GEORGE BANCROFT.
George Bancroft, the distinguished American author and historian, was born at Worcester, Massachusetts, in the year of 1800. His father, who was himself an author and a doctor of divinity, gave to his son’s mind the bent and disposition which in after-years conducted him to celebrity, position, and power. Not yet seventeen, Mr. Bancroft graduated at Harvard college, with honors, and soon entered upon a course of literary pursuits, having as their ultimate end the profession of a historian. In 1818, he went to Europe, and there studied at Göttingen and Berlin, enjoying the high advantages of the most thorough system of instruction and the society of distinguished and cultivated men. After an absence of four years, during which he traveled in England, Switzerland, Germany, and Italy, he returned to the United States. His first sphere of labor was naturally in accordance with his previous life, and he was appointed tutor of Greek in Harvard college. A love of intellectual independence and the desire to engraft upon the academic system in New England the German method of instruction, led him in company with a literary friend, to separate labors in the field of instruction, which were pursued for some time in the interior of New England, but afterward abandoned for duties of a more public and permanent character. During the interval of severer labors, Mr. Bancroft made many contributions to American literature, especially from the stores of German thought and intellect, then comparatively sealed, even to educated men in the United States. He early adopted decided political opinions, attaching himself to the democratic party, in whose behalf his first vote was cast. In 1826, in a public oration, afterward published, he announced as his creed ‘universal suffrage and uncompromising democracy;’ and in the ranks of the liberal party he rose to political preferment and distinction rarely attained by one whose career at the outset was so purely that of a scholar. In 1834, Mr. Bancroft published the first volume of his ‘History of the United States,’ a work to which he had long devoted his thoughts and researches and in which he laid the foundation of a reputation at once permanent and universal. The first and two succeeding volumes of the work, comprising the colonial history of the country, were hailed with the highest satisfaction, as exhibiting for the first time, in a profound and philosophical manner, not only the facts but the ideas and principles of American history. In January, 1838, Mr. Bancroft received from President Van Buren the appointment of collecter of the port of Boston, a post of more responsibility than profit, which he occupied until the year 1841, discharging its duties with a fidelity which proved that a man of letters may also be a man of business, in the strictest sense of the term. In 1844, he was the candidate of the democracy of Massachusetts for the office of governor of the state; and though the party was in the minority, his unusually large vote, greater than that which any other democratic candidate has since received, attested his popularity. In the spring of 1845, Mr. Bancroft was called by President Polk to a seat in the cabinet, and the administration of the navy department, over which he presided with an energy and efficiency which, notwithstanding the short period of his connection with it, perpetuated themselves in numerous reforms and improvements, of lasting utility to the naval service. In 1846, he was appointed minister-plenipotentiary to Great Britain, and there represented the United States, until succeeded by Mr. Abbott Lawrence, in 1849. In England, the prestige of Mr. Bancroft’s literary reputation and his high social qualities contributed to enhance the popularity and respect which attached to him during his entire diplomatic career, which was one of complete satisfaction to the government which he represented and to that to which he was accredited. On his return, he fixed his residence in the city of New York, and resumed more actively the prosecution of his historical labors. The fourth volume of his history appeared early in 1852. It includes the opening scenes of the great drama of American independence, and amply sustains the interest and dignity of the work by which Mr. Bancroft has inseparably linked his name with the annals of his country.
WILLIAM HICKLING PRESCOTT.
William Hickling Prescott, an eminent American historian, was born in Salem, Massachusetts, in 1796, the son of an able lawyer, and grandson of that Prescott who commanded our troops at Bunker’s Hill. When he was twelve years of age his family removed to Boston, where Prescott has since resided, and where his classical training, begun in the place of his birth, was continued with success by Dr. Gardiner, a pupil of Dr. Parr. In 1811 he entered Harvard college, and was graduated there in 1814, with honors appropriate to his favorite studies, and with an intention to devote himself to the legal profession. But the great misfortune of his life had already befallen him. Before he had been graduated, an accidental blow had deprived him of the sight of one eye, and the natural consequences soon followed. The other became weakened by the increased labor thrown upon it; and, after a severe illness, during which he was entirely blind, he found the sight of his remaining eye so much impaired, that he was compelled to give up his professional studies and his hopes of success at the bar. The next two years he spent in Europe, traveling for his health in England, France, and Italy, and seeking the aid of the great oculists of London and Paris. He returned to America with renovated health, but for his misfortune found no relief. Still he was not disheartened, but turned with alacrity to those studies which remained yet within his reach. He resolved to become, in the best sense of the word, a historian, and freely gave himself ten years to prepare for the task, by a course of the classical reading he had always loved. He then selected his subject, and, having done this, gave ten years more to his ‘History of Ferdinand and Isabella,’ one of the few important periods in the affairs of modern Europe that seemed to invite the hand of a master. With this great work, in 1838, at the age of forty-two, he appeared before the world as an author, publishing simultaneously in London and Boston. It was received on both sides of the Atlantic, with unhesitating applause. It has since run through many editions, and been translated into German, Italian, French, and Spanish. During his labor on this work, Mr. Prescott’s vision had been somewhat improved by a diminution of the sensibility which had led to earlier inflammations, and which had compelled him to live in a darkened apartment, relying entirely on a reader when collecting his materials. His ‘Conquest of Mexico,’ therefore, first printed in 1843, though prepared largely from manuscript documents, was perhaps a work of less troublesome toil than his first had been. The prompt honors that it received were even more brilliant than those paid to the ‘Ferdinand and Isabella,’ and having before been admitted to several of the distinguished academies of Europe, he was now elected a member of the French institute. His ‘Conquest of Peru’ appeared in 1847. It is marked by the same striking events which distinguished its predecessors, and is, with the exception of a volume of collated miscellanies, his last work. It is understood that he is now engaged in writing a ‘History of Philip II.’ In 1850 he made a short visit to England, where he was received with marked kindness and respect by whatever is most distinguished in society and letters, and where the ancient university of Oxford conferred on him the honorary degree of doctor in the civil law.
HIRAM POWERS.
Hiram Powers, sculptor, was born in Woodstock, Vermont, July 29, 1805. He was the eighth child of a family of nine, and his parents were plain country people, who cultivated a little farm. He acquired such education as the district school afforded, and he also found leisure to get some knowledge of divers kinds of handicraft, among which was the art of drawing. His father finding it difficult to maintain his family upon his farm removed to Ohio, where he shortly after died, and the future artist was thrown upon his own resources. He set out for Cincinnati to seek his fortune, and found employment in a reading-room connected with one of the principal hotels of the city, and afterwards became clerk in a produce store, where he remained until his principal failed. He then found a situation with a clockmaker, by whom he was employed in collecting debts, and afterwards in the mechanical part of the business; but, although this employment was not disagreeable to him, he aspired to some higher branch of the arts. In Cincinnati, he made the acquaintance of a Prussian, who was engaged upon a bust of general Jackson, and with some little instruction in the art of modeling obtained from him, Mr. Powers was soon able to produce busts in plaster of considerable merit, in fact one of his earliest he has declared, himself, to have been unsurpassed in likeness and finish by any of his later works. He then felt that his vocation was the arts, and he formed a connection with the Western Museum at Cincinnati, where, for about seven years, he superintended the artistic department, such as wax-work shows etc. After leaving this place he visited Washington in 1835, hoping to gain some reputation as an artist, which would enable him to increase his business, and furnish him the means of visiting Italy. In this he was not disappointed. After spending some time in the capital engaged in taking the busts of the most eminent men of the day, he was enabled, by the liberality of Mr. N. Longworth, to accomplish his long-cherished scheme; and in 1837 he landed in Florence. For some time after his arrival he continued to devote himself principally to busts, but he soon determined to employ his spare time on the production of an ideal work; the subject determined upon was ‘Eve.’ Just before the model of this statue was completed, Mr. Powers received a visit from the celebrated Thorwalsden, who was then passing through Florence. He expressed himself in terms of high admiration of the artist’s busts; and, in reference to these, declared Powers to be the greatest sculptor since Michael Angelo. The statue of ‘Eve’ also excited his admiration: and to the artist’s apology that it was his first statue, he replied that any man might well be proud of it, as his last. When the model of ‘Eve’ was completed, he began the ‘Greek Slave,’ which was finished in eight months. This, the best known and most admired of all Mr. Powers’ works, has been exhibited throughout the United States, and at the Great Exhibition at London. There are two copies in existence besides the original, one of which recently formed one of the prizes distributed by the Western Art-Union. Among some of his finest works are portraits of Jackson, Webster, Adams, Calhoun, Chief-Justice Marshall and many persons of less eminence. He has also produced some ideal busts; the ‘Proserpine’ is one of the finest.
CITY OF BARCELONA—SPAIN.