It is attempted in this volume only to describe the value of each element in the production of the perfect tone and to demonstrate the principles which, if properly and faithfully applied, will develop the best that is possible in each individual voice and prepare the pupil to enter upon the more advanced arts of speaking and singing.

In 1903 I prepared a series of papers on The Art of Vocalism, which were published in The Étude in May, June, and July of that year. These articles are incorporated in this work. In connection with different organs and conditions, important principles are stated and restated. This repetition is thought desirable in order that the fundamentals may be kept prominently before the mind and impressed upon the attention.

I believe that a careful study of this volume will prove of essential service to teachers and advanced pupils of singing and oratory, especially to young teachers just entering upon their duties. Its method will be found adapted to the instruction of pupils of all grades, from the kindergarten to the Conservatory of Music and the School of Oratory.

I shall be gratified if this outcome of years of experience, constant study, and tested methods shall prove helpful to those who seek mastery of the art of beautiful speaking and singing.


CONTENTS

[Preface] [vii]
[Introduction] [1]
I. [The Vocal Instrument] [6]
II. [The Speaking Voice and Pronunciation] [16]
III. [Breath Control] [23]
IV. [Breathing Exercises] [33]
V. [Registers] [38]
VI. [Resonance in General] [43]
VII. [Head and Nasal Resonance] [51]
VIII. [Placing the Voice] [56]
IX. [Throat Stiffness] [74]
X. [Some General Considerations] [77]
XI. [The Psychology of Vocal Culture] [82]
[Books Consulted] [86]
[Index] [89]

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