CHAPTER III.
The three next emperors, Caligula, Claudius, and Nero, were the last princes who had any connection by blood [Footnote: And this was entirely by the female side. The family descent of the first six Cæsars is so intricate, that it is rarely understood accurately; so that it may be well to state it briefly. Augustus was grand nephew to Julius Cæsar, being the son of his sister's daughter. He was also, by adoption, the son of Julius. He himself had one child only, viz. the infamous Julia, who was brought him by his second wife Scribonia; and through this Julia it was that the three princes, who succeeded to Tiberius, claimed relationship to Augustus. On that emperor's last marriage with Livia, he adopted the two sons whom she had borne to her divorced husband. These two noblemen, who stood in no degree of consanguinity whatever to Augustus, were Tiberius and Drusus. Tiberius left no children; but Drusus, the younger of the two brothers, by his marriage with the younger Antonia, (daughter of Mark Anthony,) had the celebrated Germanicus, and Claudius, (afterwards emperor.) Germanicus, though adopted by his uncle Tiberius, and destined to the empire, died prematurely. But, like Banquo, though he wore no crown, he left descendants who did. For, by his marriage with Agrippina, a daughter of Julia's by Agrippa, (and therefore grand-daughter of Augustus,) he had a large family, of whom one son became the Emperor Caligula; and one of the daughters, Agrippina the younger, by her marriage with a Roman nobleman, became the mother of the Emperor Nero. Hence it appears that Tiberius was uncle to Claudius, Claudius was uncle to Caligula, Caligula was uncle to Nero. But it is observable, that Nero and Caligula stood in another degree of consanguinity to each other through their grandmothers, who were both daughters of Mark Anthony the triumvir; for the elder Antonia married the grandfather of Nero; the younger Antonia (as we have stated, above) married Drusus, the grandfather of Caligula; and again, by these two ladies, they were connected not only with each other, but also with the Julian house, for the two Antonias were daughters of Mark Anthony by Octavia, sister to Augustus.] with the Julian house. In Nero, the sixth emperor, expired the last of the Cæsars, who was such in reality. These three were also the first in that long line of monsters, who, at different times, under the title of Cæsars, dishonored humanity more memorably, than was possible, except in the cases of those (if any such can be named) who have abused the same enormous powers in times of the same civility, and in defiance of the same general illumination. But for them it is a fact, than some crimes, which now stain the page of history, would have been accounted fabulous dreams of impure romancers, taxing their extravagant imaginations to create combinations of wickedness more hideous than civilized men would tolerate, and more unnatural than the human heart could conceive. Let us, by way of example, take a short chapter from the diabolic life of Caligula: In what way did he treat his nearest and tenderest female connections? His mother had been tortured and murdered by another tyrant almost as fiendish as himself. She was happily removed from his cruelty. Disdaining, however, to acknowledge any connection with the blood of so obscure a man as Agrippa, he publicly gave out that his mother was indeed the daughter of Julia, but by an incestuous commerce with her father Augustus. His three sisters he debauched. One died, and her he canonized; the other two he prostituted to the basest of his own attendants. Of his wives, it would be hard to say whether they were first sought and won with more circumstances of injury and outrage, or dismissed with more insult and levity. The one whom he treated best, and with most profession of love, and who commonly rode by his side, equipped with spear and shield, to his military inspections and reviews of the soldiery, though not particularly beautiful, was exhibited to his friends at banquets in a state of absolute nudity. His motive for treating her with so much kindness, was probably that she brought him a daughter; and her he acknowledged as his own child, from the early brutality with which she attacked the eyes and cheeks of other infants who were presented to her as play-fellows. Hence it would appear that he was aware of his own ferocity, and treated it as a jest. The levity, indeed, which he mingled with his worst and most inhuman acts, and the slightness of the occasions upon which he delighted to hang his most memorable atrocities, aggravated their impression at the time, and must have contributed greatly to sharpen the sword of vengeance. His palace happened to be contiguous to the circus. Some seats, it seems, were open indiscriminately to the public; consequently, the only way in which they could be appropriated, was by taking possession of them as early as the midnight preceding any great exhibitions. Once, when it happened that his sleep was disturbed by such an occasion, he sent in soldiers to eject them; and with orders so rigorous, as it appeared by the event, that in this singular tumult, twenty Roman knights, and as many mothers of families, were cudgelled to death upon the spot, to say nothing of what the reporter calls "innumeram turbam ceteram."
But this is a trifle to another anecdote reported by the same authority:—On some occasion it happened that a dearth prevailed, either generally of cattle, or of such cattle as were used for feeding the wild beasts reserved for the bloody exhibitions of the amphitheatre. Food could be had, and perhaps at no very exorbitant price, but on terms somewhat higher than the ordinary market price. A slight excuse served with Caligula for acts the most monstrous. Instantly repairing to the public jails, and causing all the prisoners to pass in review before him (custodiarum seriem recognoscens), he pointed to two bald-headed men, and ordered that the whole file of intermediate persons should be marched off to the dens of the wild beasts: "Tell them off," said he, "from the bald man to the bald man." Yet these were prisoners committed, not for punishment, but trial. Nor, had it been otherwise, were the charges against them equal, but running through every gradation of guilt. But the elogia or records of their commitment, he would not so much as look at. With such inordinate capacities for cruelty, we cannot wonder that he should in his common conversation have deplored the tameness and insipidity of his own times and reign, as likely to be marked by no wide-spreading calamity." Augustus," said he, "was happy; for in his reign occurred the slaughter of Varus and his legions. Tiberius was happy; for in his occurred that glorious fall of the great amphitheatre at Fidenæ. But for me—alas! alas!" And then he would pray earnestly for fire or slaughter—pestilence or famine. Famine indeed was to some extent in his own power; and accordingly, as far as his courage would carry him, he did occasionally try that mode of tragedy upon the people of Rome, by shutting up the public granaries against them. As he blended his mirth and a truculent sense of the humorous with his cruelties, we cannot wonder that he should soon blend his cruelties with his ordinary festivities, and that his daily banquets would soon become insipid without them. Hence he required a daily supply of executions in his own halls and banqueting rooms; nor was a dinner held to be complete without such a dessert. Artists were sought out who had dexterity and strength enough to do what Lucan somewhere calls ensem rotare, that is, to cut off a human head with one whirl of the sword. Even this became insipid, as wanting one main element of misery to the sufferer, and an indispensable condiment to the jaded palate of the connoisseur, viz., a lingering duration. As a pleasant variety, therefore, the tormentors were introduced with their various instruments of torture; and many a dismal tragedy in that mode of human suffering was conducted in the sacred presence during the emperor's hours of amiable relaxation.
The result of these horrid indulgences was exactly what we might suppose, that even such scenes ceased to irritate the languid appetite, and yet that without them life was not endurable. Jaded and exhausted as the sense of pleasure had become in Caligula, still it could be roused into any activity by nothing short of these murderous luxuries. Hence, it seems, that he was continually tampering and dallying with the thought of murder; and like the old Parisian jeweller Cardillac, in Louis XIV.'s time, who was stung with a perpetual lust for murdering the possessors of fine diamonds—not so much for the value of the prize (of which he never hoped to make any use), as from an unconquerable desire of precipitating himself into the difficulties and hazards of the murder,—Caligula never failed to experience (and sometimes even to acknowledge) a secret temptation to any murder which seemed either more than usually abominable, or more than usually difficult. Thus, when the two consuls were seated at his table, he burst out into sudden and profuse laughter; and, upon their courteously requesting to know what witty and admirable conceit might be the occasion of the imperial mirth, he frankly owned to them, and doubtless he did not improve their appetites by this confession, that in fact he was laughing, and that he could not but laugh, (and then the monster laughed immoderately again,) at the pleasant thought of seeing them both headless, and that with so little trouble to himself, (uno suo nutu,) he could have both their throats cut. No doubt he was continually balancing the arguments for and against such little escapades; nor had any person a reason for security in the extraordinary obligations, whether of hospitality or of religious vows, which seemed to lay him under some peculiar restraints in that case above all others; for such circumstances of peculiarity, by which the murder would be stamped with unusual atrocity, were but the more likely to make its fascinations irresistible. Hence he dallied with the thoughts of murdering her whom he loved best, and indeed exclusively—his wife Cæsonia; and whilst fondling her, and toying playfully with her polished throat, he was distracted (as he half insinuated to her) between the desire of caressing it, which might be often repeated, and that of cutting it, which could be gratified but once.
Nero (for as to Claudius, he came too late to the throne to indulge any propensities of this nature with so little discretion) was but a variety of the same species. He also was an amateur, and an enthusiastic amateur of murder. But as this taste, in the most ingenious hands, is limited and monotonous in its modes of manifestation, it would be tedious to run through the long Suetonian roll-call of his peccadilloes in this way. One only we shall cite, to illustrate the amorous delight with which he pursued any murder which happened to be seasoned highly to his taste by enormous atrocity, and by almost unconquerable difficulty. It would really be pleasant, were it not for the revolting consideration of the persons concerned, and their relation to each other, to watch the tortuous pursuit of the hunter, and the doubles of the game, in this obstinate chase. For certain reasons of state, as Nero attempted to persuade himself, but in reality because no other crime had the same attractions of unnatural horror about it, he resolved to murder his mother Agrippina. This being settled, the next thing was to arrange the mode and the tools. Naturally enough, according to the custom then prevalent in Rome, he first attempted the thing by poison. The poison failed: for Agrippina, anticipating tricks of this kind, had armed her constitution against them, like Mithridates; and daily took potent antidotes and prophylactics. Or else (which is more probable) the emperor's agent in such purposes, fearing his sudden repentance and remorse on first hearing of his mother's death, or possibly even witnessing her agonies, had composed a poison of inferior strength. This had certainly occurred in the case of Britannicus, who had thrown off with ease the first dose administered to him by Nero. Upon which he had summoned to his presence the woman employed in the affair, and compelling her by threats to mingle a more powerful potion in his own presence, had tried it successively upon different animals, until he was satisfied with its effects; after which, immediately inviting Britannicus to a banquet, he had finally dispatched him. On Agrippina, however, no changes in the poison, whether of kind or strength, had any effect; so that, after various trials, this mode of murder was abandoned, and the emperor addressed himself to other plans. The first of these was some curious mechanical device, by which a false ceiling was to have been suspended by bolts above her bed; and in the middle of the night, the bolt being suddenly drawn, a vast weight would have descended with a ruinous destruction to all below. This scheme, however, taking air from the indiscretion of some amongst the accomplices, reached the ears of Agrippina; upon which the old lady looked about her too sharply to leave much hope in that scheme: so that also was abandoned. Next, he conceived the idea of an artificial ship, which, at the touch of a few springs, might fall to pieces in deep water. Such a ship was prepared, and stationed at a suitable point. But the main difficulty remained, which was to persuade the old lady to go on board. Not that she knew in this case who had been the ship-builder, for that would have ruined all; but it seems that she took it ill to be hunted in this murderous spirit, and was out of humor with her son; besides, that any proposal coming from him, though previously indifferent to her, would have instantly become suspected. To meet this difficulty, a sort of reconciliation was proposed, and a very affectionate message sent, which had the effect of throwing Agrippina off her guard, and seduced her to Baiæ for the purpose of joining the emperor's party at a great banquet held in commemoration of a solemn festival. She came by water in a sort of light frigate, and was to return in the same way. Meantime Nero tampered with the commander of her vessel, and prevailed upon him to wreck it. What was to be done? The great lady was anxious to return to Rome, and no proper conveyance was at hand. Suddenly it was suggested, as if by chance, that a ship of the emperor's, new and properly equipped, was moored at a neighboring station. This was readily accepted by Agrippina: the emperor accompanied her to the place of embarkation, took a most tender leave of her, and saw her set sail. It was necessary that the vessel should get into deep water before the experiment could be made; and with the utmost agitation this pious son awaited news of the result. Suddenly a messenger rushed breathless into his presence, and horrified him by the joyful information that his august mother had met with an alarming accident; but, by the blessing of Heaven, had escaped safe and sound, and was now on her road to mingle congratulations with her affectionate son. The ship, it seems, had done its office; the mechanism had played admirably; but who can provide for every thing? The old lady, it turned out, could swim like a duck; and the whole result had been to refresh her with a little sea-bathing. Here was worshipful intelligence. Could any man's temper be expected to stand such continued sieges? Money, and trouble, and infinite contrivance, wasted upon one old woman, who absolutely would not, upon any terms, be murdered! Provoking it certainly was; and of a man like Nero it could not be expected that he should any longer dissemble his disgust, or put up with such repeated affronts. He rushed upon his simple congratulating friend, swore that he had come to murder him, and as nobody could have suborned him but Agrippina, he ordered her off to instant execution. And, unquestionably, if people will not be murdered quietly and in a civil way, they must expect that such forbearance is not to continue for ever; and obviously have themselves only to blame for any harshness or violence which they may have rendered necessary.
It is singular, and shocking at the same time, to mention, that, for this atrocity, Nero did absolutely receive solemn congratulations from all orders of men. With such evidences of base servility in the public mind, and of the utter corruption which they had sustained in their elementary feelings, it is the less astonishing that he should have made other experiments upon the public patience, which seem expressly designed to try how much it would support. Whether he were really the author of the desolating fire which consumed Rome for six [Footnote: But a memorial stone, in its inscription, makes the time longer: "Quando urbs per novem dies arsit Neronianis temporibus.">[ days and seven nights, and drove the mass of the people into the tombs and sepulchres for shelter, is yet a matter of some doubt. But one great presumption against it, founded on its desperate imprudence, as attacking the people in their primary comforts, is considerably weakened by the enormous servility of the Romans in the case just stated: they who could volunteer congratulations to a son for butchering his mother, (no matter on what pretended suspicions,) might reasonably be supposed incapable of any resistance which required courage even in a case of self-defence, or of just revenge. The direct reasons, however, for implicating him in this affair, seem at present insufficient. He was displeased, it seems, with the irregularity and unsightliness of the antique buildings, and also with the streets, as too narrow and winding, (angustiis flexurisque vicorum.) But in this he did but express what was no doubt the common judgment of all his contemporaries, who had seen the beautiful cities of Greece and Asia Minor. The Rome of that time was in many parts built of wood; and there is much probability that it must have been a picturesque city, and in parts almost grotesque. But it is remarkable, and a fact which we have nowhere seen noticed, that the ancients, whether Greeks or Romans, had no eye for the picturesque; nay, that it was a sense utterly unawakened amongst them; and that the very conception of the picturesque, as of a thing distinct from the beautiful, is not once alluded to through the whole course of ancient literature, nor would it have been intelligible to any ancient critic; so that, whatever attraction for the eye might exist in the Rome of that day, there is little doubt that it was of a kind to be felt only by modern spectators. Mere dissatisfaction with its external appearance, which must have been a pretty general sentiment, argued, therefore, no necessary purpose of destroying it. Certainly it would be a weightier ground of suspicion, if it were really true, that some of his agents were detected on the premises of different senators in the act of applying combustibles to their mansions. But this story wears a very fabulous air. For why resort to the private dwellings of great men, where any intruder was sure of attracting notice, when the same effect, and with the same deadly results, might have been attained quietly and secretly in so many of the humble Roman coenacula?
The great loss on this memorable occasion was in the heraldic and ancestral honors of the city. Historic Rome then went to wreck for ever. Then perished the domus priscorum ducum hostilibus adhuc spoliis adornatæ; the "rostral" palace; the mansion of the Pompeys; the Blenheims and the Strathfieldsays of the Scipios, the Marcelli, the Paulli, and the Cæsars; then perished the aged trophies from Carthage and from Gaul; and, in short, as the historian sums up the lamentable desolation, "quidquid visendum atque memorabile ex antiquitate duraverat." And this of itself might lead one to suspect the emperor's hand as the original agent; for by no one act was it possible so entirely and so suddenly to wean the people from their old republican recollections, and in one week to obliterate the memorials of their popular forces, and the trophies of many ages. The old people of Rome were gone; their characteristic dress even was gone; for already in the time of Augustus they had laid aside the toga, and assumed the cheaper and scantier pænula, so that the eye sought in vain for Virgil's
"Romanes rerum dominos gentemque togatam."