‘Is Miss Power a severe pietist, or precisian; or is she a compromising lady?’ he asked abruptly.

‘She is severe and uncompromising—if you mean in her judgments on morals,’ said Charlotte, not quite hearing. The remark was peculiarly apposite, and De Stancy was silent.

He spent some following hours in a close study of the castle history, which till now had unutterably bored him. More particularly did he dwell over documents and notes which referred to the pedigree of his own family. He wrote out the names of all—and they were many—who had been born within those domineering walls since their first erection; of those among them who had been brought thither by marriage with the owner, and of stranger knights and gentlemen who had entered the castle by marriage with its mistress. He refreshed his memory on the strange loves and hates that had arisen in the course of the family history; on memorable attacks, and the dates of the same, the most memorable among them being the occasion on which the party represented by Paula battered down the castle walls that she was now about to mend, and, as he hoped, return in their original intact shape to the family dispossessed, by marriage with himself, its living representative.

In Sir William’s villa were small engravings after many of the portraits in the castle galleries, some of them hanging in the dining-room in plain oak and maple frames, and others preserved in portfolios. De Stancy spent much of his time over these, and in getting up the romances of their originals’ lives from memoirs and other records, all which stories were as great novelties to him as they could possibly be to any stranger. Most interesting to him was the life of an Edward De Stancy, who had lived just before the Civil Wars, and to whom Captain De Stancy bore a very traceable likeness. This ancestor had a mole on his cheek, black and distinct as a fly in cream; and as in the case of the first Lord Amherst’s wart, and Bennet Earl of Arlington’s nose-scar, the painter had faithfully reproduced the defect on canvas. It so happened that the captain had a mole, though not exactly on the same spot of his face; and this made the resemblance still greater.

He took infinite trouble with his dress that day, showing an amount of anxiety on the matter which for him was quite abnormal. At last, when fully equipped, he set out with his sister to make the call proposed. Charlotte was rather unhappy at sight of her brother’s earnest attempt to make an impression on Paula; but she could say nothing against it, and they proceeded on their way.

It was the darkest of November weather, when the days are so short that morning seems to join with evening without the intervention of noon. The sky was lined with low cloud, within whose dense substance tempests were slowly fermenting for the coming days. Even now a windy turbulence troubled the half-naked boughs, and a lonely leaf would occasionally spin downwards to rejoin on the grass the scathed multitude of its comrades which had preceded it in its fall. The river by the pavilion, in the summer so clear and purling, now slid onwards brown and thick and silent, and enlarged to double size.

II.

Meanwhile Paula was alone. Of anyone else it would have been said that she must be finding the afternoon rather dreary in the quaint halls not of her forefathers: but of Miss Power it was unsafe to predicate so surely. She walked from room to room in a black velvet dress which gave decision to her outline without depriving it of softness. She occasionally clasped her hands behind her head and looked out of a window; but she more particularly bent her footsteps up and down the Long Gallery, where she had caused a large fire of logs to be kindled, in her endeavour to extend cheerfulness somewhat beyond the precincts of the sitting-rooms.

The fire glanced up on Paula, and Paula glanced down at the fire, and at the gnarled beech fuel, and at the wood-lice which ran out from beneath the bark to the extremity of the logs as the heat approached them. The low-down ruddy light spread over the dark floor like the setting sun over a moor, fluttering on the grotesque countenances of the bright andirons, and touching all the furniture on the underside.

She now and then crossed to one of the deep embrasures of the windows, to decipher some sentence from a letter she held in her hand. The daylight would have been more than sufficient for any bystander to discern that the capitals in that letter were of the peculiar semi-gothic type affected at the time by Somerset and other young architects of his school in their epistolary correspondence. She was very possibly thinking of him, even when not reading his letter, for the expression of softness with which she perused the page was more or less with her when she appeared to examine other things.