Finding himself involved in difficulties by the expenses of this villa, going on concurrently with a large London establishment, he looked out for a good marriage (being a widower) as the sole means within his reach for clearing off his embarrassments without proportionable curtailment of his expenses. It happened, unhappily for both parties, that he fell in with a widow lady, who was cruising about the world with precisely the same views, and in precisely the same difficulties. Each (or the friends of each) held out a false flag, magnifying their incomes respectively, and sinking the embarrassments. Mutually deceived, they married: and one change immediately introduced at the splendid villa was the occupation of an entire wing by a lunatic brother of the lady's; the care of whom, with a large allowance, had been committed to her by the Court of Chancery. This, of itself, shed a gloom over the place which defeated the primary purpose of the doctor (as explained by himself) in erecting it. Windows barred, maniacal howls, gloomy attendants from a lunatic hospital ranging about: these were sad disturbances to the doctor's rose-leaf system of life. This, however, if it were a nuisance, brought along with it some solatium, as the lawyers express it, in the shape of the Chancery allowance. But next came the load of debts for which there was no solatium, and which turned out to be the only sort of possession with which the lady was well endowed. The disconsolate doctor—an old man, and a clergyman of the Establishment—could not resort to such redress as a layman might have adopted: he was obliged to give up all his establishments; his gay villa was offered to Queen Caroline, who would, perhaps, have bought it, but that her final troubles in this world were also besetting her about that very time. For the present, therefore, the villa was shut up, and "left alone with its glory." The reverend and aged proprietor, now ten times more bilious and more querulous than ever, shipped himself off for France; and there, in one of the southern provinces—so far, therefore, as climate was concerned, realizing his vision of gaiety, but for all else the most melancholy of exiles—sick of the world and of himself, hating to live, yet more intensely hating to die, in a short time the unhappy old man breathed his last, in a common lodging house, gloomy and vulgar, and in all things the very antithesis to that splendid abode which he had planned for the consolation of his melancholy, and for the gay beguilement of old age.
At this gentleman's villa Mrs. Siddons had been paying a visit; for the doctor was a worshipper, in a servile degree, of all things which flourished in the sunshine of the world's applause. To have been the idolized favourite of nations, to have been an honoured and even a privileged[187] guest at Windsor, that was enough for him; and he did his utmost to do the honours of his neighbourhood, not less to glorify himself in the eye of the country, who was fortunate enough to have such a guest, than to show his respect for the distinguished visitor. Mrs. Siddons felt herself flattered by the worthy doctor's splendid hospitalities; for that they were really splendid may be judged by this fact, communicated to me by Hannah More, viz. that the Bishop of London (Porteus), when on a visit to Barley Wood, being much pressed by the doctor to visit him, had at length accepted a dinner invitation. Mrs. Hannah More was, of course, included in the invitation, but had found it impossible to attend, from ill health; and the next morning, at breakfast, the bishop had assured her that, in all his London experience, in that city of magnificent dinners beyond all other cities of the earth, and amongst the princes of the land, he had never witnessed an entertainment so perfect in its appointments.
Gratified as she was, however, by her host's homage, as expressed in his splendid style of entertaining, Mrs. Siddons was evidently more happy in her residence at Barley Wood. The style of conversation pleased her. It was religious: but Mrs. Siddons was herself religious; and at that moment, when waiting with anxiety upon a daughter whose languor seemed but too ominous in her maternal eyes, she was more than usually open to religious impressions, and predisposed to religious topics. Certain I am, however, from what I then observed, that Mrs. Siddons, in common with many women of rank who were on the list of the Barley Wood visitors, did not apprehend, in their full sense and severity, the peculiar principles of Hannah More. This lady, excellent as she was, and incapable of practising any studied deceit, had, however, an instinct of worldly wisdom, which taught her to refrain from shocking ears polite with too harsh or too broad an exposure of all which she believed. This, at least, if it were any duty of hers, she considered, perhaps, as already fulfilled by her writings; and, moreover, the very tone of good breeding which she had derived from the good company she had kept made her feel the impropriety of lecturing her visitors even when she must have thought them in error. Mrs. Siddons obviously thought Hannah More a person who differed from the world chiefly by applying a greater energy, and sincerity, and zeal, to a system of religious truth equally known to all. Repentance, for instance—all people hold that to be a duty; and Mrs. Hannah More differed from them only by holding it to be a duty of all hours, a duty for youth not less than for age. But how much would she have been shocked to hear that Mrs. Hannah More held all repentance, however indispensable, yet in itself, and though followed by the sincerest efforts at reformation of life, to be utterly unavailing as any operative part of the means by which man gains acceptance with God. To rely upon repentance, or upon anything that man can do for himself, that Mrs. Hannah More considered as the mortal taint, as the πρωτον ψευδος (prôton pseudos), in the worldly theories of the Christian scheme; and I have heard the two ladies—Mrs. More and Mrs. Siddons, I mean—talking by the hour together, as completely at cross purposes as it is possible to imagine. Everything in fact of what was special in the creed adopted by Mrs. Hannah More, by Wilberforce, and many others known as Evangelical Christians, is always capable, in lax conversation, of being translated into a vague general sense, which completely obscures the true limitations of the meaning.
Mrs. Hannah More, however, was too polished a woman to allow of any sectarian movement being impressed upon the conversation; consequently, she soon directed it to literature, upon which Mrs. Siddons was very amusing, from her recollections of Dr. Johnson, whose fine-turned compliment to herself (so much in the spirit of those unique compliments addressed to eminent people by Louis XIV) had for ever planted the Doctor's memory in her heart.[188] She spoke also of Garrick and of Mrs. Garrick; but not, I think, with so much respect and affection as Mrs. Hannah More, who had, in her youthful days, received the most friendly attentions from both, though coming forward at that time in no higher character than as the author of Percy, the most insipid of tragedies.[189]
Mrs. Siddons was prevailed on to read passages from both Shakspere and Milton. The dramatic readings were delightful; in fact, they were almost stage rehearsals, accompanied with appropriate gesticulation. One was the great somnambulist scene in Macbeth, which was the ne plus ultra in the whole range of Mrs. Siddons's scenical exhibitions, and can never be forgotten by any man who once had the happiness to witness that immortal performance of the divine artist. Another, given at the request of a Dutch lady residing in the neighbourhood of Barley Wood, was the scene from King John of the Lady Constance, beginning—"Gone to be married! gone to swear a peace!" &c. The last, and truly superb for the musical intonation of the cadences, was that inimitable apology or pleading of Christian charity for Cardinal Wolsey, addressed to his bitterest enemy, Queen Catherine. All these, in different degrees and different ways, were exquisite. But the readings from Milton were not to my taste. And, some weeks after, when, at Mrs. Hannah More's request, I had read to her some of Lord Byron's most popular works, I got her to acknowledge, in then speaking upon the subject of reading, that perhaps the style of Mrs. Siddons's reading had been too much determined to the dramatic cast of emphasis, and the pointed expression of character and situation which must always belong to a speaker bearing a part in a dialogue, to admit of her assuming the tone of a rapt poetic inspiration.
Meantime, whatever she did—whether it were in display of her own matchless talents, but always at the earnest request of the company or of her hostess, or whether it were in gentle acquiescent attention to the display made by others, or whether it were as one member of a general party taking her part occasionally for the amusement of the rest and contributing to the general fund of social pleasure—nothing could exceed the amiable, kind, and unassuming deportment of Mrs. Siddons. She had retired from the stage,[190] and no longer regarded herself as a public character.[191] But so much the stronger did she seem to think the claims of her friends upon anything she could do for their amusement.
Meantime, amongst the many pleasurable impressions which Mrs. Siddons's presence never failed to make, there was one which was positively painful and humiliating: it was the degradation which it inflicted upon other women. One day there was a large dinner party at Barley Wood: Mrs. Siddons was present; and I remarked to a gentleman who sat next to me—a remark which he heartily confirmed—that, upon rising to let the ladies leave us, Mrs. Siddons, by the mere necessity of her regal deportment, dwarfed the whole party, and made them look ridiculous; though Mrs. H. More, and others of the ladies present, were otherwise really women of very pleasing appearance. One final remark is forced upon me by my recollections of Mrs. Jordan, and of her most unhappy end: it is this; and strange enough it seems:—that the child of laughter and comic mirth, whose laugh itself thrilled the heart with pleasure, and who created gaiety of the noblest order for one entire generation of her countrymen, died prematurely, and in exile, and in affliction which really killed her by its own stings. If ever woman died of a broken heart, of tenderness bereaved, and of hope deferred, that woman was Mrs. Jordan.[192] On the other hand, this sad votary of Melpomene, the queen of the tragic stage, died full of years and honours, in the bosom of her admiring country, in the centre of idolizing friends, and happy in all things except this, that some of those whom she most loved on earth had gone before her. Strange contrariety of lots for the two transcendent daughters of the comic and tragic muses. For my own part, I shall always regard my recollections of Mrs. Siddons as those in which chiefly I have an advantage over the coming generation; nay, perhaps over all generations; for many centuries may revolve without producing such another transcendent creature.
END OF VOL. II