"He of the Kingston Assizes, we say, was not this Charles; but his Son, whom let the reader forget. Charles, age forty at this time, had travelled about the Continent a good deal: once, long ago, we imagined we had got a glimpse of him (but it was a guess merely) lounging about Luneville and Lorraine, along with Lyttelton, in the Congress-of-Soissons time? Not long after that, it is certain enough, he got appointed a Gentleman of the Bedchamber to Prince Fred; who was a friend of speculative talkers and cultivated people. In which situation Charles Sixth Baron Baltimore continued all his days after; and might have risen by means of Fred, as he was anxious enough to do, had both of them lived; but they both died; Baltimore first, in 1751, a year before Fred. Bubb Doddington, diligent laborer in the same Fred vineyard, was much infested by this Baltimore,—who, drunk or sober (for he occasionally gets into liquor), is always putting out Bubb, and stands too well with our Royal Master, one secretly fears! Baltimore's finances, I can guess, were not in too good order; mostly an Absentee; Irish Estates not managed in the first style, while one is busy in the Fred vineyard! 'The best and honestest man in the world, with a good deal of jumbled knowledge,' Walpole calls him once: 'but not capable of conducting a party.'" [Walpole's Letters to Mann (London, 1843), ii. 175; 27th January, 1747. See ib. i. 82.] Oh no;—and died, at any rate, Spring 1751: [Peerage of Ireland (London, 1768), ii. 172-174.] and we will not mention him farther.
BIELFELD, WHAT HE SAW AT REINSBERG AND AROUND.
Directly on the rear of these fine visitors, came, by invitation, a pair of the Korn's-Hotel people; Masonic friends; one of whom was Bielfeld, whose dainty Installation Speech and ways of procedure had been of promise to the Prince on that occasion. "Baron von Oberg" was the other:—Hanoverian Baron: the same who went into the Wars, and was a "General von Oberg" twenty years hence? The same or another, it does not much concern us. Nor does the visit much, or at all; except that Bielfeld, being of writing nature, professes to give ocular account of it. Honest transcript of what a human creature actually saw at Reinsberg, and in the Berlin environment at that date, would have had a value to mankind: but Bielfeld has adopted the fictitious form; and pretty much ruined for us any transcript there is. Exaggeration, gesticulation, fantastic uncertainty afflict the reader; and prevent comfortable belief, except where there is other evidence than Bielfeld's.
At Berlin the beautiful straight streets, Linden Avenues (perhaps a better sample than those of our day), were notable to Bielfeld; bridges, statues very fine; grand esplanades, and such military drilling and parading as was never seen. He had dinner-invitations, too, in quantity; likes this one and that (all in prudent asterisks),—-likes Truchsess von Waldburg very much, and his strange mode of bachelor housekeeping, and the way he dines and talks among his fellow-creatures, or sits studious among his Military Books and Paper-litters. But all is loose far-off sketching, in the style of Anacharsis the Younger; and makes no solid impression.
Getting to Reinsberg, to the Town, to the Schloss, he crosses the esplanade, the moat; sees what we know, beautiful square Mansion among its woods and waters;—and almost nothing that we do not know, except the way the moat-bridge is lighted: "Bridge furnished," he says, "with seven Statues representing the seven Planets, each holding in her hand a glass lamp in the form of a globe;"—which is a pretty object in the night-time. The House is now finished; Knobelsdorf rejoicing in his success; Pesne and others giving the last touch to some ceilings of a sublime nature. On the lintel of the gate is inscribed FREDERICO TRANQUILLITATEM COLENTI (To Friedrich courting Tranquillity). The gardens, walks, hermitages, grottos, are very spacious, fine: not yet completed,—perhaps will never be. A Temple of Bacchus is just now on hand, somewhere in those labyrinthic woods: "twelve gigantic Satyrs as caryatides, crowned by an inverted Punch-bowl for dome;" that is the ingenious Knobelsdorf's idea, pleasant to the mind. Knobelsdorf is of austere aspect; austere, yet benevolent and full of honest sagacity; the very picture of sound sense, thinks Bielfeld. M. Jordan is handsome, though of small stature; agreeable expression of face; eye extremely vivid; brown complexion, bushy eyebrows as well as beard are black. [Bielfeld (abridged), i. 45.]
Or did the reader ever hear of "M. Fredersdorf," Head Valet at this time? Fredersdorf will become, as it were, Privy-Purse, House-Friend, and domestic Factotum, and play a great part in coming years. "A tall handsome man;" much "silent sense, civility, dexterity;" something "magnificently clever in him," thinks Bielfeld (now, or else twenty years afterwards); whom we can believe. [Ib. p. 49.] He was a gift from General Schwerin, this Fredersdorf; once a Private in Schwerin's regiment, at Frankfurt-on-Oder,—excellent on the flute, for one quality. Schwerin, who had an eye for men, sent him to Friedrich, in the Custrin time; hoping he might suit in fluting and otherwise. Which he conspicuously did. Bielfeld's account, we must candidly say, appears to be an afterthought; but readers can make their profit of it, all the same.
As to the Crown-Prince and Princess, words fail to express their gracious perfections, their affabilities, polite ingenuities:—Bielfeld's words do give us some pleasant shadowy conceivability of the Crown-Princess:—
"Tall, and perfect in shape; bust such as a sculptor might copy; complexion of the finest; features ditto; nose, I confess, smallish and pointed, but excellent of that kind; hair of the supremest flaxen, 'shining' like a flood of sunbeams, when the powder is off it. A humane ingenuous Princess; little negligences in toilet or the like, if such occur, even these set her off, so ingenuous are they. Speaks little; but always to the purpose, in a simple, cheerful and wise way. Dances beautifully; heart (her soubrette assures me) is heavenly;—and 'perhaps no Princess living has a finer set of diamonds.'"
Of the Crown-Princess there is some pleasant shadow traced as on cobweb, to this effect. But of the Crown-Prince there is no forming the least conception from what he says:—this is mere cobweb with Nothing elaborately painted on it. Nor do the portraits of the others attract by their verisimilitude. Here is Colonel Keyserling, for instance; the witty Courlander, famous enough in the Friedrich circle; who went on embassy to Cirey, and much else: he "whirls in with uproar (FRACAS) like Boreas in the Ballet;" fowling-piece on shoulder, and in his "dressing-gown" withal, which is still stranger; snatches off Bielfeld, unknown till that moment, to sit by him while dressing; and there, with much capering, pirouetting, and indeed almost ground-and-lofty tumbling, for accompaniment, "talks of Horses, Mathematics, Painting, Architecture, Literature, and the Art of War," while he dresses. This gentleman was once Colonel in Friedrich Wilhelm's Army; is now fairly turned of forty, and has been in troubles: we hope he is not LIKE in the Bielfeld Portrait;—otherwise, how happy that we never had the honor of knowing him! Indeed, the Crown-Prince's Household generally, as Bielfeld paints it in flourishes of panegyric, is but unattractive; barren to the modern on-looker; partly the Painter's blame, we doubt not. He gives details about their mode of dining, taking coffee, doing concert;—and describes once an incidental drinking-bout got up aforethought by the Prince; which is probably in good part fiction, though not ill done. These fantastic sketchings, rigorously winnowed into the credible and actual, leave no great residue in that kind; but what little they do leave is of favorable and pleasant nature.