Macramé is an Arabic word, signifying an ornamental fringe or trimming, which has been adopted as the term for a certain kind of hand-work, known also as «knotted fringe» or «Mexican lace» and produced by the knotting, interweaving and tying together of threads.

We have given the preference to the Arabic name because of its less definite meaning, seeing that not only fringe and lace, but trimmings of all kinds, in the shape of bands and stripes and headings, can be worked in macramé.

Until its revival about ten years ago, when it was regarded by many as a new invention, the art of macramé making had for centuries become almost extinct and save here and there in the convents, was quite unknown.

The multitude of uses to which it can be turned as a trimming, the infinite variety it admits of and its great durability and strength, make macramé well worth a study; the difficulties that repel many at first sight are only on the surface and any one who carefully follows the instructions given in the following pages, will soon overcome them and be able without pains to copy the charming designs that accompany them, which remind us of the wooden lattices in the windows of Eastern houses, doubtless familiar to many of our readers, under the name of moucharabieh.

Materials.—These may be of almost any kind; silk, gold thread, cord, wool or cotton, can all be employed with good effect. Almost any of the D.M.C cottons can be used for macramé; but the ones especially to be recommended are: Fil à dentelle D.M.C[A], Cordonnet 6 fils D.M.C[A] and Coton à broder D.M.C[A] for the finer kinds of work, and for the coarser, Fil à pointer D.M.C[A], Coton à tricoter D.M.C[A] and Ganse turque D.M.C[A]. The twist in all these is so regular as to admit of a high degree of perfection being attained with them: they are moreover very agreeable to the touch, a great recommendation considering how much they have to be handled by the worker.

Macramé cushion and other accessories (figs. [513] and [514]).—The only really important requisite for macramé work is the cushion, which should be well stuffed, and weighted with lead (fig. [513]). It is convenient to have it made to screw on to a table like the Swiss tambour frames. There are other kinds of macramé cushions but none, in our opinion, as practical as these because any pattern can be worked upon them and patterns that have a heading or a border of picots can not be worked on any others. The pegs at the ends of the cushion are for fixing and winding the long threads upon, which carry the knots, and which we shall in future call «cords».

Fig. 513. Macramé cushion.