[10] First Epistle to Corinthians, chap. xv., beginning at ver. 20.
[11] This beautiful expression, I am pretty certain, must belong to Mrs. Trollope; I read it, probably, in a tale of hers connected with the backwoods of America, where the absence of such a farewell must unspeakably aggravate the gloom at any rate belonging to a household separation of that eternal character occurring amongst the shadows of those mighty forests.
[12] "Galleries."—These, though condemned on some grounds by the restorers of authentic church architecture, have, nevertheless, this one advantage—that, when the height of a church is that dimension which most of all expresses its sacred character, galleries expound and interpret that height.
[13] Euripides.
[14] "Spectre of the Brocken."—This very striking phenomenon has been continually described by writers, both German and English, for the last fifty years. Many readers, however, will not have met with these descriptions; and on their account I add a few words in explanation, referring them for the best scientific comment on the case to Sir David Brewster's "Natural Magic." The spectre takes the shape of a human figure, or, if the visitors are more than one, then the spectres multiply; they arrange themselves on the blue ground of the sky, or the dark ground of any clouds that may be in the right quarter, or perhaps they are strongly relieved against a curtain of rock, at a distance of some miles, and always exhibiting gigantic proportions. At first, from the distance and the colossal size, every spectator supposes the appearances to be quite independent of himself. But very soon he is surprised to observe his own motions and gestures mimicked, and wakens to the conviction that the phantom is but a dilated reflection of himself. This Titan amongst the apparitions of earth is exceedingly capricious, vanishing abruptly for reasons best known to himself, and more coy in coming forward than the Lady Echo of Ovid. One reason why he is seen so seldom must be ascribed to the concurrence of conditions under which only the phenomenon can be manifested; the sun must be near to the horizon, (which, of itself, implies a time of day inconvenient to a person starting from a station as distant as Elbingerode;) the spectator must have his back to the sun; and the air must contain some vapor, but partially distributed. Coleridge ascended the Brocken on the Whitsunday of 1799, with a party of English students from Goettingen, but failed to see the phantom; afterwards in England (and under the three same conditions) he saw a much rarer phenomenon, which he described in the following lines:—
"Such thou art as when
The woodman winding westward up the glen
At wintry dawn, when o'er the sheep-track's maze
The viewless snow mist weaves a glistening haze,
Sees full before him, gliding without tread,
An image with a glory round its head;
This shade he worships for its golden hues,
And makes (not knowing) that which he pursues."
[15] "On Whitsunday."—It is singular, and perhaps owing to the temperature and weather likely to prevail in that early part of summer, that more appearances of the spectre have been witnessed on Whitsunday than on any other day.
[16] "The sorcerer's flower," and "The sorcerer's altar."—These are names still clinging to the anemone of the Brocken, and to an altar- shaped fragment of granite near one of the summits; and there is no doubt that they both connect themselves, through links of ancient tradition, with the gloomy realities of paganism, when the whole Hartz and the Brocken formed for a very long time the last asylum to a ferocious but perishing idolatry.
[17] On the Roman coins.