"No stupid man ever suspected himself of being anything but clever. You can draw capitally; but nature beats you out and out at designing ferns. Just ask her to make you a fac-simile in plaster, and see how handily she will lend herself to the job. Of course you must help her a little."
"Oh, I am not above giving nature a lift," said Richard modestly.
"Lay a cloth on your table, place the fern on the cloth, and pour a thin paste of plaster of Paris over the leaf,--do that gently, so as not to disarrange the spray. When the plaster is set, there's your mold; remove the leaf, oil the matrix, and pour in fresh plaster. When that is set, cut away the mold carefully, and there's your spray of fern, as graceful and perfect as if nature had done it all by herself. You get the very texture of the leaf by this process."
After that, Richard made casts instead of drawings for the carvers, and fancied he was doing a new thing, until he visited some marble-works in the great city.
At this period, whatever change subsequently took place in his feeling, Richard was desirous of establishing friendly relations with his cousin. The young fellow's sense of kinship was singularly strong, and it was only after several repulses at the door of the Shackford house and on the street that he relinquished the hope of placating the sour old man. At times Richard was moved almost to pity him. Every day Mr. Shackford seemed to grow shabbier and more spectral. He was a grotesque figure now, in his napless hat and broken-down stock. The metal button-holes on his ancient waistcoat had worn their way through the satin coverings, leaving here and there a sparse fringe around the edges, and somehow suggesting little bald heads. Looking at him, you felt that the inner man was as threadbare and dilapidated as his outside; but in his lonely old age he asked for no human sympathy or companionship, and, in fact, stood in no need of either. With one devouring passion he set the world at defiance. He loved his gold,--the metal itself, the weight and color and touch of it. In his bedroom on the ground-floor Mr. Shackford kept a small iron-clamped box filled to the lid with bright yellow coins. Often, at the dead of night, with door bolted and curtain down, he would spread out the glittering pieces on the table, and bend over them with an amorous glow in his faded eyes. These were his blond mistresses; he took a fearful joy in listening to their rustling, muffle laughter as he drew them towards him with eager hands. If at that instant a blind chanced to slam, or a footfall to echo in the lonely court, then the withered old sultan would hurry his slaves back into their iron-bound seraglio, and extinguish the light. It would have been a wasted tenderness to pity him. He was very happy in his own way, that Lemuel Shackford.
IX
Towards the close of his second year with Mr. Slocum, Richard was assigned a work-room by himself, and relieved of his accountant's duties. His undivided energies were demanded by the carving department, which had proved a lucrative success.
The rear of the lot on which Mr. Slocum's house stood was shut off from the marble yard by a high brick wall pierced with a private door for Mr. Slocum's convenience. Over the kitchen in the extension, which reached within a few feet of the wall, was a disused chamber, approachable on the outside by a flight of steps leading to a veranda. To this room Richard and his traps were removed. With a round table standing in the center, with the plaster models arranged on shelves and sketches in pencil and crayon tacked against the whitewashed walls, the apartment was transformed into a delightful atelier. An open fire-place, with a brace of antiquated iron-dogs straddling the red brick hearth, gave the finishing touch. The occupant was in easy communication with the yard, from which the busy din of clinking chisels came musically to his ear, and was still beyond the reach of unnecessary interruption. Richard saw clearly all the advantages of this transfer, but he was far form having any intimation that he had made the most important move of his life.
The room had two doors: one opened on the veranda, and the other into a narrow hall connecting the extension with the main building. Frequently, that first week after taking possession, Richard detected the sweep of a broom and the rustle of drapery in this passage-way, the sound sometimes hushing itself quite close to the door, as if some one had paused a moment just outside. He wondered whether it was the servant-maid or Margaret Slocum, whom he knew very well by sight. It was, in fact, Margaret, who was dying with the curiosity of fourteen to peep into the studio, so carefully locked whenever the young man left it,--dying with curiosity to see the workshop, and standing in rather great awe of the workman.
In the home circle her father had a habit of speaking with deep respect of young Shackford's ability, and once she had seen him at their table,--at a Thanksgiving. On this occasion Richard had appalled her by the solemnity of his shyness,--poor Richard, who was so unused to the amenities of a handsomely served dinner, that the chill which came over him cooled the Thanksgiving turkey on his palate.