Emilius had quite forgotten him: he said, however, in some confusion: 'Indeed I wonder at not having met him here; his mask is easily known.'

'Can you guess what the strange fellow is about?' answered the young officer. 'He did not dance, or even remain half an hour in the ball-room; for he soon met with his friend Anderson, who is just come from the country. Their conversation fell upon literature. As Anderson had not yet seen the new poem, Roderick would not rest till they had opened one of the back rooms for him; and there he now is, sitting with his companion beside a solitary taper, and declaiming the whole poem to him, beginning with the invocation to the Muse.'

'It is just like him,' said Emilius; 'he is always the child of the moment. I have done all in my power, not even shunning some amicable quarrels, to break him of this habit of always living extempore, and playing away his whole being in impromptus, card after card, as it happens to turn up, without once looking through his hand. But these follies have taken such deep root in his heart, he would sooner part with his best friend than with them. That very same poem, of which he is so fond that he always carries a copy of it in his pocket, he was desirous of reading to me, and I had even urgently entreated him to do so; but we were scarcely over the first description of the moon, when, just as I was resigning myself to an enjoyment of its beauties, he suddenly jumped up, ran off, came back with the cook's apron round his waist, tore down the bell-rope in ringing to have the fire lighted, and insisted on dressing me some beef-steaks, for which I had not the least appetite, and of which he fancies himself the best cook in Europe, though, if he is lucky, he spoils them only nine times out of ten.'

The Spaniard laughed, and asked: 'Has he never been in love?'

'In his way,' replied Emilius very gravely; 'as if he were making game both of love and of himself, with a dozen women at a time, and, if you would believe his words, raving after every one of them; but ere a week passes over his head they are all sponged out of it together, and not even a blot of them remains.'

They parted in the crowd, and Emilius walked toward the remote apartment, whence already from afar he heard his friend's loud recitative. 'Ah, so you are here too,' cried Roderick, as he entered; 'that is just what it should be. I have got to the very passage at which we broke down the other day; seat yourself, and you may listen to the rest.'

'I am not in a humour for it now,' said Emilius; 'besides, the room and the hour do not seem to me altogether fitted for such an employment.'

'And why not?' answered Roderick. 'Time and place are made for us, and not we for time and place. Is not good poetry as good at one place as at another? Or would you prefer dancing? there is scarcity of men; and with the help of nothing more than a few hours' jumping and a pair of tired legs, you may lay strong siege to the hearts of as many grateful beauties as you please.'

'Good-bye!' cried the other, already in the door-way; 'I am going home.'

Roderick called after him: 'Only one word! I set off with this gentleman at daybreak to-morrow, to spend a few days in the country, but will look in upon you to take leave before we start. Should you be asleep, as is most likely, do not take the trouble of waking; for in a couple of days I shall be with you again.—The strangest being on earth!' he continued, turning to his new friend, 'so moping and fretful and gloomy, that he turns all his pleasures sour; or rather there is no such thing as pleasure for him. Instead of walking about with his fellow-creatures in broad daylight and enjoying himself, he gets down to the bottom of the well of his thoughts, for the sake of now and then having a glimpse of a star. Everything must be in the superlative for him; everything must be pure and noble and celestial; his heart must be always heaving and throbbing, even when he is standing before a puppet-show. He never laughs or cries, but can only smile and weep; and there is mighty little difference between his weeping and his smiling. When anything, be it what you will, falls short of his anticipations and preconceptions, which are always flying up out of reach and sight, he puts on a tragical face, and complains that it is a base and soulless world. At this moment, I doubt not, he is exacting, that under the masks of a Pantaloon and a Pulcinello there should be a heart glowing with unearthly desires and ideal aspirations, and that Harlequin should out moralise Hamlet upon the nothingness of sublunary things; and should it not be so, the dew will rise into his eyes, and he will turn his back on the whole scene with desponding contempt.'