When the peace (which the Whigs reckoned the most inglorious that ever was made) was about to be ratified, Mr. Dennis, who certainly over-rated his importance, took it into his imagination, that when the terms of peace should be stipulated, some persons, who had been most active against the French, would be demanded by that nation as hostages; and he imagined himself of importance enough to be made choice of, but dreaded his being given up to the French, as the greatest evil that could befall him. Under the influence of this strong delusion, he actually waited on the duke of Marlborough, and begg'd his grace's interposition, that he might not be sacrificed to the French, for says he, 'I have always been their enemy.' To this strange request, his grace very gravely replied, 'Do not fear, Mr. Dennis, you shall not be given up to the French; I have been a greater enemy to them than you, and you see I am not afraid of being sacrificed, nor am in the least disturbed.' Mr. Dennis upon this retired, well satisfied with his grace's answer, but there still remained upon his spirits a dread of his becoming a prey to some of the enemies of Great Britain.

He soon after this retired into the country, to spend some time at a friend's house. While he was walking one day by the sea side, he saw a ship in full sail approaching towards the shore, which his distracted imagination dictated, was a French ship sent to carry him off. He hurried to the gentleman's house with the utmost precipitation, upbraided him with treachery, as being privy to the attempts of the French against his life, and without ceremony quitted his house, and posted to London, as fast as he could.

Mr. Dennis, who never cared to be an unconcerned spectator, when any business of a public or important nature was in agitation, entered the lists with the celebrated Mr. Sacheverel, who in the year 1702 published at Oxford a piece called the Political Union, the purport of which was to shew, that the Church and the State are invariably connected, and that the one cannot subsist without the other. Mr. Dennis in answer to this, in a letter to a member of parliament, with much zeal, force of argument, and less ferocity than usual, endeavours to overthrow the proposition, and shew the danger of priestcraft, both to religion and government.

In this letter he very sensibly observes, 'That since the very spirit of the christian religion, is the spirit of union and charity, it follows by consequence, that a spirit of division, is a spirit of malice, and of the Devil. A true son of the church, is he who appears most for union, who breathes nothing but charity; who neglects all worldly greatness to bear his master's yoke; and, who has learned of him to be meek and lowly of heart.'

He shews that the moderate part of the Church of England are the truest church; and that violent party which differs from the moderate ought to be called Dissenters, because they are at a greater distance from charity, which is the characteristic of a true church, than any Dissenters. By which, says he, 'It appears that Mr. Sacheverel has made a rod to whip himself, for if only the true Church of England is to remain, and if the moderate part is the true church, the most violent ought the least to be tolerated, because they differ from charity; and consequently are more ready to disturb the public peace.'

In 1703 he published proposals for putting a speedy end to the war, by ruining the commerce of the French and Spaniards, and securing our own without any additional expence to the nation. This was thought a very judicious, and well designed plan.

In 1706 our author published an Essay on the Italian Opera, in which, with an irresistable force, he shews the extreme danger that a generous nation is exposed to, by too much indulging effeminate music. In the preface he quotes a passage from Boileau, in which that satirist expresses himself with much severity against emasculating diversions; and the Italian music in particular.

He observes, 'That the modern Italians have the very same sun and soil with the antient Romans, and yet are their manners directly opposite. Their men are neither virtuous, wise, or valiant, and they who have reason to know their women, never trust them out of their sight. 'Tis impossible to give any reason for so great a difference between the ancient Romans, and the modern Italians, but only luxury; and the reigning luxury of modern Italy, is that soft and effeminate music, which abounds in the Opera.'

In this Essay Mr. Dennis remarks, that entertainments entirely made up of music can never instruct the mind, nor promote one excellent purpose in human nature. 'Perhaps, says he, the pride and vanity that is in mankind, may determine the generality to give into music, at the expence of poetry. Men love to enjoy their pleasures entirely, and not to have them restrained by awe, or curbed by mortification. Now there are but few judicious spectators at our dramatic representations, since none can be so, but who with great endowments of nature have had a very generous education; and the rest are frequently mortified, by passing foolish judgments: But in music the case is vastly different; to judge of that requires only use, and a fine ear, which the footman oft has a great deal finer than his master. In short, a man without common sense may very well judge of what a man writes without common sense, and without common sense composes.' He then inquires what the consequence will be if we banish poetry, which is, that taste, politeness, erudition and public spirit will fall with it, and all for a Song. The declension of poetry in Greece and Rome was soon followed by that of liberty and empire; according to Roscommon in his Essay on Translated Verse.

True poets are the guardians of a state,
And when they fail, portend approaching fate:
For that which Rome to conquest did inspire,
Was not the Vestal, but the Muses fire;
Heav'n joins the blessings, no declining age
E'er felt the raptures of poetic rage.