Such an Institute ought not to employ any but the best teachers and lecturers. It should encourage proficiency by rewards that would instruct the proficient; it should apply itself to cataloguing, preserving, and making known all the works of art in the country; give prizes for artistical works; publish its lectures and transactions; issue engravings of the most instructive works of art; and hold evening meetings, to which ladies would be admitted. It should allow at least £400 a year for the support of free pupils. In connection with its drawing and modelling schools should be a professorship of anatomy, or, what were better, some arrangement might be made with the College of Surgeons, or some such body, for courses of instruction for its pupils. The training for its pupils in sculpture, painting, and design should include the study of ancient and modern costumes, zoology, and of vegetable and geological forms. For this purpose books should not be so much relied on as lectures in gardens, museums, and during student excursions. Of course the architectural pupils should be required to answer at a preliminary examination in mathematics, and should receive special instruction in the building materials, action of climate, etc., in Ireland.
Were the buildings standing, and the society chartered judiciously, the sum we have mentioned would be sufficient. Four professors at from £200 to £300 a year each, four assistants at £100 a year each, a librarian at the same rate, with payments for extra instruction in anatomy, etc., etc., and for porters, premiums, and so forth, would not exceed £2,000 a year. So that if £400 were expended on free pupils, there would remain £600 a year for the purchase of works for the galleries.
At present there is much waste of money, great annoyance and loss of time to the supporters of these institutions, and marvellously little benefit to art. The plan we have proposed would be economical both of time and money; but, what is of more worth, it would give us, what we have not now, a National Gallery of Statuary and Painting—good Exhibition Rooms for works of art—business-like Lecturers and Lectures—great public excitement about art—and, finally, a great National Academy.
If anyone has a better plan, let him say it; we have told ours. At all events, some great change is needed, and there can be no fitter time than this for it.
In any community it is desirable to have Literary Institutions, as well classified as legal offices, and as free from counteraction; but it is especially desirable here now. Our literary class is small, and its duties measureless. The diseased suction of London—the absence of gentry, offices, and Legislature—the heart-sickness that is on every thoughtful man without a country—the want of a large, educated, and therefore book-buying class—and (it must be confessed) the depression and distrust produced by rash experiments and paltry failure, have left us with few men for a great work. Probably the great remedy is the restoration of our Parliament—bringing back, as it would, the aristocracy and the public offices, giving society and support to Writers and Artists, and giving them a country's praise to move and a country's glory to reward them.
But one of the very means of attaining nationality is securing some portion of that literary force which would gush abundantly from it; and, therefore, consider it how you will, it is important to increase and economise the exertions of the literary class in Ireland. Yet the reverse is done. Institutions are multiplied instead of those being made efficient which exist; and men talk as proudly of the new "Teach-'em-everything-in-no-time-Society" as if its natty laws were a library, its desk a laboratory and a museum, and its members fresh labourers, when all they have done is to waste the time of persons who had business, and to delude those who had none, into the belief that they were doing good. Ephemeral things! which die not without mischief—they have wasted hours and days of strong men in spinning sand, and leave depression growing from their tombs.
It is a really useful deed to rescue from dissipation, or from idle reading, or from mammon-hunting, one strong, passionate man or boy, and to set him to work investigating, arranging, teaching. It is an honest task to shame the 'broidered youth from meditation on waistcoats and the display of polka steps into manly pursuits. It is an angel's mission (oftenest the work of love) to startle a sleeping and unconscious genius into the spring and victory of a roused lion. But it is worse than useless to establish new associations and orders without well considering first whether the same machinery do not already exist and rust for want of the very energy and skill which you need too. There is a bridge in a field near Blarney Castle where water never ran. It was built "at the expense of the county." These men build their mills close as houses in a capital, taking no thought for the stream to turn them.
We have already censured this in some detail with reference to societies for the promotion of the Fine Arts, and have urged the formation, out of all these fiddling, clashing bodies, of some one great institution for the promotion of Painting, Sculpture, and Architecture, with a Museum, a Library, a Gallery, and Lecturers, governed by professional minds, great enough to be known and regarded by the people, and popular and strong enough to secure Government support.
Similar defects exist everywhere. Take the Dublin Society for example. Nothing can be more heterogeneous than its objects. We are far from denying its utility. That utility is immense, the institution is native, of old standing (it was founded in 1731), national, and, when it wanted support, our pen was not idle in its behalf.
But we believe its utility greatly diminished by its attempting too many things, and especially by including objects more fitly belonging to other institutions; and on the opposite side it is maimed, by the interference of other bodies, in its natural functions. The Dublin Society was founded for the promotion of husbandry and other useful arts. Its labours to serve agriculture have been repeated and extensive, though not always judicious. It has also endeavoured to promote manufactures. It has gardens and museums fitter for scientific than practical instruction, admirable lecturers, a library most generously opened, a drawing-school of the largest purposes and of equivocal success, and various minor branches.