Bulfinch's Mythology: The Age of Fable

by Thomas Bulfinch

Horus or Harpocrates, named above, was the son of Osiris. He is sometimes represented, seated on a Lotus-flower, with his finger on his lips, as the god of silence.

In one of Moore's Irish Melodies is an allusion to Harpocrates: -

"Thyself shall, under some rosy bower,
Sit mute, with thy finger on thy lip:
Like him, the boy, who born among
The flowers that on the Nile-stream blush,
Sits over thus, his only song
To Earth and Heaven, "Hush, all, hush!"

MYTH OF OSIRIS AND ISIS

Osiris and Isis were at one time induced to descend to the earth to bestow gifts and blessings on its inhabitants. Isis showed them first the use of wheat and barley, and Osiris made the instruments of agriculture and taught men the use of them, as well as how to harness the ox to the plough. He then gave men laws, the institution of marriage, a civil organization, and taught them how to worship the gods. After he had thus made the valley of the Nile a happy country, he assembled a host with which he went to bestow his blessings upon the rest of the world. He conquered the nations everywhere, but not with weapons, only with music and eloquence. His brother Typhon (Typhon is supposed to be the Seth of the monuments) saw this, and filled with envy and malice sought, during his absence, to usurp his throne. But Isis, who held the reins of government, frustrated his plans. Still more embittered, he now resolved to kill his brother. This he did in the following manner: Having organized a conspiracy of seventy-two members, he went with them to the feast which was celebrated in honor of the king's return. He then caused a box or chest to be brought in, which had been made to fit exactly the size of Osiris, and declared that he would give that chest of precious wood to whosoever could get into it. The rest tried in vain, but no sooner was Osiris in it than Typhon and his companions closed the lid and flung the chest into the Nile. When Isis heard of the cruel murder she wept and mourned, and then with her hair shorn, clothed in black and beating her breast, she sought diligently for the body of her husband. In this search she was assisted by Anubis, the son of Osiris and Nephthys. They sought in vain for some time; for when the chest, carried by the waves to the shores of Byblos, had become entangled in the reeds that grew at the edge of the water, the divine power that dwelt in the body of Osiris imparted such strength to the shrub that it grew into a mighty tree, enclosing in its trunk the coffin of the god. This tree, with its sacred deposit, was shortly afterward felled, and erected as a column in the palace of the king of Phoenicia. But at length, by the aid of Anubis and the sacred birds, Isis ascertained these facts, and then went to the royal city. There she offered herself at the palace as a servant, and being admitted, threw off her disguise and appeared as the goddess, surrounded with thunder and lightning. Striking the column with her wand, she caused it to split open and give up the sacred coffin. This she seized and returned with it, and concealed it in the depth of a forest, but Typhon discovered it, and cutting the body into fourteen pieces, scattered them hither and thither. After a tedious search, Isis found thirteen pieces, the fishes of the Nile having eaten the other. This she replaced by an imitation of sycamore wood, and buried the body at Philoe, which became ever after the great burying place of the nation, and the spot to which pilgrimages were made from all parts of the country. A temple of surpassing magnificence was also erected there in honor of the god, and at every place where one of his limbs had been found, minor temples and tombs were built to commemorate the event. Osiris became after that the tutelar deity of the Egyptians. His soul was supposed always to inhabit the body of the bull Apis, and at his death to transfer itself to his successor.

Apis, the Bull of Memphis, was worshipped with the greatest reverence by the Egyptians. As soon as a bull marked with the marks which have been described, was found by those sent in search of him, he was placed in a building facing the east, and was fed with milk for four months. At the expiration of this term the priests repaired at new moon with great pomp, to his habitation, and saluted him Apis. He was placed in a vessel magnificently decorated and conveyed down the Nile to Memphis, where a temple, with two chapels and a court for exercise, was assigned to him. Sacrifices were made to him, and once every year, about the time when the Nile began to rise, a golden cup was thrown into the river, and a grand festival was held to celebrate his birthday. The people believed that during this festival the crocodiles forgot their natural ferocity and became harmless. There was however one drawback to his happy lot; he was not permitted to live beyond a certain period; and if when he had attained the age of twenty-five years, he still survived, the priests drowned him in the sacred cistern, and then buried him in the temple of Serapis. On the death of this bull, whether it occurred in the course of nature or by violence, the whole land was filled with sorrow and lamentations, which lasted until his successor was found.

A new Apis was found as late as the reign of Hadrian. A mummy made from one of the Sacred Bulls may be seen in the Egyptian collection of the Historical Society, New York.

Milton, in his Hymn of the Nativity, alludes to the Egyptian deities, not as imaginary beings, but as real demons put to flight by the coming of Christ:

"The brutish gods of Nile as fast,
Isis and Horus and the dog Anubis haste.
Nor is Osiris seen
In Memphian grove or green
Trampling the unshowered* grass with lowings loud;
Nor can he be at rest
Within his sacred chest;
Nought but profoundest hell can be his shroud.
In vain with timbrel'd anthems dark
The sable-stoled sorcerers bear his worshipped ark."

*(There being no rain in Egypt, the grass is "unshowered," and the country depends for its fertility upon the overflowings of the Nile. The ark alluded to in the last line is shown by pictures still remaining on the walls of the Egyptian temples to have been borne by the priests in their religious processions. It probably represented the chest in which Osiris was placed.)