epic excepted, and also imitations from other authors. His Grace wrote some Epigrams, a great number of lyric pieces, some in the elegiac strain, and others in the dramatic. Amongst his poems, an Essay on Poetry, which contains excellent instructions to form the poet, is by far the most distinguished. He wrote a play called Julius Cæsar and another called Brutus: or rather altered them from Shakespear.
His grace was a great lover of the polite arts in general, as appears from the fondness he expresses for them in several parts of his works; particularly Painting, Sculpture, and Architecture; of the two former he made several curious collections, and his house, built under his direction in St. James's Park, speaks him not unacquainted with the latter. It would be superfluous to enumerate all the writers who have given testimony in his grace's favour as an author. Dryden in several of his Dedications, while he expresses the warmth of his gratitude, fails not to convey the most amiable idea of his lordship, and represents him as a noble writer. He lived in friendship with that great poet, who has raised indelible monuments to his memory. I shall add but one other testimony of his merit, which if some should think unnecessary, yet it is pleasing; the lines are delightfully sweet and flowing. In his Miscellanies thus speaks Mr. Pope;
'Muse 'tis enough, at length thy labour ends,
And thou shalt live; for Buckingham commends.
Let crowds of critics now my verse assail,
Let Dennis write, and nameless numbers rail.
This more than pays whole years of thankless pain,
Time, health, and fortune, are not lost in vain.
Sheffield approves: conferring Phoebus bends;
And I, and malice, from this hour are friends.'
The two plays of Julius Cæsar, which he altered from Shakespear, are both with Chorusses, after the manner of the Ancients: These plays were to have been performed in the year 1729, and all the Chorusses were set to music by that great master in composition, Signor Bononcini; but English voices being few, the Italians were applied to, who demanded more for their nightly performance, than the receipts of the house could amount to at the usual raised prices, and on that account the design was dropt.
It appears that our noble author had conceived a great regard for Mr. Pope, on his earliest appearance in the literary world; and was among the first to acknowledge the young bard's merit, in commendatory verses upon his excellence in poetry. The following compliment from the duke is prefixed to the first volume of Mr. Pope's works.
On Mr. POPE, and his POEMs, by his Grace JOHN SHEFFIELD, Duke of
BUCKINGHAM.
With age decay'd, with courts and bus'ness tir'd,
Caring for nothing, but what ease requir'd;
Too dully serious for the muses sport,
And from the critics safe arriv'd in port;
I little thought of launching forth agen,
Amidst advent'rous rovers of the pen;
And after so much undeserv'd success,
Thus hazarding at last to make it less.
Encomiums suit not this censorious time,
Itself a subject for satyric rhime;
Ignorance honour'd, wit and mirth defam'd,
Folly triumphant, and ev'n Homer blam'd!
But to this genius, join'd with so much art,
Such various learning mix'd in ev'ry part,
Poets are bound a loud applause to pay;
Apollo bids it, and they must obey.
And yet so wonderful, sublime a thing,
As the great ILIAD, scarce cou'd make me sing;
Except I justly cou'd at once commend
A good companion, and as firm a friend.
One moral, or a mere well-natur'd deed
Can all desert in sciences exceed.
'Tis great delight to laugh at some men's ways,
But a much greater to give merit praise.
[Footnote 1: Character of the Duke of Buckingham, p. 2. London, 1739.]
[Footnote 2: General Dictionary. See Article Sheffield.]
[Footnote 3: Vol, ii, p. 106.]