From the name /Nin/, which Ištar bore, there is hardly any doubt that she acquired the identification with Nina, which is provable as early as the time of the Lagašite kings, Lugal-anda and Uru-ka-gina. As identified with Aruru, the goddess who helped Merodach to create mankind, Ištar was also regarded as the mother of all, and in the Babylonian story of the Flood, she is made to say that she had begotten man, but like "the sons of the fishes," he filled the sea. Nina, then, as another form of Ištar, was a goddess of creation, typified in the teeming life of the ocean, and her name is written with a character standing for a house or receptacle, with the sign for "fish" within. Her earliest seat was the city of Nina in southern Babylonia, from which place, in all probability, colonists went northwards, and founded another shrine at Nineveh in Assyria, which afterwards became the great centre of her worship, and on this account the city was called after her Ninaa or Ninua. As their tutelary goddess, the fishermen in the neighbourhood of the Babylonian Nina and Lagaš were accustomed to make to her, as well as to Innanna or Ištar, large offerings of fish.
As the masculine deities had feminine forms, so it is not by any means improbable that the goddesses had masculine forms, and if that be the case, we may suppose that it was a masculine counterpart of Nina who founded Nineveh, which, as is well known, is attributed to Ninos, the same name as Nina with the Greek masculine termination.
Nin-Gursu.
This deity is principally of importance in connection with the ancient Babylonian state of Lagaš, the home of an old and important line of kings and viceroys, among the latter being the celebrated Gudea, whose statues and inscribed cylinders now adorn the Babylonian galleries of the Louvre at Paris. His name means "Lord of Girsu," which was probably one of the suburbs, and the oldest part, of Lagaš. This deity was son of En-lila or Bêl, and was identified with Nirig or Ênu-rêštu. To all appearance he was a sun-deity. The dialectic form of his name was /U-Mersi/, of which a variant, /En-Mersi/, occurs in an incantation published in the fourth volume of the /Cuneiform Inscriptions of Western Asia/, pl. 27, where, for the Sumerian "Take a white kid of En-Mersi," the Semitic translation is "of Tammuz," showing that he was identified with the latter god. In the second volume of the same work Nin-Girsu is given as the pronunciation of the name of the god of agriculturalists, confirming this identification, Tammuz being also god of agriculture.
Bau.
This goddess at all times played a prominent part in ancient Babylonian religion, especially with the rulers before the dynasty of Hammurabi. She was the "mother" of Lagaš, and her temple was at Uru-azaga, a district of Lagaš, the chief city of Nin-Girsu, whose spouse she was. Like Nin-Girsu, she planted (not only grain and vegetation, but also the seed of men). In her character of the goddess who gave life to men, and healed their bodies in sickness, she was identified with Gula, one of those titles is "the lady saving from death". Ga-tum-duga, whose name probably means "making and producing good," was also exceedingly popular in ancient times, and though identified with Bau, is regarded by Jastrow has having been originally distinct from her.
Ereš-ki-gal or Allatu.
As the prototype of Persephone, this goddess is one of much importance for comparative mythology, and there is a legend concerning her of considerable interest. The text is one of those found at Tel-el-Armana, in Egypt, and states that the gods once made a feast, and sent to Ereš-ki-gal, saying that, though they could go down to her, she could not ascend to them, and asking her to send a messenger to fetch away the food destined for her. This she did, and all the gods stood up to receive her messenger, except one, who seems to have withheld this token of respect. The messenger, when he returned, apparently related to Ereš-ki-gal what had happened, and angered thereat, she sent him back to the presence of the gods, asking for the delinquent to be delivered to her, that she might kill him. The gods then discussed the question of death with the messenger, and told him to take to his mistress the god who had not stood up in his presence. When the gods were brought together, that the culprit might be recognised, one of them remained in the background, and on the messenger asking who it was who did not stand up, it was found to be Nerigal. This god was duly sent, but was not at all inclined to be submissive, for instead of killing him, as she had threatened, Ereš-ki-gal found herself seized by the hair and dragged from her throne, whilst the death-dealing god made ready to cut off her head. "Do not kill me, my brother, let me speak to thee," she cried, and on his loosing his hold upon her hair, she continued, "thou shalt be my husband, and I will be thy wife—I will cause you to take dominion in the wide earth. I will place the tablet of wisdom in thine hand—thou shalt be lord, I will be lady." Nerigal thereupon took her, kissed her, and wiped away her tears, saying, "Whatever thou hast asked me for months past now receives assent."
Ereš-ki-gal did not treat her rival in the affections of Tammuz so gently when Ištar descended to Hades in search of the "husband of her youth." According to the story, not only was Ištar deprived of her garments and ornaments, but by the orders of Ereš-ki-gal, Namtar smote her with disease in all her members. It was not until the gods intervened that Ištar was set free. The meaning of her name is "lady of the great region," a description which is supposed to apply to Hades, and of which a variant, Ereš-ki-gal, "lady of the great house," occurs in the Hymns to Tammuz in the Manchester Museum.
Nergal.