It was now so generally known that the Earl and Countess were not in accord, that he took no great trouble to disguise his deeds in relation to this matter. During the day he ordered four men with ropes and rollers to attend him in the boudoir. When they arrived, the closet was open, and the upper part of the statue tied up in canvas. He had it taken to the sleeping-chamber. What followed is more or less matter of conjecture. The story, as told to me, goes on to say that, when Lady Uplandtowers retired with him that night, she saw near the foot of the heavy oak four-poster, a tall dark wardrobe, which had not stood there before; but she did not ask what its presence meant.
‘I have had a little whim,’ he explained when they were in the dark.
‘Have you?’ says she.
‘To erect a little shrine, as it may be called.’
‘A little shrine?’
‘Yes; to one whom we both equally adore—eh? I’ll show you what it contains.’
He pulled a cord which hung covered by the bed-curtains, and the doors of the wardrobe slowly opened, disclosing that the shelves within had been removed throughout, and the interior adapted to receive the ghastly figure, which stood there as it had stood in the boudoir, but with a wax-candle burning on each side of it to throw the cropped and distorted features into relief. She clutched him, uttered a low scream, and buried her head in the bedclothes. ‘Oh, take it away—please take it away!’ she implored.
‘All in good time namely, when you love me best,’ he returned calmly. ‘You don’t quite yet—eh?’
‘I don’t know—I think—O Uplandtowers, have mercy—I cannot bear it—O, in pity, take it away!’
‘Nonsense; one gets accustomed to anything. Take another gaze.’