Such were the members of the Tuscan court in 1563–4; when Francesco determined to gratify his curiosity by getting in some way a sight of the beautiful stranger in Florence, who had been so much talked of. It was not very difficult to accomplish this. Somebody was found to suggest to Bianca and her mother–in–law, that they would do wisely to seek an interview with the Marchesa Mondragone, the wife of Francesco's Spanish tutor, who might very easily induce the prince to obtain from the Republic of Venice a pardon for her husband and herself. The bait was readily taken, and they were told that the Marchesa would receive them in the Casino of S. Marco.

This small but remarkably elegant building, rebuilt as it now stands in 1775 by the Grand Duke Pietro Leopoldo, can hardly fail at the present day to attract the attention of any stranger passing through the Piazza of St. Mark. It was then a casino belonging to the Medici; and is still the property of the Grand Duke of Tuscany. A "casino" was an important portion of the social arrangements of those days. A "little house" for the transaction of such matters as the "convenances"—Anglice hypocrisies—did not allow of being conveniently carried on in the large house, which was the noble family's residence, was found to contribute very essentially to the maintenance of that propriety, which is so dear to a people to whom seeming is ever more important than being. Most of the wealthier members of the aristocracy had such conveniences, and the proprieties of Italian life would hardly have been by any possibility maintained without them.

Now this casino of the young Prince Francesco was, as has been seen, very near the humble dwelling of Bianca. The "tugurio" of her husband was on the south side of the small square facing St. Mark's church, and the Prince's casino at right angles to it on the west side—not a stone's throw distant. So that Bianca and her mother–in–law were able to wait[148] on the kind Marchesa there, with very slight departure from their rule of not quitting the shelter of their home.

The Marchesa Mondragone received them with the utmost affability; inquired with most amiable interest into the particulars of Bianca's story; and, when it chanced that her husband the Marchese entered the room, she seized the opportunity of at once interesting him in the case. The affability of the Spaniard exceeded even that of his wife. He had not the least doubt of being able to induce his Excellency to use his influence with the Republic;—she might consider the matter as good as settled. Then the Marchesa suddenly bethought herself that she wanted to know, whether some dresses of hers were made in the right Venetian fashion. Would Bianca come with her and look at them, while the Marchese did himself the pleasure of remaining with the Signora Bonaventuri. So Bianca was walked off into another room with her charming new Spanish friend, who, after showing her some of those matters, which women, it seems, used to find amusement in looking at some three hundred years ago, under pretence of seeking keys to open other cupboards, or something of that sort, slipped away, leaving her guest alone, but fully occupied in admiring the profusion of magnificence that characterised the apartment she was in.

THE INTERVIEW.

In another minute a curtain was raised from before an opposite door, and Bianca found herself alone with Francesco. The details of what passed at that first interview between these two persons, who for the remainder of their lives were to exercise so strange and so pernicious a reciprocal influence, are recorded by more than one writer.[149] Yet it is little likely that either of them should have afterwards repeated the mere matters of course proper to "the situation," which are set down as having been uttered by them. It is true, that "La Mondragone" may be well supposed to have been watching the happy progress of her handiwork within ear–shot. The only circumstance at all worth noting of all that is said to have passed, whether true or fictitious, is that Bianca is stated to have at once comprehended on seeing the Prince what his errand was, and the whole motive with which she had been induced to visit the Marchesa. She pleaded for "her honour!" He assured her that it should be abundantly cared for, &c. &c.

Whether the relationship in which they were thereafter to stand towards each other was finally settled there and then, or whether other such interviews were required for the completion of their arrangements does not appear. It was needful, it seems, even at Florence in 1564, that some regard should be paid to appearances by a prince in Francesco's position just at that time. A marriage was being arranged for him with Joan of Austria, daughter of the Emperor Francis, which was eventually celebrated in December 1565. And the German "barbari" might have taken offence if the prince's wooing of his wife and his mistress had been too openly simultaneous. It would have been indecent—would not have looked well, which was, above all things, what was needful. Francesco too was in that same year, 1564, entrusted with the reins of government by his father, who, though he did not formally abdicate the throne, yet left thenceforward all the management of State matters to his son.

So that under the circumstances the left–handed wooing had to seek for awhile the shelter of the Casino;—furnishing thus an excellent illustration of the utility of that convenient institution.

All then that the secrecy of that retreat has permitted us to know with certainty as to the duration of Bianca's resistance to the Prince is comprised in the fact, that everything was satisfactorily arranged between them within six months of her arrival in Florence.[150] And as after that arrival she gave birth to a daughter, named Pellegrina, it must be concluded, that no very great length of time was consumed in coming to an understanding.