How strange it seemed! His living voice
Was speaking from the page
Those courteous phrases, tersely choice,
Light-hearted, witty, sage.
I wondered what it was that died!
The man himself was here,
His modesty, his scholar's pride,
His soul serene and clear.
These neither death nor time shall dim,
Still this sad thing must be—
Henceforth I may not speak to him,
Though he can speak to me!
SARGENT'S PORTRAIT OF EDWIN BOOTH AT "THE PLAYERS"
That face which no man ever saw
And from his memory banished quite,
With eyes in which are Hamlet's awe
And Cardinal Richelieu's subtle light,
Looks from this frame. A master's hand
Has set the master-player here,
In the fair temple that he planned
Not for himself. To us most dear
This image of him! "It was thus
He looked; such pallor touched his cheek;
With that same grace he greeted us—
Nay, 'tis the man, could it but speak!"
Sad words that shall be said some day—
Far fall the day! O cruel Time,
Whose breath sweeps mortal things away,
Spare long this image of his prime,
That others standing in the place
Where, save as ghosts, we come no more,
May know what sweet majestic face
The gentle Prince of Players wore!
PAULINE PAVLOVNA
SCENE: St. Petersburg. Period: the present time. A ballroom in the winter palace of the Prince—. The ladies in character costumes and masks. The gentlemen in official dress and unmasked, with the exception of six tall figures in scarlet kaftans, who are treated with marked distinction as they move here and there among the promenaders. Quadrille music throughout the dialogue. Count SERGIUS PAVLOVICH PANSHINE, who has just arrived, is standing anxiously in the doorway of an antechamber with his eyes fixed upon a lady in the costume of a maid of honor in the time of Catherine II. The lady presently disengages herself from the crowd, and passes near Count PANSHINE, who impulsively takes her by the hand and leads her across the threshold of the inner apartment, which is unoccupied.
HE.
Pauline!