(Borgia MS., Rome)
A fuller account of the birth of the historical sun runs as follows. All the gods were assembled at Teotihuacan, waiting for the appearance of the planet and performing penance. A great fire was prepared, into which, after some hesitation, the syphilitic god Nanauatzin (a manifestation of the dog-headed sun- and lightning-deity, the patron of twins, Xolotl) leaped, reappearing later as the sun. Fired by his example, Tecociztecatl leaped after him, but he failed to spring into the glowing heart of the fire and he reappeared as the moon, the surface of which is clouded with the black ashes of the pyre. A variant myth makes Quetzalcoatl cast his son into the fire to become the sun, while Tlaloc throws his son in later and he becomes the moon. The sun once created, some nourishment had to be found for him, and various gods sacrificed themselves so that he might obtain sustenance from their blood and hearts. A variant legend narrates the special creation of the Centzon Mimizcoa who by fighting might provide the sun with the necessary blood-offerings. The connection of the sun with the war-gods is therefore very close, for war in Mexico was in the main of a ceremonial nature, undertaken with the express purpose of obtaining prisoners for sacrifice, and not necessarily with the intention of inflicting mortal hurt upon the foe. It is in this sense that in a ceremonial invocation to Uitzilopochtli, the warrior-god, the deity is made to exclaim “Through me has the sun risen.” From this point of view the sun is closely connected with the souls of warriors perishing in war or on the sacrificial stone, who escorted the orb from the eastern horizon to the zenith; and also with the souls of women dying in childbirth, the female counterparts of the warriors, who accompanied it from the zenith to its setting. These female souls were deified under the name of Ciuapipiltin or Ciuateteo, and were supposed to descend to the earth on certain dates and inflict maladies on children (Fig. [3, d]). They are included under the general term of Tzitzimimé, lightning-demons, of whom Itzpapalotl was one, and whose advent to destroy the world was greatly feared during eclipses and at the end of each fifty-two-year period. Associated with the sun as escort was Xolotl, the dog-headed god of twins and monstrosities, and, in invocations, the earth-god Tlaltecutli, who, like him, was supposed to be nourished with the blood of warriors killed in fight and sacrifice. The creation of the moon, Meztli, in the person of Tecociztecatl has already been mentioned, but other deities were connected with it, especially those associated with vegetation. The waxing and waning of the moon was supposed to typify the process of nature, and the moon was supposed to exercise an influence over vegetable growth; it is even possible that the phases of this satellite may have possessed a calendrical significance before the invention of the solar year. Consequently we find the earth-goddess Tlazolteotl associated with Meztli, and also the harvest-gods, the Totochtin. Probably the connection with the Totochtin was emphasized by the fact that the Mexicans, instead of the “man in the moon,” saw the figure of a rabbit (tochtli) in the disc (Fig. [6]). Both Tlazolteotl and the Totochtin wear semi-lunar nose-ornaments, exactly similar to the outline of the moon as shown in manuscripts, which often portray it as a curved bone filled with water. A more or less constant emblem of the moon-god is a spiral sea-shell, which he bears partly in his capacity as a god of birth.
Another elemental god of great importance in domestic as well as public worship was the fire-god, known to the Aztec under the name of Xiuhtecutli (Fig. [3, c]). His worship probably dated from a very early period, and he also bore the name of Ueueteotl, “the old-old god.” Among the Tarascans, this deity was the centre of the domestic cult, and the Tepanec and Otomi worshipped him under the name of Otontecutli. Under this name he was invoked in historic times by the inhabitants of the Tepanec cities of Azcapotzalco and Tlacopan and of Colhuacan. At Xochimilco the fire-deity appears as a goddess, under the name of Chantico or Quaxolotl. Xiuhtecutli is generally shown with a horizontally-banded face (in this respect the illustration in Fig. [3, c], is not typical), and his prevailing colour is yellow. On his back he bears the fire-snake, xiuhcoatl (see Pl. [V, 2]), and a butterfly, papalotl, frequently appears in his hair. It may be mentioned that in general horizontal face-paint seems to be characteristic of the gods of the immigrant hunter tribes, the vertical of the agricultural gods of the sedentary tribes of the valley. The butterfly is closely connected with fire, since the fluttering flight of this insect was supposed to resemble the flicker of a flame. Mexican mythology is full of poetical imagery of this sort, which constitutes a welcome relief to the gruesomeness of many of their rites. The fire-god was connected with perhaps the most horrible of their sacrifices; at his most important feast the victims were cast living into a huge brazier, and dragged thence with hooks before death brought a welcome relief, to have their hearts torn from their bodies in the customary manner. An unexpected feature of this god is exemplified in the belief that he was supposed to dwell in the water. As mentioned above, Tezcatlipoca is connected with fire, in so far as he is supposed first to have produced it from flint, after assuming the form of Mixcoatl.
Besides the gods mentioned above there were a number with special functions, a few of whom may now be mentioned. Gods connected with, or invoked during, pregnancy and at birth, besides Chalchiuhtlicue, Ciuacoatl, Teteoinnan, Xochiquetzal and the creating deities, were Chalchiuhtlatonac, associated with Chalchiuhtlicue, and Ayopechtli, the goddess of birth proper, who, like Mayauel, is usually represented as seated on a tortoise. To Ixtlilton, the black god, brother of Macuil xochitl, a sacrifice was made when the child first spoke, and he was regarded as the medical god for children. Other gods, already mentioned, with medical functions were Amimitl (dysentery), Macuilxochitl, Xochiquetzal and Nanauatzin (genital affections), Tlaloc (dropsy), Xipe (skin-diseases), Cinteotl (leprosy), Tezcatlipoca and Tlauizcalpantecutli (senders of sickness), Teteoinnan (goddess of healing herbs), and Tzapotlatenan (who discovered the healing properties of turpentine). The various guilds in Mexico, constituted by members of particular trades, held special rites in honour of those gods who were supposed to preside over their daily activities. Space forbids the inclusion of a complete list, since most can be identified from the details given above. One god however deserves especial mention, Yacatecutli, the god of the Pochteca or travelling merchants, who formed a guild of enormous political importance as will be shown later. Every night while on a journey the merchants, who travelled in companies, burnt incense before their staves which, fastened in a bundle, represented his image, and elaborate rites were held in his honour before their departure and on their return. He was associated in worship with Coyotlinauatl, the god of the guild of feather-workers who inhabited the quarter of Amantlan, which was conterminous with the quarter of the Pochteca. Finally a peculiar god, whose function, other than calendrical, is indeterminate, may be mentioned; the bear-headed Tepeyollotl, the “heart of the mountain,” a cave-god. He is often shown with Tezcatlipoca’s mirror, and may be a manifestation of that omnipresent deity.
Such were the principal gods worshipped in the Mexican valley at the time of the conquest; there were many minor deities also, but sufficient has been said to give some idea of the Mexican pantheon, and to indicate its composite nature. Most of the gods were supposed to dwell in supernatural regions such as Tlalocan, the eastern paradise and home of Tlaloc which has already been mentioned, and Mictlan, the underworld and home of Mictlantecutli, which consisted of nine spheres in the lowest of which was a ninefold stream. Above were thirteen heavens, in the first of which were certain planets, in the second the Tzitzimimé, in the third the Centzon Mimizcoa, in the fourth birds, in the fifth fire-snakes (comets) created by the fire-god, in the sixth winds, in the seventh dust, in the eighth the gods. The rest were reserved for Tonacatecutli and his consort, whose especial home was the thirteenth and highest heaven.
The elements of Mexican religion then are twofold, and consist of three classes of supernatural being, each bearing a direct relation to the mode of life of their especial worshippers. These consist of the rain- and fertility-deities of the agricultural peoples; the stellar war- and hunting-gods of the nomadic tribes who were regarded in the light of personal leaders; and the omnipotent creating-gods, such as Tonacatecutli and Tezcatlipoca, common to both. The tribal gods of the nomadic peoples seem to partake of the nature of fetishes in their original forms, and to have been evolved from the “medicine bundles” familiar to the student of North American ethnography. The more cultured section of the first immigrants, who separated from the main body and departed eastwards, are represented as taking with them their god and leader, whose image was kept veiled in cloth; and allusion has already been made to the statement that Quetzalcoatl’s image was in early days kept similarly covered. Moreover a legend dealing with the Aztec migration states that at an early stage of their wanderings two bundles appeared miraculously in their camp, each of which was appropriated by a section of the migrants. In one was found a jewel, and its possessors finally became the inhabitants of Tlaltelolco, while the other contained fire-sticks (continually associated with hunting and stellar deities), and fell to the eventual inhabitants of Tenochtitlan. Further evidence of the fetish nature of such gods is seen in the stories which tell of struggles between different tribes for the possession of a certain god. Thus we have the story of the capture of the god of the immigrant hill-hunters by the sedentary population around lake Pazcuaro in Michoacan; and the seizure by the Chichimec of the two-headed deer of Camaxtli which was his war-fetish. The same idea survived in the provision by the Mexicans within the temple precincts of a prison-house where the idols of conquered tribes were kept in durance; and it was no doubt based upon the belief that once a people was deprived of the god who was its personal leader, its prestige and power must necessarily vanish.
The worship of so many deities involved a cult of no little elaboration, and it must be remembered that apart from the festivals which were observed universally, each tribe, each province, each quarter in Mexico, each guild (often the remains of a former tribe), and each family were punctual in the observance of various domestic and private rites; and though most of the literature which has come down to us is concerned with the national worship, yet no doubt the domestic cults, for the most part unchronicled, were regarded by the individual as of greater importance, from the point of view that they had a more direct bearing upon his personal prosperity.
Naturally the worship paid to the divine powers varied very greatly in nature according to the mental and cultural status of the worshippers. Many of the myths are extremely crude, and evidently the product of a very low stage of civilization; but on the other hand, many of the prayers given by Sahagun show a high degree of spirituality. The existence of a professional priesthood carefully trained in astronomy and letters, together with the natural bent of the American mind towards poetic imagery, fostered the evolution of beliefs among the more educated which no doubt differed as much in quality from the superstitions of the populace as those of the higher classes in Peru or in India. Rites which in appearance were crude and savage possessed for the adept a symbolic and esoteric meaning which transformed, even if it did not entirely excuse, their barbarity. Symbolism is the keynote of American ritual, and it is this symbolism which makes the religious manuscripts so difficult of interpretation.
Though practically all the supernatural powers were personified in human form, yet traces are found of more direct worship of nature in Tlaxcala, where, according to Motolinia, altars were erected to trees, and four altars might be found arranged round a spring. Indications of tree-worship were also found among the Mixtec who were said to make offerings to the shadows of lofty trees. In Oaxaca, among the Mixtec and Zapotec, traces of a different kind of religion make their appearance. It is true that here too (in parts of the Mixtec territory) we have immigration legends, pointing to the supposition that a portion of the population came from the north; but other, and probably older, myths exist which narrate the birth of the human race from trees, rocks and wild beasts. Myths of this nature are far more typical of Peru as a whole than of Mexico and Central America. Another peculiarity of Mixtec and Zapotec worship is the great number of cave-temples, many of them so holy that they became centres of pilgrimage. Some of these shrines were oracular, and one of them, at Achiutla, held such a high reputation that Montecuzoma sent an embassy to consult it at the coming of the Spaniards. Human sacrifice was practised by both these tribes, though to a far less extent than by the Mexicans, the heart of the victim being held to the lips of the idol of stone or wood. Traces of lake-worship also occur, another point in common with Peru and Colombia, in so far as at Tecomastlahuaca (immediately S.E. of Cuicatlan) was a sacred lake into which the bodies of victims were thrown; and at Teotitlan was a celebrated idol which was said to have descended from heaven in the form of a bird in the midst of a luminous constellation, a myth which would seem to have certain Maya affinities, as will be seen later. At Cuilapa in the Zapotec country was current a creation legend not unlike some of the Mexican ætiological myths. According to this the creator and his progeny bore calendrical names, and these semi-deities built their palaces on a huge rock on the summit of which was a copper axe, with the edge upwards, supporting the heavens. This preliminary age was terminated by a great deluge, after which the creator repeopled the world with the human race.