[LECTURE VII.]
ON POWER, CAUSE, AND EFFECT.
My last Lecture, Gentlemen, was chiefly employed in examining what it is, which is the real object of inquiry, when we consider the phenomena of nature as successive; and we found, that, by an original principle of our constitution, we are led, from the mere observation of change, to believe, that, when similar circumstances recur, the changes, which we observed, will also recur in the same order,—that there is hence conceived by us to be a permanent relation of one event, as invariably antecedent, to another event, as invariably consequent,—and that this permanent relation is all which constitutes power. It is a word, indeed, of much seeming mystery; but all which is supposed to be mysterious and perplexing in it vanishes, when it is regarded in its true light as only a short general term, expressive of invariable antecedence, or, in other words, of that, which cannot exist in certain circumstances, without being immediately followed by a certain definite event, which we denominate an effect, in reference to the antecedent, which we denominate a cause. To express, shortly, what appears to me to be the only intelligible meaning of the three most important words in physics, immediate invariable antecedence, is power,—the immediate invariable antecedent, in any sequence, is a cause,—the immediate invariable consequent is the correlative effect.
The object of philosophic inquiry, then, in that second department of it, which we considered with respect to the phenomena of nature as successive, we have found not to be any thing different from the phenomena themselves, but to be those very phenomena, as preceding or following, in certain regular series. Power is not any thing that can exist separately from a substance, but is merely the substance itself, considered in relation to another substance,—in the same manner, as what we denominate form, is not any thing separate from the elementary atoms of a mass, but is merely the relation of a number of atoms, as co-existing in apparent contact. The sculptor at every stroke of his chisel, alters the form of the block of marble on which he works, not by communicating to it any new qualities, but merely by separating from it a number of the corpuscles, which were formerly included by us, in our conception of the continuous whole; and when he has given the last delicate touches that finish the Jupiter, or the Venus, or Apollo, the divine form which we admire, as if it had assumed a new existence beneath the artist's hand, is still in itself unaltered,—the same quiescent mass, that slumbered for ages in the quarry of which it was a part.
Quale fuscæ marmor in Africæ
Solo recisum, sumere idoneum
Quoscunque vultus, seu Diana
Seu Cytheræa magis placebit;
Informis, ater, sub pedibus jacet,