When I say, that we are ignorant of the nature of that change, which is propagated along the nerve to the brain, I speak in reference to an opinion that is universal. But, though it may be improbable, it is certainly far from impossible, that there is really no such progressive communication, as this which is supposed. The brain and nerves, though, from the difference of names, you might be led, perhaps, to consider them as distinct, I have already said, are not separate organs, but are in continuity with each other, at least as much as various parts of the brain itself, which are comprehended under that single term, can be said to be continuous. When taken together, they form what is truly one complicated sensorial organ,—the organ of all our sensations, according to the different states in which the organ exists, or the different parts of it which are chiefly affected. In hearing, for example, a certain state of that part of the sensorial organ, which constitutes the auditory nerves,—in vision, a certain state of that part of it, which constitutes the optic nerves, is necessary to sensation,—and, in both cases, according to the universal supposition on the subject, all or part of the brain likewise must exist in a certain state, of which we know nothing more, than that it is followed, in the one case, by the sensation of sound, in the other case by that of sight. The connexion of the mind with the bodily frame,—which must be equally inexplicable on every supposition that can be formed,—is not supposed, by any philosopher, to depend on the state of a single physical point of the brain alone; and, if it extend to more than one such point, there is nothing,—in the nature of the connexion itself, independently of experience,—which necessarily limits it to one portion of the complex sensorial organ, more than to another,—to the particles of the central mass of the brain, for example, more than to those of the nerve itself. It is experience, then, to which we are referred; and experience, though it shows that certain nerves are not essential to life, since life continues equally, after they may have been impaired, or even destroyed, is far from showing that an affection of them is not essential to sensation, at the very moment of the particular sensation; nor does it afford even the slightest evidence, to justify the belief, that the only use of the nerve is to communicate a certain affection to the brain, which affection of the mere central part of the sensorial organ, would, of itself, immediately induce sensation, though the nerves were annihilated in the preceding instant. The sensation may be the immediate effect, not of the state of the brain only, but of the state of the brain, and of any particular nerve, considered as existing together at the moment; in the same manner, as, by those who ascribe the immediate origin of sensation to the mere brain, exclusive of its nervous appendages, it is supposed to depend on the state, not of one physical point of the central brain, but on the state of many such co-existing points. We know not, to what extent, in the great sensorial organ, this change is necessary; but we believe, that, to some extent, it is necessary; and the question is, whether, in the whole portion so affected, the affection be produced by a succession of changes, propagated from part to part? This may, perhaps, be the more probable supposition:—but, whatever may be the comparative probability or improbability, it certainly has not been demonstrated by observation or experiment; nor can there be said to be, a priori, any absurdity in the opposite supposition, that the sensorial affection, to whatever extent it may be necessary, is not progressive, but immediate,—that, as long as the sensorial organ, (under which term I comprehend, as I have already frequently repeated, not the brain merely, but also its nervous appendages, that exist in apparent continuity with the brain,) is unimpaired, by accident or disease, the presence of the immediate object of sense, at the external organ, which on every supposition, must be followed by some sensorial change of state, is instantly followed by that general change of state of the internal organ, whatever it may be, which is necessary to sensation, in the particular case; in the same manner, as the presence of a celestial body, at a certain point in the heavens, is immediately followed by a change of state, in the whole gravitating particles of our globe; the change in any long line of these gravitating particles being not communicated from each to each, but depending only on the presence of the distant sun or planet; and beginning in the most remote particles of the line, at the very same instant, as in that which is nearest, on the surface of the earth. An instant change, in the long line of sensorial particles,—if the affection of a long line of these particles be necessary,—on the presence of a particular object, is not more improbable in itself, than this instant and universal influence of gravitation, that varies with all the varying positions of a distant object.
But is it, indeed, certain, that, in sensation, there is an affection of the central brain, whether immediate or progressive? Is it not possible, at least, or more than possible, that the state of the mind, when we perceive colours and sounds, may be the immediate consequent of the altered state of that part of the sensorial organ, which forms the expansion of the nerve in the eye or ear? The sensations must be supposed, in every theory, to be the consequents of states induced in some sensorial particles, and there is nothing but the mere names of brain and nerve, invented by ourselves, and the notions which we have chosen, without evidence, to attach to these mere names, which would mark the sensorial particles in the nervous expanse itself, as less fitted to be the immediate antecedents of sight and hearing, than the similar sensorial particles in any portion of the central mass of the brain. There is no reason, in short a priori, for supposing that a state of the sensorial particles of the nerves cannot be the cause of sensation, and that the sensation must be the effect of a state equally unknown, of apparently similar particles, in that other part of the general sensorial organ, which we have denominated the brain. Sensation, indeed, is prevented by decay, or general disease of the brain, or by separation of the nerve, or pressure on it, in any part of its course. But it is far from improbable, that these causes, which must evidently be injurious to the organ, may act, merely by preventing that sound state of the nerve, which is necessary for sensation, and which, in an organ so very delicate, may be affected by the slightest influences,—by influences far slighter, than may naturally be expected to result from such an injury of such a part. The nerves and brain, together, form one great organ; and a sound state of the whole organ, even from the analogy of other grosser organs, may well be supposed to be necessary for the healthy state and perfect function of each separate part.
If, indeed, the appearance of the brain and nerves were such, as marked them to be peculiarly fitted for the communication of motion of any sort, there might be some presumption, from this very circumstance, in favour of the opinion, that sensation takes place, only after a progressive series of affections of some sort, propagated along the nerve to the interior brain. But it must be remembered, that the nature, both of the substance of the nerves themselves, and of the soft and lax substance, in which they are loosely embedded, renders them very ill adapted for the communication of nice varieties of motion, and gives some additional likelihood, therefore, to the supposition, that affections of the sensorial organ, so distinct as our sensations are from each other, and so exactly corresponding with the slightest changes of external objects, do not depend on the progressive communication of faint and imperceptible motion, in circumstances so unfavourable to the uninterrupted progress even of that more powerful motion, which can be measured by the eye. In a case so doubtful as this, however, in which the intervening changes supposed by philosophers,—if such a progressive series of motions do really take place,—are confessed to be beyond our observation, it is impossible for any one, who has a just sense of the limits, which nature has opposed to our search, to pronounce with certainty, or even perhaps with that faint species of belief, which we give to mere probability. My conjectures on the subject, therefore, I state simply as conjectures, and nothing more.
If, indeed, what is but a mere conjecture could be shown to be well founded, it would add another case to the innumerable instances, in which philosophers have laboured, for ages, to explain what did not exist,—contenting themselves, after their long toil, with the skill and industry which they have exhibited, in removing difficulties, which they had before, with great skill and industry, placed in their own way. “I am not so much convinced of our radical ignorance,” says an ingenious writer, “by the things that are, of which the nature is hid from us, as by the things that are not, of which notwithstanding we contrive to give a very tolerable account; for this shews that we are not merely without the principles which lead to truth, but that there are other principles in our nature, which can accommodate themselves very well, and form a close connexion, with what is positively false.”
But whatever reason there may be for removing this supposed link of the corporeal part of the process of sensation, there is another prior link, which it appears to me of great importance to separate from the chain. I allude to the distinction, which is commonly made, of the objects of sense, as acting themselves on our organs, or as acting through what is termed a medium.
“A second law of our nature,” says Dr Reid, “regarding perception is, that we perceive no object, unless some impression is made upon the organ of sense, either by the immediate application of the object, or by some medium which passes between the object and the organ. In two of our senses, to wit, touch and taste, there must be an immediate application of the object to the organ. In the other three, the object is perceived at a distance, but still by means of a medium, by which some impression is made upon the organ. The effluvia of bodies drawn into the nostrils, with the breath, are the medium of smell; the undulations of the air, are the medium of hearing; and the rays of light passing from visible objects to the eye, are the medium of sight. We see no object, unless rays of light come from it to the eye. We hear not the sound of any body, unless the vibrations of some elastic medium, occasioned by the tremulous motion of the sounding body, reach our ear. We perceive no smell, unless the effluvia of the smelling body enter into the nostrils. We perceive no taste, unless the sapid body be applied to the tongue, or some part of the organ of taste. Nor do we perceive any tangible quality of a body, unless it touch the hands, or some part of our body.”[71]
It is evident, that, in these cases of a supposed medium, which Dr Reid considers as forming so important a distinction of our sensations, the real object of sense is not the distant object, but that which acts immediately upon the organs,—the light itself, not the sun which beams it on us,—the odorous particles, which the wind has wafted to us from the rose, not the rose itself upon its stem,—the vibrations of the air, within our ear, not the cannon that is fired at the distance of miles. The light, the odour, the vibrating air, by which alone our senses are affected, act on our nerves of sight, of smell, and hearing, with an influence as direct, and as little limited in the kind of action, as that with which the fruit, which we eat or handle, acts on our nerves of taste or touch. This influence of the objects immediately external is all, in which our organs of sense, and consequently the mind as the principle of mere sensation, is concerned. The reference to the distant sun, or rose, or cannon, which alone leads us to speak of a medium in any of these cases, is the effect of another principle of our intellectual nature,—the principle of association, or suggestion,—that is afterwards to be considered by us, without which, indeed, our mere transient sensations would be comparatively of little value; but which, as a quality or susceptibility of the mind, is not to be confounded with that, by which the mind becomes, instantly sentient, in consequence of a certain change produced in the state of its sensorial organ.
Since, however, precisely the same series of changes must take place in nature, whether we class the sun, the flower, the cannon, as the objects of sense, or merely the light, the odorous particles, and the vibrating air, it may perhaps be thought, that the distinction now made is only a verbal one, of no real importance. But it will not appear such to those who are conversant with the different theories of perception which we are afterwards to review; many of which, that have had the greatest sway, and a sway the most fatal to the progress of intellectual philosophy, appear, to me, to have arisen entirely, or at least chiefly, from this very misconception as to the real external object of sense. It is sufficient at present to allude to the effect, which the mere distance of the supposed object must have had, in giving room to all the follies of imagination to fill up the interval.
It may be necessary, however, to remark by the way, that though I do not conceive the bodies which act through a medium, as it is said to be the real objects of the particular sense;—the immense orb of the sun, for example, in all its magnitude, to be the object of that small organ by which we are sensible of light; or the cannon, which exists we know not where, to be the object of that organ by which we are sensible of sound;—I am still far from objecting to the popular and very convenient phraseology, by which we speak of seeing the sun, and hearing the cannon—a phraseology that expresses briefly a reference, which could not otherwise be expressed but by a very awkward circumlocution, and to make any innovation in which would be as absurd, as to reject the popular phrases of the sun's rising and setting merely because they are inconsistent with our astronomical belief. The most rigid philosophy can require no more, than that, when we talk of the sun's actual setting, we should mean by it, only a certain position relative to that great luminary at which the earth arrives in its diurnal revolution,—and that, when we talk of seeing it descend, we should mean nothing more, than that we see light of a certain brilliancy, from which we infer the existence and relative position of the orb that has projected it.
I have been led into these observations, on the various parts of the corporeal process which precedes sensation, by the desire of removing, as much as possible, any obscurity in which your notions on the subject might be involved,—as I know well the influence which even a slight confusion in our notion of any part of a complicated process has, in spreading, as it were, its own darkness and perplexity over parts of the process, which otherwise we should have found no difficulty in comprehending. You might think, that you knew less distinctly the mental sensation itself, because you knew only obscurely the series of bodily changes that precede sensation; but still it must be remembered, that it is only the last link of the corporeal chain,—the ultimate affection of the sensorial organ, in whatever manner and to whatever extent it may be affected,—immediately antecedent to the affection of the mind, which is to be considered as that with which nature has united the corresponding change in our mental frame. This mysterious influence of our bodily on our mental part has been poetically compared to that which the sun was supposed to exercise on a lyre, that formed part of a celebrated Egyptian statue of Memnon, which was said to become musical when struck with its beams; and though the poet has extended the similitude, beyond our mere elementary sensations, to the complex perception of beauty, it is still a very happy illustration—as far as a mere poetic image can be an illustration—of the power which matter exercises over the harmonies of mind:—