‘That’s very pretty.’
‘O—and it is about—you,’ murmured Miss De Stancy.
‘Me?’ The architect blushed a little.
She made no answer, and the machine went on with its story. There was something curious in watching this utterance about himself, under his very nose, in language unintelligible to him. He conjectured whether it were inquiry, praise, or blame, with a sense that it might reasonably be the latter, as the result of his surreptitious look into that blue bedroom, possibly observed and reported by some servant of the house.
‘“Direct that every facility be given to Mr. Somerset to visit any part of the castle he may wish to see. On my return I shall be glad to welcome him as the acquaintance of your relatives. I have two of his father’s pictures.”’
‘Dear me, the plot thickens,’ he said, as Miss De Stancy announced the words. ‘How could she know about me?’
‘I sent a message to her this morning when I saw you crossing the park on your way here—telling her that Mr. Somerset, son of the Academician, was making sketches of the castle, and that my father knew something of you. That’s her answer.’
‘Where are the pictures by my father that she has purchased?’
‘O, not here—at least, not unpacked.’
Miss de Stancy then left him to proceed on her journey to Markton (so the nearest little town was called), informing him that she would be at her father’s house to receive him at two o’clock. Just about one he closed his sketch-book, and set out in the direction she had indicated. At the entrance to the wood a man was at work pulling down a rotten gate that bore on its battered lock the initials ‘W. De S.’ and erecting a new one whose ironmongery exhibited the letters ‘P. P.’