Judge of my astonishment when, in this portrait of Milton, I saw a likeness nearly perfect of Wordsworth, better by much than any which I have since seen of those expressly painted for himself. The likeness is tolerably preserved in that by Carruthers, in which one of the little Rydal waterfalls, &c., composes a background; yet this is much inferior, as a mere portrait of Wordsworth, to the Richardson head of Milton; and this, I believe, is the last which represents Wordsworth in the vigour of his power. The rest, which I have not seen, may be better as works of art (for anything I know to the contrary), but they must labour under the great disadvantage of presenting the features when "defeatured," in the degree and the way I have described, by the peculiar ravages of old age, as it affects this family; for it is noticed of the Wordsworths, by those who are familiar with their peculiarities, that in their very blood and constitutional differences lie hidden causes that are able, in some mysterious way,
"Those shocks of passion to prepare
That kill the bloom before its time,
And blanch, without the owner's crime,
The most resplendent hair."
Some people, it is notorious, live faster by much than others, the oil is burned out sooner in one constitution than another: and the cause of this may be various; but in the Wordsworths one part of the cause is, no doubt, the secret fire of a temperament too fervid; the self-consuming energies of the brain, that gnaw at the heart and life-strings for ever. In that account which "The Excursion" presents to us of an imaginary Scotsman who, to still the tumult of his heart, when visiting the cataracts of a mountainous region, obliges himself to study the laws of light and colour as they affect the rainbow of the stormy waters, vainly attempting to mitigate the fever which consumed him by entangling his mind in profound speculations; raising a cross-fire of artillery from the subtilizing intellect, under the vain conceit that in this way he could silence the mighty battery of his impassioned heart: there we read a picture of Wordsworth and his own youth. In Miss Wordsworth every thoughtful observer might read the same self-consuming style of thought. And the effect upon each was so powerful for the promotion of a premature old age, and of a premature expression of old age, that strangers invariably supposed them fifteen to twenty years older than they were. And I remember Wordsworth once laughingly reporting to me, on returning from a short journey in 1809, a little personal anecdote, which sufficiently showed what was the spontaneous impression upon that subject of casual strangers, whose feelings were not confused by previous knowledge of the truth. He was travelling by a stage-coach, and seated outside, amongst a good half-dozen of fellow-passengers. One of these, an elderly man, who confessed to having passed the grand climacterical year (9 multiplied into 7) of 63, though he did not say precisely by how many years, said to Wordsworth, upon some anticipations which they had been mutually discussing of changes likely to result from enclosures, &c., then going on or projecting—"Ay, ay, another dozen of years will show us strange sights; but you and I can hardly expect to see them."—"How so?" said Wordsworth. "How so, my friend? How old do you take me to be?"—"Oh, I beg pardon," said the other; "I meant no offence—but what?" looking at Wordsworth more attentively—"you'll never see threescore, I'm of opinion"; meaning to say that Wordsworth had seen it already. And, to show that he was not singular in so thinking, he appealed to all the other passengers; and the motion passed (nem. con.) that Wordsworth was rather over than under sixty. Upon this he told them the literal truth—that he had not yet accomplished his thirty-ninth year. "God bless me!" said the climacterical man; "so then, after all, you'll have a chance to see your childer get up like, and get settled! Only to think of that!" And so closed the conversation, leaving to Wordsworth an undeniable record of his own prematurely expressed old age in this unaffected astonishment, amongst a whole party of plain men, that he could really belong to a generation of the forward-looking, who live by hope; and might reasonably expect to see a child of seven years old matured into a man. And yet, as Wordsworth lived into his 82d year,[100] it is plain that the premature expression of decay does not argue any real decay.
Returning to the question of portraits, I would observe that this Richardson engraving of Milton has the advantage of presenting, not only by far the best likeness of Wordsworth, but of Wordsworth in the prime of his powers—a point essential in the case of one so liable to premature decay. It may be supposed that I took an early opportunity of carrying the book down to Grasmere, and calling for the opinions of Wordsworth's family upon this most remarkable coincidence. Not one member of that family but was as much impressed as myself with the accuracy of the likeness. All the peculiarities even were retained—a drooping appearance of the eyelids, that remarkable swell which I have noticed about the mouth, the way in which the hair lay upon the forehead. In two points only there was a deviation from the rigorous truth of Wordsworth's features—the face was a little too short and too broad, and the eyes were too large. There was also a wreath of laurel about the head, which (as Wordsworth remarked) disturbed the natural expression of the whole picture[101]; else, and with these few allowances, he also admitted that the resemblance was, for that period of his life, perfect, or as nearly so as art could accomplish.
I have gone into so large and circumstantial a review of my recollections on this point as would have been trifling and tedious in excess, had these recollections related to a less important man; but I have a certain knowledge that the least of them will possess a lasting and a growing interest in connexion with William Wordsworth. How peculiar, how different from the interest which we grant to the ideas of a great philosopher, a great mathematician, or a great reformer, is that burning interest which settles on the great poets who have made themselves necessary to the human heart; who have first brought into consciousness, and have clothed in words, those grand catholic feelings that belong to the grand catholic situations of life through all its stages; who have clothed them in such words that human wit despairs of bettering them! Mighty were the powers, solemn and serene is the memory, of Archimedes; and Apollonius shines like "the starry Galileo" in the firmament of human genius; yet how frosty is the feeling associated with these names by comparison with that which, upon every sunny lawn, by the side of every ancient forest, even in the farthest depths of Canada, many a young innocent girl, perhaps at this very moment—looking now with fear to the dark recesses of the infinite forest, and now with love to the pages of the infinite poet, until the fear is absorbed and forgotten in the love—cherishes in her heart for the name and person of Shakspere!
The English language is travelling fast towards the fulfilment of its destiny. Through the influence of the dreadful Republic[102] that within the thirty last years has run through all the stages of infancy into the first stage of maturity, and through the English colonies—African, Canadian, Indian, Australian—the English language (and, therefore, the English literature) is running forward towards its ultimate mission of eating up, like Aaron's rod, all other languages. Even the German and the Spanish will inevitably sink before it; perhaps within 100 or 150 years. In the recesses of California, in the vast solitudes of Australia, The Churchyard amongst the Mountains, from Wordsworth's "Excursion," and many a scene of his shorter poems, will be read, even as now Shakspere is read amongst the forests of Canada. All which relates to the writer of these poems will then bear a value of the same kind as that which attaches to our personal memorials (unhappily so slender) of Shakspere.
Let me now attempt to trace, in a brief outline, the chief incidents in the life of William Wordsworth, which are interesting, not only in virtue of their illustrious subject, but also as exhibiting a most remarkable (almost a providential) arrangement of circumstances, all tending to one result—that of insulating from worldly cares, and carrying onward from childhood to the grave, in a state of serene happiness, one who was unfitted for daily toil, and, at all events, who could not, under such demands upon his time and anxieties, have prosecuted those genial labours in which all mankind have an interest.
William Wordsworth was born[103] at Cockermouth, a small town of Cumberland, lying about a dozen miles to the north-west of Keswick, on the high road from that town to Whitehaven. His father was a solicitor, and acted as an agent for that Lord Lonsdale, the immediate predecessor of the present,[104] who is not unfrequently described by those who still remember him, as "the bad Lord Lonsdale." In what was he bad? Chiefly, I believe, in this—that, being a man of great local power, founded on his rank, on his official station of Lord-Lieutenant over two counties, and on a very large estate, he used his power at times in a most oppressive way. I have heard it said that he was mad; and, at any rate, he was inordinately capricious—capricious even to eccentricity. But, perhaps, his madness was nothing more than the intemperance of a haughty and a headstrong will, encouraged by the consciousness of power, and tempted to abuses of it by the abject servility which poverty and dependence presented in one direction, embittering the contrast of that defiance which inevitably faced him in another, throughout a land of freedom and amongst spirits as haughty as his own. He was a true feudal chieftain; and, in the very approaches to his mansion, in the style of his equipage, or whatever else was likely to meet the public eye, he delighted to express his disdain of modern refinements, and the haughty carelessness of his magnificence. The coach in which he used to visit Penrith, the nearest town to his principal house of Lowther, was old and neglected; his horses fine, but untrimmed; and such was the impression diffused about him by his gloomy temper and his habits of oppression, that the streets were silent as he traversed them, and an awe sat upon many faces (so, at least, I have heard a Penrith contemporary of the old despot declare), pretty much like that which may be supposed to attend the entry into a guilty town of some royal commission for trying state criminals. In his park you saw some of the most magnificent timber in the kingdom—trees that were coeval with the feuds of York and Lancaster, yews that possibly had furnished bows to Cœur de Lion, and oaks that might have built a navy. All was savage grandeur about these native forests: their sweeping lawns and glades had been unapproached, for centuries it might be, by the hand of art; and amongst them roamed—not the timid fallow deer—but thundering droves of wild horses.