Official persons, as their wont is in the pressure of debate, endeavored to deny, to insinuate in their vile Newspapers, That Jenkins lost his Ear nearer home and not for nothing; as one still reads in the History Books. [Tindal (xx. 372). Coxe, &c.] Sheer calumnies, we now find. Jenkins's account was doubtless abundantly emphatic; but there is no ground to question the substantial truth of him and it. And so, after seven years of unnoticeable burning upon the thick skin of the English Public, the case of Jenkins accidentally burns through, and sets England bellowing; such a smart is there of it,—not to be soothed by Official wet-cloths; but getting worse and worse, for the nineteen months ensuing. And in short—But we will not anticipate!
Chapter VI. — LAST YEAR OF REINSBERG; JOURNEY TO PREUSSEN.
The Idyllium of Reinsberg—of which, except in the way of sketchy suggestion, there can no history be given—lasted less than four years; and is now coming to an end, unexpectedly soon. A pleasant Arcadian Summer in one's life;—though it has not wanted its occasional discords, flaws of ill weather in the general sunshine. Papa, always in uncertain health of late, is getting heavier of foot and of heart under his heavy burdens; and sometimes falls abstruse enough, liable to bewilderments from bad people and events: not much worth noticing here. [See Pollnitz, ii. 509-515; Friedrich's Letter to Wilhelmina ("Berlin, 20th January, 1739:" in OEuvres, xxvii. part 1st, pp. 60, 61); &c. &c.] But the Crown-Prince has learned to deal with all this; all this is of transient nature; and a bright long future seems to lie ahead at Reinsberg;—brightened especially by the Literary Element; which, in this year of 1739, is brisker than it had ever been. Distinguished Visitors, of a literary turn, look in at Reinsberg; the Voltaire Correspondence is very lively; on Friedrich's part there is copious production, various enterprise, in the form of prose and verse; thoughts even of going to press with some of it: in short, the Literary Interest rises very prominent at Reinsberg in 1739. Biography is apt to forget the Literature there (having her reasons); but must at last take some notice of it, among the phenomena of the year.
To the young Prince himself, "courting tranquillity," as his door-lintel intimated, ["Frederico tranquillitatem colenti" (Infra, p. 123).] and forbidden to be active except within limits, this of Literature was all along the great light of existence at Reinsberg; the supplement to all other employments or wants of employment there. To Friedrich himself, in those old days, a great and supreme interest; while again, to the modern Biographer of him, it has become dark and vacant; a thing to be shunned, not sought. So that the fact as it stood with Friedrich differs far from any description that can be given of the fact. Alas, we have said already, and the constant truth is, Friedrich's literatures, his distinguished literary visitors and enterprises, which were once brand-new and brilliant, have grown old as a garment, and are a sorrow rather than otherwise to existing mankind! Conscientious readers, who would represent to themselves the vanished scene at Reinsberg, in this point more especially, must make an effort.
As biographical documents, these Poetries and Proses of the young man give a very pretty testimony of him; but are not of value otherwise. In fact, they promise, if we look well into them, That here is probably a practical faculty and intellect of the highest kind; which again, on the speculative, especially on the poetical side, will never be considerable, nor has even tried to be so. This young soul does not deal in meditation at all, and his tendencies are the reverse of sentimental. Here is no introspection, morbid or other, no pathos or complaint, no melodious informing of the public what dreadful emotions you labor under: here, in rapid prompt form, indicating that it is truth and not fable, are generous aspirations for the world and yourself, generous pride, disdain of the ignoble, of the dark, mendacious;—here, in short, is a swift-handed, valiant, STEEL-bright kind of soul; very likely for a King's, if other things answer, and not likely for a Poet's. No doubt he could have made something of Literature too; could have written Books, and left some stamp of a veracious, more or less victorious intellect, in that strange province too. But then he must have applied himself to it, as he did to reigning: done in the cursory style, we see what it has come to.
It is certain, Friedrich's reputation suffers, at this day, from his writing. From his NOT having written nothing, he stands lower with the world. Which seems hard measure;—though perhaps it is the law of the case, after all. "Nobody in these days," says my poor Friend, "has the least notion of the sinful waste there is in talk, whether by pen or tongue. Better probably that King Friedrich had written no Verses; nay I know not that David's Psalms did David's Kingship any good!" Which may be truer than it seems. Fine aspirations, generous convictions, purposes,—they are thought very fine: but it is good, on various accounts, to keep them rather silent; strictly unvocal, except on call of real business; so dangerous are they for becoming conscious of themselves! Most things do not ripen at all except underground. And it is a sad but sure truth, that every time you SPEAK of a fine purpose, especially if with eloquence and to the admiration of by-standers, there is the LESS chance of your ever making a fact of it in your poor life.—If Reinsberg, and its vacancy of great employment, was the cause of Friedrich's verse-writing, we will not praise Reinsberg on that head! But the truth is, Friedrich's verses came from him with uncommon fluency; and were not a deep matter, but a shallow one, in any sense. Not much more to him than speaking with a will; than fantasying on the flute in an animated strain. Ever and anon through his life, on small hint from without or on great, there was found a certain leakage of verses, which he was prompt to utter;—and the case at Reinsberg, or afterwards, is not so serious as we might imagine.
PINE'S HORACE; AND THE ANTI-MACHIAVEL.
In late months Friedrich had conceived one notable project; which demands a word in this place. Did modern readers ever hear of "John Pine, the celebrated English Engraver"? John Pine, a man of good scholarship, good skill with his burin, did "Tapestries of the House of Lords," and other things of a celebrated nature, famous at home and abroad: but his peculiar feat, which had commended him at Reinsberg, was an Edition of HORACE: exquisite old FLACCUS brought to perfection, as it were; all done with vignettes, classical borderings, symbolic marginal ornaments, in fine taste and accuracy, the Text itself engraved; all by the exquisite burin of Pine. ["London, 1737" (Biographie Universelle, xxxiv. 465).] This Edition had come out last year, famous over the world; and was by and by, as rumor bore, to be followed by a VIRGIL done in the like exquisite manner.