4. When a ray of light passes out of one medium into another of different density, it is bent out of its course, and is said to be refracted. We must, however, except those rays which fall in a direction perpendicular to the surface of the refracting medium; as the refractive force acts in the same direction in which those rays move, they will not be turned out of their course, but proceed in the same direction they had before they entered the refracting medium. When a ray passes out of a rarer into a denser medium, it will be refracted, or bent towards a line which is perpendicular to the surface which separates the media at the point where it falls; but when it passes out of a denser into a rarer medium, it will be bent from the perpendicular.

5. Whenever the rays, which come from all the points of any object, meet again in so many points, after they have been made to converge by refraction, there they will form the picture of the object, distinct, and of the same colours, but inverted. This is beautifully demonstrated by a common optical instrument, the camera obscura. If a double convex lens, be placed in the hole of a window shutter in a dark room, and a sheet of white paper be placed at a certain distance behind the lens; a beautiful, but inverted picture of the external objects will be formed: but if the paper be held nearer, or more remote than this distance, so that the rays from each point shall not meet at the paper, but betwixt it and the lens, or beyond the paper, the picture will be indistinct and confused.

Of the Manner in which Vision is performed.

From the just mentioned properties of light, and the description we have given of the eye, it will not be difficult to explain the theory of vision, so far as it depends upon optical principles. For the eye may, with great propriety, be compared to a camera obscura; the rays which flow from external objects, and enter the eye, painting an inverted picture of those objects on the retina: if you carefully dissect from the bottom of an eye, newly taken out of the head of an animal, a small portion of the tunica sclerotica and choroides, and place this eye in a hole made in the window shutter of a dark chamber, so that the bottom of the eye may be towards you; the pictures or images of external objects will be painted on the retina in lively colours, but inverted.

In order to see how the several parts of the eye contribute to produce this effect, let us follow the rays proceeding from a luminous point, and see what will happen to them from the beforementioned properties of light.

Since the rays of light flow from every visible point of a body in every direction, some of them, issuing from this point, will fall upon the cornea, and, entering a medium of greater density, will be refracted towards the perpendicular, and as they fall upon a convex spherical surface, nearly in a parallel state, the pupil being so extremely small, it is evident, from the principles of optics, that they will be made to converge: those which fall very obliquely will either be reflected, or falling upon the uvea, or pigmentum nigrum, which covers the ciliary ligaments, will be suffocated, and prevented from entering the internal parts of the eye: those which fall more directly, as was before said, become converging, in which state they fall upon the anterior surface of the crystalline humour, which, having a greater refracting power than the aqueous humour, and its surface being convex, will cause them to converge still more, in which state they will fall upon the posterior surface of the crystalline, or anterior surface of the vitreous humour; which having a less refractive power than the crystalline, they will be refracted from the perpendicular; but, as they fall upon a concave surface, it is evident, from the principles of optics, that they will be made to converge still more: in which state they will go on to the retina, and if the eye is well formed, the refraction of these several humours will be just sufficient to bring them to a point or focus on the retina.

The same thing will happen to rays flowing from every other visible point of the object: the rays which flow from every point will be collected into a corresponding point on the retina, and, consequently, will paint the image of that object inverted; the rays coming from the superior part of any object, being collected on the inferior part of the retina, and vice versa, as is manifest from the principles of optics.

If the rays are accurately, or very nearly, collected into a focus on the retina, distinct vision will be produced; but if they be made to converge to a point before or beyond the retina, the object will be seen indistinctly; this is proved by holding a convex or concave glass before the eye of a good sighted person: in the former case, the rays will be made to converge to a point before they arrive at the retina, and in the latter, to a point beyond it. In these cases, it is plain that the rays which flow from a point in the object, will not form a point, but a circular spot, upon the retina, and these various circles intermixing with other, will render the image very indistinct. This is well illustrated by the camera obscura, where if you hold the paper nearer or more remote than the focal distance of the lens, the picture will be indistinct.

So far then, in the theory of vision, are we led by the principles of optics, and we can with certainty, by their assistance, affirm, that if the eye is sound, and the image of an object distinctly painted upon the retina, it will be seen distinctly, erect, and of its proper colours: so far we can proceed on safe and sure grounds, but if we venture further, we shall find ourselves bewildered in the regions of hypothesis and fancy. The machinery by which nature connects the material and immaterial world is hidden from our view; in most cases we must be satisfied with knowing that there are such connexions, and that these connexions invariably follow each other, without our being able to discover the chain that goes between them. It is to such connexions that we give the name of laws of nature; and when we say that one thing produces another by a law of nature, this signifies no more, than that one thing, which is called the cause, is constantly and invariably followed by another, which we call the effect, and that we know not how they are connected. But there seems a natural propensity in the mind of man, to endeavour to account for every phenomenon that falls under his view, which has given rise to a number of absurd and romantic conjectures in almost every branch of science. From this source has risen the vibration of the fibres of the optic nerve, or the undulation of a subtile ether, or animal spirits, by which attempts have been made to explain the theory of vision; but all of them are absurd and hypothetical.

Kepler was the first who had any distinct notion of the formation of the pictures of objects on the bottom of the eye; this discovery he published about the year 1600. Joannes Baptista Porta had indeed got some rude notion of it prior to the time of Kepler, but as he knew nothing of the refraction made by the humours of the eye, his doctrine was lame and defective, for he imagines that the images are painted on the surface of the crystalline humour.