"Was there ever a more afflicting calamity!" she writes. "When last I wrote his name in a letter to you, it was to describe him as the admired of all beholders, the hero of the féte, the pride and honour of France, and now what remains of him is in his grave! The affliction of his family baffles all description. I receive the most touching accounts from Paris. Some ladies about the Court write to me that nothing can equal their grief. As long as the coffin remained in the chapel at Neuilly, the members of the family were incessantly kneeling by the side of it, praying and weeping. The King so far mastered his feelings, that whenever he had official duties to perform, he was sufficiently composed to perform son métier de Roi. But when the painful task was done he would rush to the chapel, and weep over the dead body of his son, till the whole palace rang with his cries and lamentations. When the body was removed from Neuilly to Notre Dame, the scene at Neuilly was truly heartrending. My father has seen the King and the Princes several times since the catastrophe, and he says it has done the work of years on their personal appearance, The Due de Nemours has neither eaten nor slept since his brother died, and looks as if walking out of his grave. Mamma wrote him a few lines of condolence, which he answered by a most affecting note. Papa was summoned to attend the King to the House, as Grand Officier, and says he never witnessed such a scene. Even the opposition shed their crocodile tears. Placed immediately near the King on the steps of the throne, he saw the struggle between kingly decorum and fatherly affliction. Nature had the victory. Three times the King attempted to speak, three times he was obliged to stop, and at last burst into a flood of tears. The contagion gained all around him. And it was only interrupted by sobs that he could proceed. And it is in the face of this despair, when the body of the prince is scarcely cold, that that horrid Thiers and his associates begin afresh their infernal manoeuvres!"
A letter of the 3rd April, 1842, contains among a quantity of the gossip of the day an odd story, which, the writer says, "is putting Rome in a ferment, and the clergy in raptures." I think I remember that it made a considerable stir in ecclesiastic circles at the time. A certain M. Ratisbonne, a Jew, it seems entered a church in Rome (the writer does not say so, but if I remember rightly, it was the "Gesu"), with a friend, a M. de Bussières, who had some business to transact in the sacristy. The Jew, who professed complete infidelity, meantime was looking at the pictures. But M. de Bussières, when his business was done, found him prostrate on the pavement in front of a picture of the Madonna. The Jew on coming to himself declared that the Virgin had stepped from her frame, and addressed him, with the result, as he said, that having fallen to the ground an infidel, he rose a convinced Christian! Mademoiselle D'Henin writes in a tone which indicates small belief in the miracle, but seems to accept as certain the further facts, that the convert gave all he possessed to the Church and became a monk.
I have recently—even while transcribing these extracts from her letters—heard of the death, within the last few years, of the writer of them. She died in England, I am told, and unmarried. Her sympathies and affections were always strongly turned to her mother's country, as indeed may be in some degree inferred from even those passages of her letters which have been given. And I can well conceive that the events which, each more disastrous than its predecessor, followed in France shortly after the date of the last of them, may have rendered, especially after the death of her parents, a life in France distasteful to her. But I, and, I think, my mother also, had entirely lost sight of her for very many years. Had I imagined that she was living in England, I should undoubtedly have endeavoured to see her.
I have known many women, denizens of le grand monde, who have adorned it with equally brilliant talents, equally captivating beauty, equally sparkling wit and vivacity of intelligence. And I have known many, denizens of the studious and the book world, gifted with larger powers of intellect, and more richly dowered with the results of thought and study But I do not think that I ever met with one who possessed in so large a degree the choice product resulting from conversance with both these worlds. She was in truth a very brilliant creature.
Madame D'Henin I remember made us laugh heartily one evening by telling us the following anecdote. At one of those remarkable omnium-gatherum receptions at the Tuileries, of which I have spoken in a former chapter, she heard an American lady, to whom Louis Philippe was talking of his American recollections and of various persons he had known there, say to him, "Oh, sire, they all retain the most lively recollections of your majesty's sojourn among them, and wish nothing more than that you should return among them again!" The Duke of Orleans, who was standing behind the King, fairly burst into a guffaw.
There was a story current in Rome, in the days of Pius the Ninth, which may be coupled with this as a good pendant. His Holiness, when he had occupied the papal throne for a period considerably exceeding the legendary twenty-five years of St. Peter, was one day very affably asking an Englishman, who had been presented to him, whether he had seen everything in Rome most calculated to interest a stranger, and was answered; "Yes indeed, your Holiness, I think almost everything, except one which I confess I have been particularly anxious to witness—a conclave!"
Here are a few jottings at random from my diary, which may still have some little interest.
"Madame Le Roi, a daughter of General Hoche, told me (22nd January, 1840), that as she was driving on the boulevard a day or two ago, a sou piece was thrown with great violence at the window of her carriage, smashing it to pieces. This, she said, was because her family arms were emblazoned on the panel. Most of the carriages in Paris, she said, had no arms on them for fear of similar attacks."
Then we were active frequenters of the theatres. We go, I find, to the Français, to see Mars, then sixty years old, in Les Dehors Trompeurs and in the Fausses Confidences; to the opera to hear Robert le Diable and Lucia di Lammermuir, with Persiani, Tamburini, and Rubini; and the following night to the Français again, to see Rachel in Cinna.
I thought her personally, I observe, very attractive. But that, and sundry other subsequent experiences, left me with the impression that she was truly very powerful in the representation of scorn, indignation, hatred, and all the sterner and less amiable passions of the soul, but failed painfully when her rôle required the exhibition of tenderness or any of the gentler emotions. These were my impressions when she was young and I was comparatively so. But when, many years afterwards, I saw her repeatedly in Italy, they were not, I think, much modified.