Though Cherry Gardens reek and roar,
And engines gasp their horrid glee;
I mark their ugliness no more:
A wild rose blows by Bermondsey.
A BASHER'S NIGHT
HOXTON
Hoxton is not merely virile; it is virulent. Life here hammers in the blood with something of the insistence of ragtime. The people—men, women, and children—are alive, spitefully alive. You feel that they are ready to do you damage, with or without reason. Here are antagonism and desire, stripped for battle. Little children, of three years old, have the spirit in them; for they lean from tenement landings that jut over the street, and, with becoming seriousness, spit upon the passing pedestrians, every hit scoring two to the marksman.
The colour of Hoxton Street is a tremendous purple. It springs upon you, as you turn from Old Street, and envelops you. There are high, black tenement houses. There are low cottages and fumbling passages. There are mellow fried-fish shops at every few yards. There are dirty beer-houses and a few public-houses. There are numerous cast-off clothing salons. And there are screeching Cockney women, raw and raffish, brutalized children, and men who would survive in the fiercest jungle. Also there is the Britannia Theatre and Hotel. The old Brit.! It stands, with Sadler's Wells and the Surrey, as one of the oldest homes of fustian drama. Sadler's Wells is now a picture palace, and the Surrey is a two-house Variety show. The old Brit. held out longest, but even that is going now. Its annual pantomime was one of the events of the London Season for the good Bohemian. Then all the Gallery First Nighters boys and girls would go down on the last night, which was Benefit Night for Mrs. Sara Lane, the proprietress. Not only were bouquets handed up, but the audience showered upon her tributes in more homely and substantial form. Here was a fine outlet for the originality of the crowd, and among the things that were passed over the orchestra-rails or lowered from boxes and circles were chests of drawers, pairs of corsets, stockings, pillow-cases, washhand jugs and basins, hip-baths, old boots, mince-pies, Christmas puddings, bottles of beer, and various items of lumber and rubbish which aroused healthy and Homeric laughter at the moment, but which, set down in print at a time when Falstaffian humour has departed from us, may arouse nothing but a curled lip and a rebuke. But it really was funny to see the stage littered with these tributes, which, as I say, included objects which are never exhibited in the light of day to a mixed company.