And another modern speaking of, the vicissitudes to which the stage is subjected, has the following,
Perhaps if skill could distant times explore,
New Behn's, new Durfey's, yet remain in store,
Perhaps, for who can guess th' effects of chance,
Here Hunt[4] may box, and Mahomet[5] may dance.
This author cannot be well acquainted with Mrs. Behn's works, who makes a comparison between them and the productions of Durfey. There are marks of a fine understanding in the most unfinished piece of Mrs. Behn, and the very worst of this lady's compositions are preferable to Durfey's bell. It is unpleasing to have the merit of any of the Fair Sex lessened. Mrs. Behn suffered enough at the hands of supercilious prudes, who had the barbarity to construe her sprightliness into lewdness; and because she had wit and beauty, she must likewise be charged with prostitution and irreligion.
Her dramatic works are,
1, 2. The Rover: Or, the banished Cavalier. In two parts, both comedies; acted at the duke's theatre, and printed in 4to. 1677 and 1681. Those plays are taken in a great measure from Killegrew's Don Thomaso, or the wanderer.
3. The Dutch Lover, a Comedy, acted at the Duke's theatre, and printed in 4to, 1673. The plot of this play is founded upon a Spanish Comedy entitled, Don Fenise, written by Don Francisco de las Coveras.
4. Abdelazer; or the Moor's Revenge, a Tragedy, acted at the duke's theatre, and printed in 4to. 1671. It is taken from an old play of Marlow's, intitled, Lust's Dominion; or the Lascivious Queen, a Tragedy.
5. The Young King; or the Mistake, a Tragi-Comedy, acted at the duke's theatre, and printed in 4to. in 1683. The design of this play is taken from the story of Alcamenes and Menalippa, in Calprenede's Cleopatra.
6. The Round-Heads; or the Good Old Cause, a Comedy; acted at the duke's theatre, and printed in 4to. 1682. It is dedicated to Henry Fitzroy—duke of Grafton.
7. The City Heiress; or Sir Timothy Treatwell, a Comedy; acted at the duke's theatre, and printed in 4to. in 1682, dedicated to Henry Earl of Arundel, and Lord Mowbray. Most of the characters in this play are borrowed, according to Langbaine, from Massinger's Guardian, and Middleton's Mad World my Masters.