Dr. Conyers ought to have remembered, in the first place, that the villa could not long remain in the hands of Cicero. Another owner would succeed, and then the chances would be that the sounds oftenest ascending in the hour of sunset or in the cool of the dawn would be the shrieks of slaves under torture. By their own poor miserable fare contrasted with the splendour reeking around them, these slaves had a motive, such as our tenderly-treated (often pampered) servants can never know the strength of, for breaking the seal of any wine cask. From the anecdote told of his own mother by the wretched Quintus Cicero, the foul brother of Marcus, it appears that generally there was some encouragement to do this, on the chance of 'working down' on the master that the violated seal had been amongst the casks legitimately opened. For it seems that old Mrs. Cicero's housewifely plan was to seal up all alike, empty and not empty. Consequently with her no such excuse could avail. Which proves that often it did avail, since her stratagem is mentioned as a very notable artifice. What follows? Why, that the slave was doubly tempted: 1st, by the luxury he witnessed; 2ndly, by the impunity on which he might calculate. Often he escaped by sheer weight of metal in lying. Like Chaucer's miller, he swore, when charged with stealing flour, that it was not so. But this very prospect and likelihood of escape was often the very snare for tempting to excesses too flagrant or where secret marks had been fixed. Besides, many other openings there were, according to the individual circumstances, but this was a standing one, for tempting the poor unprincipled slave into trespass that irritated either the master or the mistress. And then came those periodical lacerations and ascending groans which Seneca mentions as the best means of telling what o'clock it was in various households, since the punishments were going on just at that hour.
After, when the gracious revolution of Christianity had taught us, and by a memento so solemn and imperishable, no longer to pursue our human wrath, that hour of vesper sanctity had come, which, by the tendency of the Christian law and according to the degree in which it is observed, is for us a type and a symbol and a hieroglyphic of wrath extinguished, of self-conquest, of charity in heaven and on earth.
Now, the monks, it is supposable, might be commonplace drones. Often, however, they would be far other, transmitters by their copying toils of those very Ciceronian works which, but for them, would have perished. And pausing duly here, what sense, what propriety would there be in calling on the reader to notice with a shock the profanation of classical ground in such an example as this: 'Mark the strange revolutions of ages; there, where once the divine Plato's Academus stood, now rises a huge printing-house chiefly occupied for the last two years in reprinting Plato's works.' Why, really Plato himself would look graciously on that revolution, Master Conyers. But next, the dullest of these monks would hear the Gloria in Excelsis.
Oh, how pitiful it is to hear B—— alleging against Mahomet that he had done no public miracles. What? Would it, then, alter your opinion of Mahomet if he had done miracles? What a proof, how full, how perfect! That Christianity, in spirit, in power, in simplicity, and in truth, had no more hold over B—— than it had over any Pagan Pontiff in Rome, is clear to me from that. So, then, the argument against Mahomet is not that he wants utterly the meekness—wants? wants? No, that he utterly hates the humility, the love that is stronger than the grave, the purity that cannot be imagined, the holiness as an ideal for man that cannot be approached, the peace that passeth all understanding, that power which out of a little cloud no bigger than a man's hand grows for ever and ever until it will absorb the world and all that it inherit, that first of all created the terror of death and the wormy grave; but that first and last she might triumph over time—not these, it seems by B——, are the arguments against Mahomet, but that he did not play legerdemain tricks, that he did not turn a cow into a horse!
In which position B—— is precisely on a level with those Arab Sheikhs, or perhaps Mamelukes, whom Napoleon so foolishly endeavoured to surprise by Chinese tricks: 'Aye, all this is very well, but can you make one to be in Cairo and in Damascus at the same moment?' demanded the poor brutalized wretches. And so also for B—— it is nothing. Oh, blind of heart not to perceive that the defect was entirely owing to the age. Mahomet came to a most sceptical region. There was no semblance or shadow among the Arabs of that childish credulity which forms the atmosphere for miracle. On the contrary, they were a hard, fierce people, and in that sense barbarous; but otherwise they were sceptical, as is most evident from all that they accomplished, which followed the foundation of Islamism. Here lies the delusion upon that point. The Arabs were evidently like all the surrounding nations. They were also much distinguished among all Oriental peoples for courage. This fact has been put on record in (1) the East Indies, where all the Arab troops have proved themselves by far more formidable than twelve times the number of effeminate Bengalese and Mahrattas, etc. (2) At Aden, where as rude fighters without the science of war they have been most ugly customers. (3) In Algeria, where the French, with all advantage of discipline, science, artillery, have found it a most trying and exhausting war. Well, as they are now, so they were before Mahomet, and just then they were ripe for conquest. But they wanted a combining motive and a justifying motive. Mahomet supplied both these. Says he, 'All nations are idolaters; go and thrust them into the mill that they may be transformed to our likeness.'
Consequently, the great idea of the truth, of a truth transcending all available rights on the other side, was foreign to Mahometanism, and any glimmering of this that may seem to be found in it was borrowed, was filched from Christianity.
9.—Literary.
The three greatest powers which we know of in moulding human feelings are, first, Christianity; secondly, the actions of men emblazoned by history; and, in the third place, poetry. If the first were represented to the imagination by the atmospheric air investing our planet, which we take to be the most awful laboratory of powers—mysterious, unseen, and absolutely infinite—the second might be represented by the winds, and the third by lightning. Napoleon and Lord Byron have done more mischief to the moral feelings, to the truth of all moral estimates, to the grandeur and magnanimity of man, in this present generation, than all other causes acting together. But how? Simply by throwing human feelings into false combinations. Both of them linked the mean to the grand, the base to the noble, in a way which often proves fatally inextricable to the poor infirm mind of the ordinary spectator. Here is Napoleon, simply because he wields a vast national machinery, throwing a magic of celerity and power into a particular action which absolutely overpowers the genus attonitorum, so that they are reconciled by the dazzle of a splendour not at all in Napoleon, to a baseness which really is in Napoleon. The man that never praised an enemy is shown to this vile mob by the light thrown off from the radiant power of France as the greatest of men; he is confounded with his supporting element, even as the Jupiter Olympus of Phidias, that never spared a woman in his lust, seemed the holiest of deities when his rottenness was concealed by ivory and gold, and his libidinous head was lighted up by sunbeams from above. Here is Lord Byron connecting, in the portrait of some poor melodramatic hero possibly, some noble quality of courage or perseverance with scorn the most puerile and senseless. Prone enough is poor degraded human nature to find something grand in scorn; but, after this arbitrary combination of Lord Byron's, never again does the poor man think of scorn but it suggests to him moral greatness, nor think of greatness but it suggests scorn as its indispensable condition.