Fig. 3

This illustrates the principle which obtains in the making of half-tones in which the image is made up of a large number of dots varying in size but all equally dense, so that when viewed from a suitable distance the dots are individually invisible but compose to give gradations of light and shade. In other words, the structure obtaining in a photographic negative is, in a sense, realised by optical chemical means, although the dots in a half-tone block are much coarser than those in a negative (Plate 5, Fig. 3).

This result is obtained by interposing between the diaphragm of the camera and the negative—for the half-tone process is a photo-mechanical one—a glass screen covered with intersecting engraved lines (Fig. 4). As a matter of fact, each screen consists of two plates of glass similarly ruled and cemented face to face so that the lines intersect.

Fig. 4

It may at first be thought that the effect of such a screen placed in front of the negative would be to produce merely a cross hatching on the reproduction; this, however, is not the case; if the screen be placed in a proper position relative to the negative and the size of the diaphragm of the camera, the picture will be reproduced in a series of dots of varying size.

The optical and other reasons for this phenomenon must be sought elsewhere,* but the following brief consideration will serve to illustrate what happens. The rays of light which ultimately reach the sensitive plate are acted upon by two lenses, that of the camera and the meshes of the screen, each one of which acts as a lens on the principle of the pin-hole camera. Each mesh, therefore, brings the image of the diaphragm to a focus on the negative, but the lens of the camera focusses the picture as a whole, thus the amount of light falling on the different pin-holes will vary in intensity, and hence the dots produced will vary in size, for it is assumed, with good reason, that each dot is built up from its centre and radially expands according to the amount of light acting upon it.

*See Verfasser, loc. cit., p. 94.