3. Trick for Trick, or the Debauched Hypocrite; a Comedy acted at the Theatre-Royal 1678: This is the only one of Fletcher's plays, called Monsieur Thomas revived.
4. The Fool turn'd Critic; acted at the Theatre-Royal, 1678. Several of the characters of this play are borrowed; as Old-wine-love, Trim and Small-wit, seem to be taken from Senio Asotus, and Ballio, in Randolph's Jealous Lovers.
5. Fond Husband, or the Plotting Sisters, a Comedy. Of this we have already given some account, in the words of Mr. Addison.
6. Squire Old-Sap, or the Night-Adventures; a Comedy; acted at the duke's Theatre, printed in quarto, 1679. Several incidents in this play are taken from Francion's Comic. Hist. Boccace's Novels, les Contes de M. de la Fontaine.
7. The Virtuous Wife, or Good-Luck at last; a Comedy acted at the duke's Theatre 1680. Several hints are taken from the Town, Marriage A-la-mode, &c. the Scene Chelsea.
8. Sir Barnaby Whig, or no Wit like a Woman's; a Comedy acted at the Theatre-Royal 1681. Dedicated to the right honourable George Earl of Berkley. The plot of this play is taken from a Play of Marmion's, called the Fine Companion; and part from the Double Cuckold, a Novel, written by M. St. Evremond. Scene London.
9. The Royalist, a Comedy; acted at the Duke's Theatre 1682. This play, which is collected chiefly from novels, succeeded on the stage; printed in 4to. 1644.
10. The Injured Princess, or the Fatal Wager; a Tragi-Comedy; acted at the Theatre-Royal 1682. The foundation of this play is taken from Shakespear's Cymbeline.
11. A Common-wealth of Women, a Tragi-Comedy; acted at the Theatre Royal 1686, dedicated to Christopher Duke of Albemarle. This play is chiefly borrowed from Fletcher's Sea Voyage. The scene is in Covent Garden.
12. The Banditti, or a Lady's Distress; a Comedy; acted at the Theatre-Royal 1688. This play met with great opposition during the performance, which was disturbed by the Catcalls. This occasioned the author to take his revenge upon the town, by dedicating it to a certain Knight, under the title of Sir Critic Cat-call. The chief plot of this play is founded on a Romance written by Don Francisco de las Coveras, called Don Fenise, translated into English in 8vo. See the History of Don Antonio, b. iv. p. 250. The design of Don Diego's turning Banditti, and joining with them to rob his supposed father, resembles that of Pipperollo in Shirley's play called the Sisters. Scene Madrid.