"She was a saint who suffered martyrdom for her religious views during the persecution of the Christians in the reign of the Emperor Diocletian. But let us read the poem, which will make her more immortal than her heroism."
Mortimer opened the book, and his voice touched the verse with new music for Daisy's ears. Now his tones would be low and sad, as he read of the old Beadsman, who told his beads in the cold night air,
"While his frosted breath,
Like pious incense from a censer old,
Seemed taking flight for heaven."
Then his voice grew as tender as a lover's, when he came to the place where Porphyro, concealed, beholds Madeline as she disrobes:
"Of all its wreathed pearls her hair she frees;
Unclasps her warmed jewels one by one;
Loosens her fragrant boddice; by degrees
Her rich attire creeps rustling to her knees."
"How few poets know how to handle color!" said Mortimer. "Azure, red, orange, and all poetic hues are mixed up in their pictures like a shattered rain-bow! But how artist-like is Keats! His famous window scene has not been surpassed:
"A casement high and triple-arched there was,
All garlanded with carven imageries
Of fruits, and flowers, and bunches of knot-grass,
And diamonded with panes of quaint device,
Innumerable of stains and splendid dyes,
As are the tiger-moth's deep-damask'd wings;
And in the midst, 'mong thousand heraldries,
And twilight saints and dim emblazonings,
A shielded 'scutcheon blush'd with blood of queens and kings.
"Full on this casement shone the wintry moon,
And threw warm gules on Madeline's fair breast,
As down she knelt for heaven's grace and boon:
Rose-bloom fell on her hands, together pressed,
And on her silver cross soft amethyst,
And on her hair a glory, like a saint:
She seemed a splendid angel, newly dressed,
Save wings, for heaven!"
"Is it not exquisite?" asked Mortimer, looking in Daisy's face.
She nodded assent.