The point on which his story turned was, as I suspected, a tale of love, jealousy, revenge. He related the catastrophe with more than usual feeling, but without any seeming remorse. He was justified by the Corsican code of honour. The details, though simple, might be worked up into one of those romantic and sentimental tales for which Corsican life supplies abundant materials. But neither is that my rôle, nor am I willing to betray Antoine's confidence. My readers shall have, instead, a similar tale—of which, as it happens, a namesake of Antoine is the hero—developing the same powerful passions. It is not one of the stock stories borrowed from books which one finds repeated in writers on Corsica, but, I believe, from the source from which I derived it, an original as well as authentic tale. The scene lies at a village in the mountains, not far from Ponte Nuovo, our present halting-place.
CHAP. XIV.
FILIAL DUTY, LOVE, AND REVENGE: A CORSICAN TALE.
On a fine spring morning, some thirty years ago, there was an unusual stir in a paese standing near the high-road between Bastia and Ajaccio. The village, like most others in Corsica, clustered round a hill-top, and stood on the skirts of a deep forest, with which the eye linked it through intervening groves of spreading chestnut and other fruit-trees. It was Sunday; and, after mass, the whole population flocked to the market-place, a large open area in front of the Mairie, to witness one of those trials of skill in shooting at a mark, formerly common in Corsica as well as in Switzerland.
Above the roof of the Mairie sprung a grim tower, serving at once for a prison, in which criminals were confined, and for the barracks of the gendarmerie stationed in that wild district. On the present occasion the target was set up at the foot of this tower, and all the young men of the village were, in turn, making a trial of skill with their long guns, while the old peasants stood near giving advice, and the village girls, ranged in costume de fête round the palisades inclosing the place, rewarded the most successful of the competitors with smiles and glances of encouragement.
The contest had lasted for some time, and many shots were fired without the mark—fixed at the distance of about 300 paces—having been hit, when a young man, armed with a short Tyrolese rifle, came up to the barrier. He was dressed after the fashion of his fathers, but with great neatness. Short breeches of green velvet descended to the knees, and the calves of his legs were encased in deer-skin gaiters fastened by metal buttons. A broad belt of red leather girded his loins. It concealed a small pouch of cartridges, but the hilt of a strong dagger peeped from underneath the belt. His open shirt exposed to view a manly breast. He wore a sort of jacket of the same stuff as the breeches, but faced with crimson, and garnished, after the Spanish fashion, with a number of small silver studs. A high-crowned hat of black felt was cocked jantily on one side of his head, and a medallion of the Madre dei Dolori stuck in the band, completed the picturesque costume of the Corsican peasant.
The young man, on his arrival, received a cordial welcome from all the competitors for the honours of the day, and, among the village maidens, many a bright eye beamed with a tender but modest delight on his manly form, shown to advantage in the national costume. Still he gave no sign of an intention to take any part in the sport for which they were assembled.
In consequence, after a short interval, during which the firing had ceased, an old villager thus addressed him:—
“How is it, Antonio, that you, the best marksman in the village, have joined us so late? The sport flags; let us have one of your true, unerring shots.”