All the night long, Señor—working by the heaven-light that was brighter than any sunlight, and having in his happy nose the heaven fragrance that uplifted his soul with the sweetness of it—he painted as one who painted in a heaven-sent dream. And when the morning came, and the glimmering daylight took dimly the place of the heaven-light, he had finished there on the door of his cell the most beautiful picture of Our Lady—as I said in the beginning—that ever has been painted in this mortal world: and so it had to be—because, you see, it is the only picture of her that ever has been painted of her by one who has beheld her with mortal eyes!
As usually is the case with miracles, Señor, the outcome of this one was most satisfactory. The Archbishop and the Chapter of the Cathedral, being brought in haste, instantly felt themselves compelled to adore that miraculous image; and when they had finished adoring it they equally felt themselves compelled to declare that Peyrens by his making of it had earned both his freedom and the prize. Therefore Peyrens was set at liberty and most richly rewarded; and the pictured door was taken from its hinges and, being framed in a great frame of silver, was set upon the Altar del Perdon to be the chief glory of it; and what was best of all—because it made safe the soul of him for all Eternity—the Archbishop formally confirmed to Peyrens his absolution, through Our Lady's loving kindness, from his bad heresy and from all his other sins.
What became of this Peyrens later, Señor, I have not heard mentioned; but in regard to the accuracy of all that I have told you about him there can be no question: because the miracle-picture that he painted still adorns the Altar del Perdon, and is the chief glory of it—and there you may see it this very day.
[LEGEND OF THE CALLEJÓN DEL ARMADO]
This Alleyway of the Armed One, Señor, got its name because long ago—before it had any name at all—there lived in it an old man who went always clad in armor, wearing also his sword and his dagger at his side; and all that was known about him was that his name was Don Lope de Armijo y Lara, and that—for all that he lived so meanly in so mean a street in so mean a quarter of the City—he was a rich merchant, and that he came from Spain.
Into his poor little house no one ever got so much as the tip of his nose, and he lived alone there in great mystery. In spite of his riches, he had not even one servant; and he himself bought his own victuals and cooked them with his own hands. Always he was seen armed to the teeth [armado hasta los dientes] when he went abroad. Under his mean robe was a full suit of armor, and in his belt was a long dagger and a broad and very long sword; also, when at night he went out on strange errands, he carried a great pike. Therefore, presently, people spoke of him not as Don Lope but as El Armado—and so he was called.
That he was a wicked person was known generally. He was very charitable to the poor. Every morning he went to pray in the church of San Francisco; and he remained praying there for hours at a time, kneeling upon his knees. Also, at the proper seasons, he partook of the Sacrament. Some said that through the shut windows of his house, in the night-time, they had heard the sound of his scourgings as he made penance for his sins.