What sounds from the deep meet his terrified ear—
What accents of rage and of grief does he hear?
What sees he? what change has come over the flood—
What tinges its green with a jetty of blood?
Can he doubt what the gush of warm blood would explain?
That she sought the consent of her monarch in vain!
For see all around him, in white foam and froth,
The waves of the ocean boil up in their wroth!
The palace of crystal has melted in air,
And the dyes of the rainbow no longer are there;
The grottoes with vapour and clouds are o’ercast,
The sunshine is darkness—the vision has past!
Loud, loud was the call of his serfs for their chief;
They sought him with accents of wailing and grief:
He heard, and he struggled—a wave to the shore,
Exhausted and faint, bears O’Sullivan More!
THE WONDERFUL TUNE.
XXV.
Maurice Connor was the king, and that’s no small word, of all the pipers in Munster. He could play jig and planxty without end, and Ollistrum’s March, and the Eagle’s Whistle, and the Hen’s Concert, and odd tunes of every sort and kind. But he knew one, far more surprising than the rest, which had in it the power to set every thing dead or alive dancing.
In what way he learned it is beyond my knowledge, for he was mighty cautious about telling how he came by so wonderful a tune. At the very first note of that tune, the brogues began shaking upon the feet of all who heard it—old or young it mattered not—just as if their brogues had the ague; then the feet began going—going—going from under them, and at last up and away with them, dancing like mad!—whisking here, there, and every where, like a straw in a storm—there was no halting while the music lasted!
Not a fair, nor a wedding, nor a patron in the seven parishes round, was counted worth the speaking of without “blind Maurice and his pipes.” His mother, poor woman, used to lead him about from one place to another, just like a dog.