In the same year, David Cornwell exhibited, at the Ram’s Head, in Fenchurch Street, a singular lad, advertised as “the Bold Grimace Spaniard,” who was said to have “liv’d 15 years among wild creatures in the Mountains, and is reasonably suppos’d to have been taken out of his cradle an Infant, by some savage Beast, and wonderfully preserv’d, till some Comedians accidentally pass’d through those parts, and perceiving him to be of Human Race, pursu’d him to his Cave, where they caught him in a Net. They found something wonderful in his Nature, and took him with them in their Travels through Spain and Italy. He performs the following surprising grimaces, viz., He lolls out his Tongue a foot long, turns his eyes in and out at the same time; contracts his Face as small as an Apple; extends his Mouth six inches, and turns it into the shape of a Bird’s Beak, and his eyes like to an Owl’s; turns his mouth into the Form of a Hat cock’d up three ways; and also frames it in the manner of a four-square Buckle; licks his Nose with his Tongue, like a Cow; rolls one Eyebrow two inches up, the other two down; changes his face to such an astonishing Degree, as to appear like a Corpse long bury’d. Altho’ bred wild so long, yet by travelling with the aforesaid Comedians 18 years, he can sing wonderfully fine, and accompanies his voice with a thorow Bass on the Lute. His former natural Estrangement from human conversation oblig’d Mr. Cornwell to bring a Jackanapes over with him for his Companion, in whom he takes great Delight and Satisfaction.”
How many of these show creatures were impostors, and how many genuine eccentricities of human nature, it is impossible to say. Barnum’s revelations have made us sceptical. But the numerous advertisements of this kind in the newspapers of the period show that the passion for monstrosities was as strongly developed in the latter half of the seventeenth century as at the present day.
Barnes and Appleby’s booth for tumbling and rope-dancing appears from the following advertisement, extracted from a newspaper of 1699, to have attended Bartholomew Fair the previous year:—
“At Mr. Barnes’s and Mr. Appleby’s Booth, between the Crown Tavern and the Hospital Gate, over against the Cross Daggers, next to Miller’s Droll Booth, in West Smithfield, where the English and Dutch Flaggs, with Barnes’s and the two German Maidens’ pictures, will hang out, during the time of Bartholomew Fair, will be seen the most excellent and incomparable performances in Dancing on the Slack Rope, Walking on the Slack Rope, Vaulting and Tumbling on the Stage, by these five, the most famous Companies in the Universe, viz., The English, Irish, High German, French, and Morocco, now united. The Two German Maidens, who exceeded all mankind in their performances, are within this twelvemonth improved to a Miracle.”
In this year I find the following advertisement of a music booth, which must have been one of the earliest established:—
“Thomas Dale, Drawer at the Crown Tavern at Aldgate, keepeth the Turk’s Head Musick Booth, in Smithfield Rounds, over against the Greyhound Inn during the time of Bartholomew Fair, Where is a Glass of good Wine, Mum, Syder, Beer, Ale, and all other Sorts of Liquors, to be Sold; and where you will likewise be entertained with good Musick, Singing, and Dancing. You will see a Scaramouch Dance, the Italian Punch’s Dance, the Quarter Staff, the Antick, the Countryman and Countrywoman’s Dance, and the Merry Cuckolds of Hogsden.
“Also a young Man that dances an Entry, Salabrand, and Jigg, and a Woman that dances with Six Naked Rapiers, that we Challenge the whole Fair to do the like. There is likewise a Young Woman that Dances with Fourteen Glasses on the Backs and Palms of her Hands, and turns round with them above an Hundred Times as fast as a Windmill turns; and another Young Man that Dances a Jigg incomparably well, to the Admiration of all Spectators. Vivat Rex.”
James Miles, who announced himself as from Sadler’s Wells, kept the Gun music-booth in the fair, and announced nineteen dances, among which were “a dance of three bullies and three Quakers;” a cripples’ dance by six persons with wooden legs and crutches, “in imitation of a jovial crew;” a dance with swords, and on a ladder, by a young woman, “with that variety that she challenges all her sex to do the like;” and a new entertainment, “between a Scaramouch, a Harlequin, and a Punchinello, in imitation of bilking a reckoning.” We shall meet with James Miles again in the next chapter and century.