In 1359, the Castilians took a Venetian carrack, which had three ‘covers’ (decks), and must consequently have been as high as the great storeships of the seventeenth century. In 1545, a French carrack, the Carraquon, which passed for the finest ship and fastest sailer of the western ocean, was of eight hundred tons burthen, and had one hundred pieces of artillery of all calibers for armament. The carracks of the fourteenth century had only two masts; in the fifteenth, they took three, and afterwards four. At first three-decked, they finally reached as high as seven decks. The poop and prow were the height of three or four men above the deck, and looked like castles raised at each of the extremities. The castles mounted each from thirty-five to forty guns. In the galleys, the employment of fire-arms did not effect material changes; the prow alone, somewhat shortened, was armed with a gun mounted on a mass of wood destined for its recoil, and extending amidships through the whole length of the vessel. This piece of wood was called the coursie, and the gun placed upon it the courser. At the sides, upright carriages supported a few falconets and other pieces of small ordnance. The galeass, originating in the galea grossa, as the latter did in the galley, carried, as well as the carrack and other ships, a castle at the bow and a castle at the stern. In the former, there were twelve guns in three tiers; in the latter, ten only in two tiers. She had thirty-two benches of rowers, and between each of her benches rose a swivel on a point. This, it will be perceived, was a formidable armament. The galeass had three masts and lateen sails. The Venetians made great use of this vessel. Their famous Bucentaur belonged to this class. At the end of the fifteenth century, when Christopher Columbus armed his vessels at Palos, he formed his little flotilla exclusively of caravels. Now, this name of caravel, which in the outset belonged only to a common barque, was at this time borne by a vessel of considerable, but not extraordinary size. The caravel had four masts; the forward one with a square sail surmounted by a topsail, the three others each carrying a lateen sail. These sails enabled the caravel to manœuvre well, and she was as prompt to handle as the French tartane, much renowned at that epoch. She came about as quickly as if she had been a row-boat. She had but one deck, and very little carrying capacity. Still, if the caravels of Christopher Columbus were smaller than those of a later period, at the close of the sixteenth century, they were large enough to contain ninety seamen and the provision necessary for a long voyage. The flag ship of Columbus was called the Santa Maria; the two other, La Pinta and La Nina. A passage in the journal of Columbus himself, gives a detail of the canvass of the Santa Maria. ‘The wind,’ says he, ‘became mild and manageable, and I set all the sails of the vessel—​the mainsail with the two studding sails, the foresail, the spritsail, the mizzen and the topsail.’ The caravels then had, like all the great vessels of the period, a castle at the bow and a castle at the stern. They made, on an average, six knots an hour. Columbus was only thirty-five days in going from Palos to San Salvador—​an ordinary passage even in these days of quick sailing. The sixteenth century was an epoch of progress for the marine; England particularly gave it the onward impulse. Meanwhile, an important invention, that of gun-ports, was due to a Frenchman, of Brest, named Descharges. The system then adopted for the arrangement of batteries has never since been changed, and exists to the present time. Historians and antiquaries have taken great pains to arrive at a knowledge of the forms of ships of war at this period. The documents written and drawn are, some so confused, others so deficient in proportion and perspective, that it is difficult to understand them.

Still, as some authentic details respecting the Great Harry are known, this ship may serve to give an idea of the navy of the sixteenth century; and we have accordingly presented our readers with an engraving of this formidable vessel. Up to the seventeenth century, one model seems to have prevailed in all naval constructions. The Spaniards and the Portuguese followed the example of the Venetians; the Dutch and the northern nations derived their nautical knowledge from the same sources; the English themselves, so jealous of their naval supremacy, received their lessons in improving and strengthening their embarkations from Italian masters. They were accustomed to place at the extremity of the prow a sculptured figure, which served to distinguish the vessels of one nation from another. The Venetians adopted a bust from preference; the Spaniards, a lion; the English, especially after the accession of the Stuarts, the figures of the reigning monarch, either on horseback, or riding on a lion. The stern, above the cabin windows, presented a plane surface or tablet, with apertures for light and air, starboard and larboard. On Venetian, Spanish and Portuguese stern some saint or hero was placed. Other nations had only the arms of their respective states. Before the end of the sixteenth century, some Portuguese and Spanish vessels carried as many as eighty guns mounted on carriages. At this period, the strongest vessel of the English navy carried but fifty guns or pieces deserving that name. The ‘Sovereign of the Seas,’ built in 1637, at Woolwich, Kent, ‘to the great glory of His Britannic Majesty,’ as a cotemporary description we have before us declares, was decorated in a style of regal magnificence. On her bow was king Edgar, on horseback, trampling on seven kings; on the stern, a cupid on a lion; and grouped together, at the bow, six statues, representing Counsel, Prudence, Perseverance, Strength, Courage and Victory. On the quarter-deck, four figures, with their attributes, Jupiter, with his eagle, Mars, with sword and shield, Neptune, with his sea-horse, and Eolus on a cameleon. On the stern, a Victory displayed her wings, and bore a scroll with this device: Validis incumbite remis. This vessel had two galleries on each side. These galleries, as well as the whole vessel, were covered with trophies, emblems and scutcheons, of all kinds. Her length from stem to stern was 232 feet. She carried five lanterns, one of which, the largest, could contain ten persons, standing, with ease. She had three decks running from stem to stern, a forecastle-deck, a half-deck, a quarter-deck, and a poop-deck. Her armament was as follows: thirty ports, with large and small guns, in the lower battery; thirty ports, with culverins, in the second battery; twelve ports in the forecastle, and fourteen on the half-deck; finally, thirteen or fourteen swivels, a multitude of port-holes for musketry, ten bow-chasers, and as many stern-chasers. There were twelve anchors. ‘The Sovereign of the Seas,’ says Charnock, ‘was the first large vessel constructed in England. Splendor and magnificence were particularly kept in view in building her. She was in some sort the occasion of the serious complaints made of the expenses of the navy in the reign of Charles I. Cut down one deck, she became one of the best ships of war in the whole world.’ It is certain that the suppression of this deck, and the lowering of her deck-cabin, gave her more stability than she had at first. Now, for speed, what she gained in strength by these changes was compensated by the length added to her masts. Topsails at this period were an important addition to ships. Old engravings show us the vessels of the sixteenth century sailing generally under their courses. After the building of the Sovereign of the Seas, this only occurred in particular cases and certain conditions of the elements. Captain Phineas Pett directed the work of building and afterwards improving the Sovereign of the Seas. A learned engineer, he deserves the credit of having done more than any one else to give an impulse to the English navy. The artillery was strengthened, and the crews larger, and better lodged. The entire navy felt this progress. The Sovereign of the Seas gauged 1637 tons, a thing which, according to a historian of the time, deserved the attention of the whole world, since it represented exactly the date of her launch. Notwithstanding the thrice-fortunate augury which the historian saw in this coïncidence, the Sovereign of the Seas met with the fate of the Great Harry. She was destroyed, like the latter, by fire, in a ship-yard, where she was being repaired, in 1696, after sixty years’ service. Observe here that Fuller, in his history of the ‘Wonders of England,’ acknowledges that at the commencement of the seventeenth century, the Dunkirkers furnished the models of the best vessels built at this period in the British ports.

When Louis XIV became king of France, there was no French navy, properly speaking. Voltaire asserts that in 1664 a few frigates and a line-of-battle ship, in poor condition, constituted the entire force. After the siege of La Rochelle, Richelieu, jealous of the growth of the English navy, had given a sort of impulse to naval ideas by arming immediately fifty ships and twenty galleys; but the effect of this impulse was merely momentary. Colbert was the true creator of the French navy. Under him, in less than five years, France possessed a triumphant maritime force. The most renowned of the French ships at this period was the Royal Sun. This vessel was constructed partly on French, and partly on Dutch principles. She was 1600 tons, 150 feet long, 48 broad, and 16 deep. She carried three lanterns on the poop. As the flag-ship, she carried at the main the white standard, embroidered with the fleurs-de-lys, and the French coat of arms surrounded the orders of St. Michael and the Holy Ghost. The decorations of the Royal Sun surpassed everything before or since. A model of this ship is contained in the naval museum of the Louvre, at Paris. The Royal Sun mounted 120 guns in three batteries complete, with stern and bow guns.

The seventeenth century was perhaps the most brilliant period in the history of galleys. Those of France were commanded by a general. There were two kinds of them, the ordinary and the extraordinary. The ordinary had only twenty-six oars, and twenty-six benches on each side; the extraordinary had often thirty-two. There was no difference of model between them, their dissimilarity only resulting from their relative sizes. All were extremely long, low and narrow. They carried only two masts and lateen sails. The armament consisted of five guns forward and two swivels. These swivels were attached to the sides of the galley to prevent the recoil. There were generally at least five rowers to each oar, the oars being very long and very heavy. Between the rowers’ benches and the sides of the ship there was a space where the soldiers were stationed. Soldiers to fight, sailors to manœuvre, and a gang composed of galley-slaves, or Turkish prisoners, made up the crews of the galleys.

Naval architecture, in the course of the eighteenth century, advanced in model, sparring and rigging of vessels. Two deckers with fifty guns were superseded by frigates carrying the same number of pieces in one battery. The following were the dimensions generally adopted for the different classes of vessels: For first class vessels, one hundred and sixty four to one hundred and eighty-six feet in length, forty-seven to fifty feet in breadth, twenty-three to twenty-five feet in depth; for second class vessels, one hundred and fifty-six to one hundred and seventy in length, forty-three to forty-seven in breadth, twenty and a half to twenty-three in depth; for third class vessels one hundred and fifty to one hundred and sixty in length, forty-two to forty-three in breadth, twenty to twenty and a-half in depth; for fourth class vessels, one hundred and thirty-five to one hundred and fifty in length, thirty-five to forty in breadth, seventeen to twenty in depth; for fifth class vessels, one hundred and two to one hundred and thirty in length, thirty-three to thirty-four in breadth, thirteen to seventeen in depth; for sixth class vessels, sixty to seventy in length, eighteen to twenty in breadth, nine to ten in depth. Among the considerable changes in construction, the first that strikes the eye is the enormous augmentation of canvas. Never did ships carry so much sail.

At the same time that ships of fifty guns became frigates, in their turn the light frigates—​those, for instance, which carried from ten to twenty pieces of artillery—​formed a new class of vessels, under the name of corvettes. The corvettes, at the beginning, had three masts, and their guns under cover. Afterwards, to increase their speed, they carried all their artillery on the upper deck. Later year, the mizzen-mast was abandoned in the smallest. This kind of corvette gave place to the brig-of-war. The bomb-galliot became a bomb-ketch, a sort of three-masted corvette, with platforms between the main and mizzen, and the main and fore masts. Yachts, galliots, gun-boats, armed some with a few light pieces, others with one heavy gun, complete the series of naval forces in use at the eighteenth century, except a few varieties peculiar to different seas and coasts. As for the fire-ship of the first part of the century, no mention is made of it at the close; and if, since that time, certain infernal machines, more or less closely fashioned after the fire-ships, have made their appearance, they have only proved unfortunate attempts, and not answered the expectations of their contrivers. The Turks alone preserved these old warlike contrivances up to the present time; and Navarino offered us, for the last time, the spectacle of a ship—​the Scipio—​engaged with a fire-ship. Like the fire-ship, the ancient galley disappeared with the eighteenth century. In the Mediterranean, the three-masted barque has become the xebeck; and we find, under the same appearance, all the embarkations spoken of in the preceding ages. The lateen vessels are those the least changed in appearance, because, from the simplicity of their rig, they sooner reached a stage bordering on perfection.

The ship Ocean, represented in engraving [a](17)], is an excellent specimen of the science of the eighteenth century. Presented to Louis XIV, by the estates of Burgundy, nothing was spared to make the frigate worthy of its destiny. Built in 1760, it was modernized, and is still in existence.

EARLY MARITIME DISCOVERIES.

The Portuguese were among the first to signalize themselves in the career of geographical discovery. At the beginning of the fifteenth century, Prince Henry, son of John I, was at the head of the marine of Portugal. Under his immediate direction, several voyages were undertaken to the coast of Africa; in one of which the voyagers were driven by a storm out of their usual course along shore, and for the first time the terrified mariners found themselves in the boundless ocean. When the storm abated, they were in sight of an island, to which, in their thankfulness to Heaven for the succor it afforded, they gave the name of Puerto Sancto, or the Holy Haven—​the least of the Madeiras. The voyages of the Portuguese now succeeded each other rapidly; and other navigators of this nation, either grown bolder, or again driven off the coast, discovered the Azores. In 1433, the Portuguese passed Cape Nun, hitherto the limit of their courses, and arrived at a cape, which presenting a frightful barrier to the still timid seamen, in the terrible surf that broke on the shoals near it, they named Bojador, signifying its projection into the sea and the consequent circuit it required to double it.

In succeeding expeditions, Cape Verd was reached, and the Senegal arrived at, and Lisbon saw with astonishment a different race from the Moors. Cape Mesurado was the limit of the Portuguese discoveries at the death of Prince Henry in 1463, which damping the ardor of discovery, it was not until 1471 that the Equator was crossed, and the islands in the gulf of Guinea were discovered.