To think of it, the solitary Ishmaelite journeying, never so well mounted, through such a wilderness: with lions, dogs, human robbers and Armidas all about him; himself lonely, friendless under the stars:—one could pity him withal, though that is not the feeling he solicits; nor gets hitherto, even at this impartial distance.
"One of the beautiful creatures of Quality,—we hope, not an Armida,—who came athwart Voltaire, in these times, was a Madame du Chatelet; distinguished from all the others by a love of mathematics and the pure sciences, were it nothing else. She was still young, under thirty; the literary man still under forty. With her Husband, to whom she had brought a child, or couple of children, there was no formal quarrel; but they were living apart, neither much heeding the other, as was by no means a case without example at that time; Monsieur soldiering, and philandering about, in garrison or elsewhere; Madame, in a like humor, doing the best for herself in the high circles of society, to which he and she belonged. Most wearisome barren circles to a person of thought, as both she and M. de Voltaire emphatically admitted to one another, on first making acquaintance. But is there no help?
"Madame had tried the pure sciences and philosophies, in Books: but how much more charming, when they come to you as a Human Philosopher; handsome, magnanimous, and the wittiest man in the world! Young Madame was not regularly beautiful; but she was very piquant, radiant, adventurous; understood other things than the pure sciences, and could be abundantly coquettish and engaging. I have known her scuttle off, on an evening, with a couple of adventurous young wives of Quality, to the remote lodging of the witty M. de Voltaire, and make his dim evening radiant to him. [One of Voltaire's Letters.] Then again, in public crowds, I have seen them; obliged to dismount to the peril of Madame's diamonds, there being a jam of carriages, and no getting forward for half the day. In short, they are becoming more and more intimate, to the extremest degree; and, scorning the world, thank Heaven that they are mutually indispensable. Cannot we get away from this scurvy wasp's-nest of a Paris, thought they, and live to ourselves and our books?
"Madame was of high quality, one of the Breteuils; but was poor in comparison, and her Husband the like. An old Chateau of theirs, named Cirey, stands in a pleasant enough little valley in Champagne; but so dilapidated, gaunt and vacant, nobody can live in it. Voltaire, who is by this time a man of ample moneys, furnishes the requisite cash; Madame and he, in sweet symphony, concert the plans: Cirey is repaired, at least parts of it are, into a boudoir of the gods, regardless of expense; nothing ever seen so tasteful, so magnificent; and the two withdraw thither to study, in peace, what sciences, pure and other, they have a mind to. They are recognized as lovers, by the Parisian public, with little audible censure from anybody there,—with none at all from the easy Husband; who occasionally even visits Cirey, if he be passing that way; and is content to take matters as he finds them, without looking below the surface. [See (whosoever is curious) Madame de Grafigny, Vie Privee de Voltaire et de Madame du Chatelet (Paris, 1820). A six months of actual Letters written by poor Grafigny, while sheltering at Cirey, Winter and Spring, 1738-1739; straitened there in various respects,—extremely ill off for fuel, among other things. Rugged practical Letters, shadowing out to us, unconsciously oftenest, and like a very mirror, the splendid and the sordid, the seamy side and the smooth, of Life at Cirey, in her experience of it. Published, fourscore years after, under the above title.] For the Ten Commandments are at a singular pass in cultivated France at this epoch. Such illicit-idyllic form of life has been the form of Voltaire's since 1733,"—for some three years now, when Friedrich and we first make acquaintance with him. "It lasted above a dozen years more: an illicit marriage after its sort, and subject only to the liabilities of such. Perhaps we may look in upon the Cirey Household, ourselves, at some future time; and"—This Editor hopes not!
"Madame admits that for the first ten years it was, on the whole, sublime; a perfect Eden on Earth, though stormy now and then. [Lettres Inedites de Madame la Marquise du Chastelet; auxquelles on a joint une Dissertation (&c. of hers): Paris, 1806.] After ten years, it began to grow decidedly dimmer; and in the course of few years more, it became undeniably evident that M. de Voltaire 'did not love me as formerly:'—in fact, if Madame could have seen it, M. de Voltaire was growing old, losing his teeth, and the like; and did not care for anything as formerly! Which was a dreadful discovery, and gave rise to results by and by.
"In this retreat at Cirey, varied with flying visits to Paris, and kept awake by multifarious Correspondences, the quantity of Literature done by the two was great and miscellaneous. By Madame, chiefly in the region of the pure sciences, in Newtonian Dissertations, competitions for Prizes, and the like: really sound and ingenious Pieces, entirely forgotten long since. By Voltaire, in serious Tragedies, Histories, in light Sketches and deep Dissertations:—mockery getting ever wilder with him; the satirical vein, in prose and verse, amazingly copious, and growing more and more heterodox, as we can perceive. His troubles from the ecclesiastical or Lion kind in the Literary forest, still more from the rabid Doggery in it, are manifold, incessant. And it is pleasantly notable,—during these first ten years,—with what desperate intensity, vigilance and fierceness, Madame watches over all his interests and liabilities and casualties great and small; leaping with her whole force into M. de Voltaire's scale of the balance, careless of antecedences and consequences alike; flying, with the spirit of an angry brood-hen, at the face of mastiffs, in defence of any feather that is M. de Voltaire's. To which Voltaire replies, as he well may, with eloquent gratitude; with Verses to the divine Emilie, with Gifts to her, verses and gifts the prettiest in the world;—and industriously celebrates the divine Emilie to herself and all third parties.
"An ardent, aerial, gracefully predominant, and in the end somewhat termagant female figure, this divine Emilie. Her temper, radiant rather than bland, was none of the patientest on occasion; nor was M. de Voltaire the least of a Job, if you came athwart him the wrong way. I have heard, their domestic symphony was liable to furious flaws,—let us hope at great distances apart:—that 'plates' in presence of the lackeys, actual crockery or metal, have been known to fly from end to end of the dinner-table; nay they mention 'knives' (though only in the way of oratorical action); and Voltaire has been heard to exclaim, the sombre and majestic voice of him risen to a very high pitch: 'Ne me regardez tant de ces yeux hagards et louches, Don't fix those haggard sidelong eyes on me in that way!'—mere shrillness of pale rage presiding over the scene. But we hope it was only once in the quarter, or seldomer: after which the element would be clearer for some time. A lonesome literary man, who has got a Brood Phoenix to preside over him, and fly at the face of gods and men for him in that manner, ought to be grateful.
"Perhaps we shall one day glance, personally, as it were, into Cirey with our readers;"—Not with this Editor or his!—"It will turn out beyond the reader's expectation. Tolerable illicit resting-place, so far as the illicit can be tolerable, for a lonesome Man of Letters, who goes into the illicit. Helpfulness, affection, or the flattering image of such, are by no means wanting: squalls of infirm temper are not more frequent than in the most licit establishments of a similar sort. Madame, about this time, has a swift Palfrey, 'ROSSIGNOL (Nightingale)' the name of him; and gallops fairy-like through the winding valleys; being an ardent rider, and well-looking on horseback. Voltaire's study is inlaid with—the Grafigny knows all what:—mere china tiles, gilt sculptures, marble slabs, and the supreme of taste and expense: study fit for the Phoebus Apollo of France, so far as Madame could contrive it. Takes coffee with Madame, in the Gallery, about noon. And his bedroom, I expressly discern, [Letters of Voltaire.] looks out upon a running brook, the murmur of which is pleasant to one."
Enough, enough. We can perceive what kind of Voltaire it was to whom the Crown-Prince now addressed himself; and how luminous an object, shining afar out of the solitudes of Champagne upon the ardent young man, still so capable of admiration. Model Epic, HENRIADE; model History, CHARLES DOUZE; sublime Tragedies, CISAR, ALZIRE and others, which readers still know though with less enthusiasm, are blooming fresh in Friedrich's memory and heart; such Literature as man never saw before; and in the background Friedrich has inarticulately a feeling as if, in this man, there were something grander than all Literatures: a Reform of human Thought itself; a new "Gospel," good-tidings or God's-Message, by this man;—which Friedrich does not suspect, as the world with horror does, to be a new BA'SPEL, or Devil's-Message of bad-tidings! A sublime enough Voltaire; radiant enough, over at Cirey yonder. To all lands, a visible Phoebus Apollo, climbing the eastern steeps; with arrows of celestial "new light" in his quiver; capable of stretching many a big foul Python, belly uppermost, in its native mud, and ridding the poor world of her Nightmares and Mud-Serpents in some measure, we may hope!—
And so there begins, from this point, a lively Correspondence between Friedrich and Voltaire; which, with some interruptions of a notable sort, continued during their mutual Life; and is a conspicuous feature in the Biographies of both. The world talked much of it, and still talks; and has now at last got it all collected, and elucidated into a dimly legible form for studious readers. [Preuss, OEuvres de Frederic, (xxi. xxii. xxiii., Berlin, 1853); who supersedes the lazy French Editors in this matter.] It is by no means the diabolically wicked Correspondence it was thought to be; the reverse, indeed, on both sides;—but it has unfortunately become a very dull one, to the actual generation of mankind. Not without intrinsic merit; on the contrary (if you read intensely, and bring the extinct alive again), it sparkles notably with epistolary grace and vivacity; and, on any terms, it has still passages of biographical and other interest: but the substance of it, then so new and shining, has fallen absolutely commonplace, the property of all the world, since then; and is now very wearisome to the reader. No doctrine or opinion in it that you have not heard, with clear belief or clear disbelief, a hundred times, and could wish rather not to hear again. The common fate of philosophical originalities in this world. As a Biographical Document, it is worth a very strict perusal, if you are interested that way in either Friedrich or Voltaire: finely significant hints and traits, though often almost evanescent, so slight are they, abound in this Correspondence; frankness, veracity under graceful forms, being the rule of it, strange to say! As an illustration of Two memorable Characters, and of their Century; showing on what terms the sage Plato of the Eighteenth Century and his Tyrant Dionysius correspond, and what their manners are to one another, it may long have a kind of interest to mankind: otherwise it has not much left.