"The improvisatrice," says the record, "entered the saloon with some appearance of apprehension, seeing herself exposed to so arduous an ordeal, and to the judgment of the public. The signal was given to the violins to begin their harmonious sounds for the purpose of stirring up the poetess—per iscuotere la poetessa—and while everybody was expecting some well–considered exordium, she looked around as if lost and stupefied; and seeing at that moment one of her Arcadian friends enter, she burst into song imploring of him prompt and well–timed aid. Then as if repenting of the weakness, and disdaining all human assistance, she invoked the mighty name of God; which produced a tender commotion in the audience. Then blazing up into a wonderful estro of song, the poetess, continually changing her metre and rhythm, ran over all the varied scientific topics proposed to her with an inexhaustible vein of poesy."
THE FIRST DAY.
The tournament began with pastoral poetry. And the examiner appointed for this subject handed in a sealed paper, which when opened in the presence of the expectant company, was found to contain this novel and difficult theme: "The advantages of a city life compared with those of the country."
This topic having been most triumphantly disposed of, the examiner in physical science stepped forward and requested—by intervention of a similarly sealed paper—that the "pastorella" would favour the company with a poem "on the properties of light, explaining at the same time how the images of objects are painted in the eye."
The shepherdess made no more difficulty about this than she had about the more manageable theme which had preceded it.
Then came the eloquence examiner, who "invited her to explain the nature and degree of the fatal blow which eloquence received at the violent death of Marcus Tullius Cicero." This, too, was successfully despatched. And the harmony delegate next proposed a poem on the properties of harmony, subjoining—with a malicious significance, one might think, if it were possible for Arcadian souls to be guilty of espièglerie—"an explanation why harmonious sounds, which delight us for a while, bore us when too long continued."
This was explained to the perfect satisfaction of the company. And then, the programme of that evening's business having been thus completed, "after a short pause for a magnificent collation, Corilla, without manifesting the slightest sign of exhaustion," and utterly insensible to the great truth she had been illustrating in her fourth poem, "demanded more themes!"
Whereupon an Abate among the company proposed, "Without religion there is no true virtue." And this thesis was handled in such style that "the audience were carried away with inexplicable (!) admiration and delight at hearing with what grace, learning, eloquence and fire the above theme was treated, in the poetical exposition of which the great improvisatrice demonstrated how truly prodigious enthusiasm is the animating spirit of poets."
On the second evening "all the magistracy of Arcadia" was present, besides "many other illustrious Arcadians, most ornate prelates, foreigners, distinguished by birth or learning" (the Duke of Gloucester was one of the former sort), "renowned monks, and twelve virtuous Roman ladies." On this occasion the four themes seem to have been given to the fair candidate all together.
That on revealed religion was, "Of what nature and how revealed was the first revealed religion?"