[39] Paper by M. de Laperier, of the Belgian Legation, read at a meeting of the Society of Antiquaries, relative to Flemish origin of English carving.

[40] The large pulpit is not from the design of Sir Christopher Wren, nor is the carving by Grinling Gibbons.

[41] See engraving in the ‘Art Journal,’ 1866.

[42] See Tredgold’s Report on this process, May 2, 1828.

[43] See Bartholomew’s’ Specifications,’ and Professor Donaldson’s valuable work on ‘Specifications,’ which comprises many examples by modern architects. The usual clause is: “The timber to be well seasoned (is it?), free from large knots, shakes, and other defects.”


INDEX.