Of Mr. Schnadhorst's possession of the last-named qualities I once had a striking proof. It was on the occasion of one of Mr. Gladstone's visits to Birmingham. A great political meeting was held in Bingley Hall, and the immense gathering was in a fever of excitement. I remember speaking with Mr. Schnadhorst in the course of the evening, and was greatly struck by his self-possessed, quiet, easy manner. So far from being affected by the intense enthusiasm and feverish excitement that prevailed, he was just as cool and collected as though the occasion was some little tea party affair or a ward meeting, instead of the greatest indoor political demonstration ever held in Birmingham.
As already stated Mr. Chamberlain quickly perceived and plumbed to the bottom Mr. Schnadhorst's capabilities, and as he was bent on solidifying and systematising, or, in other words, "caucusing" the Liberal party in Birmingham, he thought he saw in Mr. Schnadhorst the organising mind and methodical skill that would be eminently useful in carrying out the work. Nor was he wrong. Mr. Schnadhorst proved to be all that was expected of him, and the political world knows the rest. How he became the great political machinist of his day, and how, by his zeal, ability, and method, he elevated "caucusing" or party "wire pulling" into a recognised system—I had almost said a political science.
Circumstances have changed since that period. Mr. Chamberlain made Mr. Schnadhorst, but Mr. Schnadhorst turned his back upon his maker. He was probably actuated by conscientious motives and convictions, although professional politicians may not, as a rule, be credited with being greatly overburdened with conscientious scruples. Still, Mr. Schnadhorst was, I think, generally credited by those who knew him with being an upright, earnest, honest man, so he may well be allowed the benefit of the doubt.
It must, I think, have cost him a struggle to part company with such a man as Mr. Chamberlain—with one who had put him in the way he should go, and which led him to such a commanding position of influence and importance. Anyway, from whatever motive, he was induced to forsake the rising star in the political firmament, and to worship Mr. Gladstone, the setting sun. The sun went down below the horizon, but we saw how Mr. Schnadhorst continued to work his political orrery with the major and minor planets, the shooting stars and comets, that shone at Westminster with such varied lustre, or wished to shine there if they could.
VIII.
THE BIRMINGHAM BELGRAVIA.
Seeing how Birmingham has grown and prospered, it is interesting to consider what might have been the result if the town and its outskirts had not been fairly pleasant for well-to-do people to reside in. Fortunately, there is one extensive west-end suburb—Edgbaston—which forms a suitable, healthy, and desirable residential locality for the Birmingham upper classes. But for the existence of this well laid out—I was going to say genteel, but Heaven forbid—neighbourhood, a very large number of its wealthiest manufacturers and professional men would doubtless now reside some distance from the city. An increasing number of those who work in Birmingham now live—at least have their houses—outside its limits, owing to facilities afforded by the railways; but Edgbaston is still a rich, well-populated suburb within a very easy distance of the centre of the city. Mr. Schnadhorst, when he pulled political strings in Birmingham, regarded Edgbaston as a fine, good piece of vantage ground from an electoral point of view, since it kept so many rich residents within the pale of the town, and added so much to its influential voting power.
Edgbaston is chiefly, I might almost say entirely, the property of the Calthorpes, and the late Lord Calthorpe, also his predecessor, were wise in their day and generation, and they had agents who were shrewd and far-seeing. They saw the importance of reserving Edgbaston and laying it out as an attractive, quiet suburb, and the late lord at least lived to see it covered with leasehold residences, many of them—indeed a very large number of them—of considerable value and importance. When these leases expire, as some of them will now before many years are over, and the noble ground landlord begins to draw in his net, what a big haul he will make in the way of reversions of the properties that have been built upon his land!
Some of these Edgbaston houses are not only large and commodious, but are architecturally handsome and artistic. Birmingham has been fortunate during the last thirty or forty years in having two or three local architects who have not only possessed professional skill but also taste. The old square, solid, "money box" houses, so much esteemed by our fathers, are rarely erected now, but in their place residences of a more attractive design and artistic type.
The Gothic revival has spread to domestic architecture, and the old, dreadfully-symmetrical brick and stuccoed house, and the hybrid Italian villa, make way for residential structures with gabled roofs, pointed arch windows, red tiles instead of dull-coloured slates, and attractive detail and ornamentation. In looking at such houses, one can hardly fail to be struck by the difference that may be effected by using the simplest materials—but using them with discrimination and taste. One architect may plan a house which will be plain to ugliness, the bricks laid in the most severe and commonplace fashion, and the outlines of the design—if design it can be called—devoid of any grace or variety. No projections to break up the dull flatness and give light and shade; no attempt to relieve the unmitigated square, hut-like appearance of the building. Another puts a pointed roof to his house, pierces it with pretty windows that have form without diminishing the light. He runs some courses of brick work round his building laid in diagonal or otherwise diversified lines. He places a porch at the entrance which has a touch of picturesqueness, and the result is a house that is pleasing to look upon, has at all events a suggestion of form and appearance, and all without any corresponding expense, because he has used his material with skill and taste.