The girdle, however, still continued to be the appropriate depository for the napkin (to use the old English word), or suclatory—i. e. handkerchief for clearing the forehead of perspiration. As to pocket-handkerchiefs, in our northern use of them, it has been satisfactorily shown by Bottiger, in a German Journal, that the Greek and Roman ladies knew nothing of that modern appendage to the pocket, [Footnote 8] however indispensable it may appear to us; and the same argument apply with equal force to the climate of Palestine.
IV. The glittering RINGS, with which (according to Isaiah, iii. 21), the Hebrew ladies adorned their hands, seem to me originally to have been derived from the seal-rings, which, whether suspended from the neck, or worn upon the finger, have in all ages been the most favorite ornament of Asiatics. These splendid baubles were naturally in the highest degree attractive to women, both from the beauty of the stones, which were usually selected for this purpose, and from the richness of the setting—to say nothing of the exquisite art which the ancient lapidaries displayed in cutting them. The stones chiefly valued by the ladies of Palestine, were rubies—emeralds—and chrysolithes; and these, set in gold, sparkled on the middle, or little finger of the right hand; and in the luxurious times upon all the fingers—even the thumb; nay, in some cases, upon the great toe.
SCENE THE FIFTH.
UPPER GARMENT.
The upper or outer garments, which, for both sexes under all varieties and modifications, the Hebrews expressed by the comprehensive denomination of SIMLAH, have hi every age, and through all parts of the hot climates, in Asia and Africa alike, been of such voluminous compass—as not only to envelop the whole person, but to be fitted for a wide range of miscellaneous purposes. Sometimes (as in the triumphal entry of Christ into Jerusalem) they were used as carpets; sometimes as coverings for the backs of camels, horses, or asses, to render the rider's seat less incommodious; sometimes as a bed coverlid, or counterpane; at other times as sacks for carrying articles of value; or finally as curtains, hangings of parlors, occasionally tapestry, or even as sails for boats.
From these illustrations of the uses to which it was applicable, we may collect the form of this robe: that it was nothing more than a shawl of large dimensions, or long square of cloth, just as it came from the weaver's loom, which was immediately thrown round the person, without receiving any artificial adjustment to the human shape.
So much for the form: with regard to the material, there was less uniformity; originally it was of goats' or camels' hair; but, as civilization and the luxury of cities increased, these coarse substances were rejected for the finest wool, and Indian cotton. Indeed, through all antiquity, we find, that pure unsullied white was the festal color, and more especially in Palestine, where the indigenous soaps, and other cleaning materials, gave them peculiar advantages for adopting a dress of that delicate and perishable lustre.
With the advance of luxury, however, came a love of variety; and this, added to the desire for more stimulating impressions than could be derived from blank unadorned white, gradually introduced all sorts of innovations, both in form and color; though, with respect to the first, amidst all the changes through which it travelled, the old original outline still manifestly predominated. An account of the leading varieties, we find in the celebrated third chapter of Isaiah.
The most opulent women of Palestine, beyond all other colors for the upper robe, preferred purple—or, if not purple throughout the entire robe, at any rate purple flowers upon a white ground. The winter clothing of the very richest families in Palestine, was manufactured in their own houses; and for winter clothing, more especially, the Hebrew taste, no less than the Grecian and the Roman, preferred the warm and sunny scarlet, the puce color, the violet, and the regal purple. [Footnote 9]
Very probable it is, that the Hebrew ladies, like those of Greece, were no strangers to the half-mantle—fastened by a clasp in front of each shoulder, and suffered to flow in free draperies down the back; this was an occasional and supernumerary garment flung over the regular upper robe—properly so called.